Google/FB target fake news sites: I've been doing it for 15 years
By Jon Rappoport
Only I've been doing it for real, here at nomorefakenews.com.
That's the difference. Google and Facebook are up to something else.
They're attacking truth emanating from the alt media.
It's a reverse play on their part. Google will refuse to
allow "fake sites" to use their AdSense Program. FB will try to limit
"fake" posts.
They're really getting desperate.
Major media election coverage was so phony it was laughable.
Inside their bubble, Hillary was winging her way to victory. She was way
out ahead in the polls. Wikileaks and Project Veritas were spooling out
devastating revelations almost every day, and the press was studiously
ignoring the implications. Why don't FB and Google go after the NY Times
and WaPo and CBS and NBC and ABC and CNN and FOX, if they want to limit
fake news? Why? Because all those jokers, including Google/FB, are on
the same page. They're all PR firms fronting for the concoction called
Globalism.
And they're losing.
In mainstream news, everything should begin with the concept of a staged event.
Every television newscast: staged reality
"The news is all about manipulating the context of stories.
The thinner the context, the thinner the mind must become to accept it.
If you want to visualize this, imagine a rectangular solid. The news
covers the top surface. Therefore, the mind is trained to work in only
two dimensions. Then it can't fathom depth, and it certainly can't
appreciate the fact that the whole rectangular solid moves through time,
the fourth dimension." (The Underground, Jon Rappoport)
Focus on the network evening news. This is where the staging is done well.
First, we have the image itself, the colors in foreground and
background, the blend of restful and charged hues. The anchor and
his/her smooth style.
Then we have the shifting of venue from the studio to
reporters in the field, demonstrating the reach of coverage: the planet.
As if this equals authenticity.
Actually, those reporters in the field rarely dig up
information on location. A correspondent standing on a rooftop in Cairo
could just as well be positioned in a bathroom in a Las Vegas
McDonald's. His report would be identical.
The managing editor, usually the elite news anchor, chooses the stories to cover and has the final word on their sequence.
The anchor goes on the air: "Our top story tonight, more
signs of gridlock today on Capitol Hill, as legislators walked out of a
session on federal budget negotiations..."
The viewer fills in the context for the story: "Oh yes, the
government. Gridlock is bad. Just like traffic on the I-5. A bad thing.
We want the government to get something done, but they're not. These
people are always arguing with each other. They don't agree. They're in
conflict. Yes, conflict, just like on the cop shows."
The anchor: "The Chinese government reports the new flu
epidemic has spread to three provinces. Forty-two people have already
died, and nearly a hundred are hospitalized..."
The viewer again supplies context, such as it is: "Flu. Dangerous. Epidemic. Could it arrive here? Get my flu shot."
The anchor: "A new university study states that gun owners often stock up on weapons and ammunition..."
The viewer: "People with guns. Why do they need a dozen
weapons? I don't need a gun. The police have guns. Could I kill somebody
if he broke into the house?"
The anchor: "Doctors at Yale University have made a discovery that could lead to new treatments in the battle against autism..."
Viewer: "That would be good. More research. Laboratory. The brain."
If, at the end of the newscast, the viewer bothered to review
the stories and his own reactions to them, he would realize he'd
learned nothing. But reflection is not the game.
In fact, the flow of the news stories has washed over him and created very little except a sense of (false) continuity.
It would never occur to him to wonder: are the squabbling
political legislators really two branches of the same Party? Does
government have the Constitutional right to incur this much debt? Where
is all that money coming from? Taxes? Other sources? Who invents money?
Is the flu dangerous for most people? If not, why not? Do
governments overstate case numbers? How do they actually test patients
for the flu? Are the tests accurate? Are they just trying to convince us
to get vaccines?
What happens when the government has overwhelming force and citizens have no guns?
When researchers keep saying "may" and "could," does that
mean they've actually discovered something useful about autism, or are
they just hyping their own work and trying to get funding for their next
project?
These are only a few of the many questions the typical viewer never considers.
Therefore, every story on the news broadcast achieves the
goal of keeping the context thin---night after night, year after year.
The overall effect of this staging is small viewer, small viewer's mind,
small viewer's understanding.
Next we come to words over pictures. More and more, news
broadcasts are using the rudimentary film technique of a voice narrating
what the viewer is seeing on the screen.
People are shouting and running and falling in a street. The
anchor or a field reporter says: "The country is in turmoil. Parliament
has suspended sessions for the third day in a row, as the government
decides what to do about uprisings aimed at forcing democratic
elections..."
Well, the voice must be right, because we're seeing the
pictures. If the voice said the riots were due to garbage-pickup
cancellations, the viewer would believe that, too.
We see Building #7 of the WTC collapse. Must have been the result of a fire. The anchor tells us so. Words over pictures.
We see footage of Lee Harvey Oswald inside the Dallas police
station. The anchor tells he's about to be transferred, under heavy
guard, to another location. Oswald must be guilty, because we're seeing
him in a police station, and the anchor just said "under heavy guard."
Staged news.
It mirrors what the human mind, in an infantile state, is
always doing: looking at the world and seeking a brief summary to
explain what that world is, at any given moment.
Since the dawn of time, untold billions of people have been urging a "television anchor" to "explain the pictures."
The news gives them that precise thing, that precise solution, every night.
"Well, Mr. Jones," the doctor says, as he pins X-rays to a
screen in his office. "See this? Right here? We'll need to start chemo
immediately, and then we may have to remove most of your brain, and as a
follow-up, take out one eye."
Sure, why not? The patient saw the pictures and the anchor explained them.
After watching and listening to a month or two of news
planted with key words, the population is ready to see the President or
one of his minions step up to a microphone and say, "Quantitative
easing...sequester..."
Reaction? "Oh, yes, that's right, I've heard those words before. Good."
A month later, those two terms disappear, as if they'd never existed.
Eventually, people get the idea and do it for themselves. They see things, they invent one-liners to explain them.
They're their own anchors. They short-cut and undermine their own experience with vapid summaries of what it all means.
And then, of course, when the news cuts to commercial, the fake products take over:
"Well, every night they're showing the same brand names, so those brands must be better than the unnamed alternatives."
Which devolves into: "I like this commercial better than that
commercial. This is a great commercial. Let's have a contest and vote
on the best commercial."
For "intelligent" viewers, there is another sober mainstream
choice, a safety valve: PBS. That newscast tends to show more pictures
from foreign lands.
"Yes, I watch PBS because they understand the planet is interconnected. It isn't just about America. That's good."
Sure it's good, if you want the same thin-context or
false-context reporting on events in other countries. Instead of the two
minutes NBC might give you about momentous happenings in Iraq, PBS will
give you four minutes, plus congenial experts commenting abstractly,
employing longer words.
PBS' experts seem kinder and gentler. "They're nice and they're more relaxed. I like that."
Yes, the PBS experts are taking Valium, and they're not drinking as much coffee as the CBS experts.
Anchors deliver the long con every night on the tube, between commercials.
Staged.
They're marketing thin context.
And of course, the "science" promoted on the network news is
also derived from marketing efforts at major government agencies, such
as the CDC.
The anchor says, "Medical experts are now taking a heavier
approach to parents who refuse to vaccinate their children and deny the
benefits of vaccines."
What sits behind that statement?
The announcement of so-called epidemics and outbreaks are part of a strategy for marketing vaccines. It's obvious.
For example, read this from the World Health Organization Fact Sheet, Number 11, dated March 2014:
"Influenza occurs globally...Worldwide, these annual
epidemics are estimated to result in about 3 to 5 million cases of
severe illness, and about 250 000 to 500 000 deaths."
Now consider a "measles outbreak" in the US. 150 cases.
In the matter of worldwide flu, WHO and the CDC choose not to
hype and propagandize; but in the case of the measles, it's suddenly
all hands on deck and fear, fear, fear.
Why?
Because it's time. It's time to inflate the seriousness of a
standard childhood disease. It's time to focus on "the children." It's
time, once again, to offset the massive rebellion against vaccination
exploding in the US population. It's time to engender fear. It's time to
attack anti-vaccination researchers. It's time to take another step in
the direction of mandating vaccines. It's time to introduce bills in
legislatures that cancel legal exemptions from vaccines and cancel
freedom of choice. It's time for more medical fascism. It's time to
paint parents who don't vaccinate as terrorists. It's time to paint
their children as little biowar weapons running loose in the community.
It's time to advance the medical police state.
The designation of "outbreaks" and "epidemics" is arbitrary.
"We'll take THIS as an epidemic and we'll ignore THAT as an epidemic."
It's very much like marketing, because it is marketing.
"Let's see, Bob. Which one of the items in our sales catalog should we push hard this quarter? The bikini or the leather boots?"
"You know, we haven't hyped the measles vaccine for a while.
How about an outbreak of measles? Can we sell that? Focus on the
kiddies? We'll need about 100 cases, we'll say they all came from one
source, like a playground or an amusement park, and we'll claim it's
very, very serious..."
"Do we have a good front man to go on television and promote
the fear factor? How about that maniac who thinks any kid can handle
10,000 vaccines? Or the schmuck from UCLA. Maybe a woman doctor, a
mother with three kids. You know, soapy dopey."
When the propaganda pros decide which way to go...they issue a
statement, a press release, and this release is picked up by the news
shows:
"Medical experts are criticizing parents who refuse to vaccinate their children and deny the proven benefits of vaccines."
There are various forms of mind control. The one I'm
describing here---the thinning of context---is universal. It confounds
the mind by pretending depth doesn't exist and is merely a fantasy.
The mind, before it is trained away from it, is always interested in depth.
Another way of putting it: the mind naturally wants more space, not less. Only constant conditioning can change this.
Eventually, when you say "mind," people think you're
referring to the brain, or they don't know what you're talking about at
all.
Mind control by eradicating the concept of mind. That's quite a trick.
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