PART-I IT WAS A PLEASURE TO BURN FAHRENHEIT 451 by Ray Bradbury

 

PART-I IT WAS A PLEASURE TO BURN FAHRENHEIT 451 by Ray Bradbury

 

FAHRENHEIT 451
by Ray Bradbury

This one, with gratitude, is for DON CONGDON.

FAHRENHEIT 451:

The temperature at which book-paper catches fire and burns



PARTI

IT WAS A PLEASURE TO BURN

IT was a special pleasure to see things eaten, to see things blackened and changed. With the
brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world,
the blood pounded in his head, and his hands were the hands of some amazing conductor playing

all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history.

With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with
the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire
that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He
wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the
flapping pigeon-winged books died on the porch and lawn of the house. While the books went up
in sparkling whirls and blew away on a wind turned dark with burning.
Montag grinned the fierce grin of all men singed and driven back by flame.
He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, burnt-
corked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his face
muscles, in the dark. It never went away, that, smile, it never ever went away, as long as he
remembered.

He hung up his black-beetle-coloured helmet and shined it, he hung his flameproof jacket neatly;
he showered luxuriously, and then, whistling, hands in pockets, walked across the upper floor of
the fire station and fell down the hole. At the last moment, when disaster seemed positive, he
pulled his hands from his pockets and broke his fall by grasping the golden pole. He slid to a
squeaking halt, the heels one inch from the concrete floor downstairs.
He walked out of the fire station and along the midnight street toward the subway where the
silent, air-propelled train slid soundlessly down its lubricated flue in the earth and let him out
with a great puff of warm air an to the cream-tiled escalator rising to the suburb.
Whistling, he let the escalator waft him into the still night air. He walked toward the comer,
thinking little at all about nothing in particular. Before he reached the corner, however, he
slowed as if a wind had sprung up from nowhere, as if someone had called his name.
The last few nights he had had the most uncertain feelings about the sidewalk just around the
corner here, moving in the starlight toward his house. He had felt that a moment before his
making the turn, someone had been there. The air seemed charged with a special calm as if
someone had waited there, quietly, and only a moment before he came, simply turned to a
shadow and let him through. Perhaps his nose detected a faint perfume, perhaps the skin on the
backs of his hands, on his face, felt the temperature rise at this one spot where a person's
standing might raise the immediate atmosphere ten degrees for an instant. There was no



understanding it. Each time he made the turn, he saw only the white, unused, buckling sidewalk,

with perhaps, on one night, something vanishing swiftly across a lawn before he could focus his

eyes or speak.

But now, tonight, he slowed almost to a stop. His inner mind, reaching out to turn the corner for

him, had heard the faintest whisper. Breathing? Or was the atmosphere compressed merely by

someone standing very quietly there, waiting?

He turned the corner.

The autumn leaves blew over the moonlit pavement in such a way as to make the girl who was

moving there seem fixed to a sliding walk, letting the motion of the wind and the leaves carry her

forward. Her head was half bent to watch her shoes stir the circling leaves. Her face was slender

and milk-white, and in it was a kind of gentle hunger that touched over everything with tireless

curiosity. It was a look, almost, of pale surprise; the dark eyes were so fixed to the world that no

move escaped them. Her dress was white and it whispered. He almost thought he heard the

motion of her hands as she walked, and the infinitely small sound now, the white stir of her face

turning when she discovered she was a moment away from a man who stood in the middle of the

pavement waiting.

The trees overhead made a great sound of letting down their dry rain. The girl stopped and

looked as if she might pull back in surprise, but instead stood regarding Montag with eyes so

dark and shining and alive, that he felt he had said something quite wonderful. But he knew his

mouth had only moved to say hello, and then when she seemed hypnotized by the salamander on

his arm and the phoenix-disc on his chest, he spoke again.

"Of course," he said, "you're a new neighbour, aren't you?"

"And you must be"-she raised her eyes from his professional symbols-"the fireman." Her voice

trailed off.

"How oddly you say that."

"I'd-i'd have known it with my eyes shut," she said, slowly.

"What-the smell of kerosene? My wife always complains," he laughed. "You never wash it off

completely."

"No, you don't," she said, in awe.

He felt she was walking in a circle about him, turning him end for end, shaking him quietly, and

emptying his pockets, without once moving herself.

"Kerosene," he said, because the silence had lengthened, "is nothing but perfume to me."

"Does it seem like that, really?"

"Of course. Why not?"

She gave herself time to think of it. "I don't know." She turned to face the sidewalk going toward

their homes. "Do you mind if I walk back with you? I'm Clarisse McClellan."

"Clarisse. Guy Montag. Come along. What are you doing out so late wandering around? How

old are you?"

They walked in the warm-cool blowing night on the silvered pavement and there was the faintest

breath of fresh apricots and strawberries in the air, and he looked around and realized this was

quite impossible, so late in the year .

There was only the girl walking with him now, her face bright as snow in the moonlight, and he

knew she was working his questions around, seeking the best answers she could possibly give.

"Well," she said, "I'm seventeen and I'm crazy. My uncle says the two always go together. When

people ask your age, he said, always say seventeen and insane. Isn't this a nice time of night to



walk? I like to smell things and look at things, and sometimes stay up all night, walking, and
watch the sun rise."

They walked on again in silence and finally she said, thoughtfully, "You know, I'm not afraid of
you at all."

He was surprised. "Why should you be?"

"So many people are. Afraid of firemen, I mean. But you're just a man, after all..."
He saw himself in her eyes, suspended in two shining drops of bright water, himself dark and
tiny, in fine detail, the lines about his mouth, everything there, as if her eyes were two
miraculous bits of violet amber that might capture and hold him intact. Her face, turned to him
now, was fragile milk crystal with a soft and constant light in it. It was not the hysterical light of
electricity but-what? But the strangely comfortable and rare and gently flattering light of the
candle. One time, when he was a child, in a power-failure, his mother had found and lit a last
candle and there had been a brief hour of rediscovery, of such illumination that space lost its vast
dimensions and drew comfortably around them, and they, mother and son, alone, transformed,
hoping that the power might not come on again too soon ....
And then Clarisse McClellan said:

"Do you mind if I ask? How long have you worked at being a fireman?"
"Since I was twenty, ten years ago."
"Do you ever read any of the books you bum?"
He laughed. "That's against the law!"
"Oh. Of course."

"It's fine work. Monday bum Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes,
then bum the ashes. That's our official slogan."

They walked still further and the girl said, "Is it true that long ago firemen put fires out instead of
going to start them?"

"No. Houses, have always been fireproof, take my word for it."

"Strange. I heard once that a long time ago houses used to burn by accident and they needed
firemen to stop the flames."
He laughed.

She glanced quickly over. "Why are you laughing?"
"I don't know." He started to laugh again and stopped "Why?"

"You laugh when I haven't been funny and you answer right off. You never stop to think what
I've asked you."

He stopped walking, "You are an odd one," he said, looking at her. "Haven't you any respect?"
"I don't mean to be insulting. It's just, I love to watch people too much, I guess."
"Well, doesn't this mean anything to you?" He tapped the numerals 451 stitched on his char-
coloured sleeve.

"Yes," she whispered. She increased her pace. "Have you ever watched the jet cars racing on the
boulevards down that way?
"You're changing the subject!"

"I sometimes think drivers don't know what grass is, or flowers, because they never see them
slowly," she said. "If you showed a driver a green blur, Oh yes! he'd say, that's grass! A pink
blur? That's a rose-garden! White blurs are houses. Brown blurs are cows. My uncle drove
slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isn't
that funny, and sad, too?"
"You think too many things," said Montag, uneasily.



"I rarely watch the 'parlour walls' or go to races or Fun Parks. So I've lots of time for crazy

thoughts, I guess. Have you seen the two-hundred-foot-long billboards in the country beyond

town? Did you know that once billboards were only twenty feet long? But cars started rushing by

so quickly they had to stretch the advertising out so it would last."

"I didn't know that!" Montag laughed abruptly.

"Bet I know something else you don't. There's dew on the grass in the morning."

He suddenly couldn't remember if he had known this or not, and it made him quite irritable.

"And if you look"-she nodded at the sky-"there's a man in the moon."

He hadn't looked for a long time.

They walked the rest of the way in silence, hers thoughtful, his a kind of clenching and

uncomfortable silence in which he shot her accusing glances. When they reached her house all its

lights were blazing.

"What's going on?" Montag had rarely seen that many house lights.

"Oh, just my mother and father and uncle sitting around, talking. It's like being a pedestrian, only

rarer. My uncle was arrested another time-did I tell you?-for being a pedestrian. Oh, we're most

peculiar."

"But what do you talk about?"

She laughed at this. "Good night!" She started up her walk. Then she seemed to remember

something and came back to look at him with wonder and curiosity. "Are you happy?" she said.

"Am I what?" he cried.

But she was gone-running in the moonlight. Her front door shut gently.

"Happy! Of all the nonsense."

He stopped laughing.

He put his hand into the glove-hole of his front door and let it know his touch. The front door

slid open.

Of course I'm happy. What does she think? I'm not? he asked the quiet rooms. He stood looking

up at the ventilator grille in the hall and suddenly remembered that something lay hidden behind

the grille, something that seemed to peer down at him now. He moved his eyes quickly away.

What a strange meeting on a strange night. He remembered nothing like it save one afternoon a

year ago when he had met an old man in the park and they had talked ....

Montag shook his head. He looked at a blank wall.
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