Note: Consider this an opening to a much larger presentation. I've already made forays in past articles; in my work posted at
Outside The Reality Machine blog; and, in much greater detail, I've covered the brilliant work of hypnotherapist Jack
True in my collection,
The Matrix Revealed.
We'll never know who he was, but the moment he scratched out an animal on the wall of a cave, everything changed.
As yet, there was no formalized religion among his clan. The animal was
not a symbol. It was later that the obsession for symbols developed.
And of course the obsession continues to this day. Everything is
supposed to mean something else.
But when the first cave painter made his first drawing, he was simply
expressing a desire to go beyond the physical world. It was not enough
to see a tiger in the forest. The painter wanted to move past that.
This fact is still not acknowledged. Millions of people pass through
art museums every year and hunt for work that reminds them of objects
they already know---and the closer the paintings resemble those objects,
the more satisfied they feel.
But the first cave painter was doing something else. He was using a
rock wall as a new space. He was seeing the wall as a potential space
that went beyond the physical world.
Who knows what happened to him? Perhaps his clan were so awed they
appointed him a god on Earth. Perhaps they were so disturbed by his
presumption they killed him.
In either case, they were unable and unwilling to acknowledge that "the one and only space and time" was a fraud, a deception.
If you want to understand an underlying principle of "reality as
prison," know we are looking at the selling of one continuum as the only
one.
As my long-time readers know, as well as those who have my collection,
The Matrix Revealed, I worked closely, in the late 1980s, with a brilliant hypnotherapist named Jack True. I interviewed Jack many times.
During one of our first formal interviews, he had this to say about the
space-time continuum, based on his experience with clients:
"Under hypnosis, people will give you extraordinary information if you
can ask them the right questions, if you can go past the ordinary sort
of material that is usually requested. It turns out that people, below
their ordinary state of waking consciousness,
perceive different times and spaces.
"They see and can deal with what I call islands of space and time.
Separate islands. Each locale has its own continuum, and these continua
are not the same. I'm talking about multiple spaces and multiple
times.
"Their waking lives, their daily lives are a
reduction, a social artifact in which one moving arrow of time and one space are assumed to be all there is.
"If an artist creates a few hundred paintings, each one has its own
space and sense of time. This is not trivial observation. I'm not
employing a metaphor. The painter is at ease with what he's doing.
It's not a problem for him. Why would he make only
one painting with one space and time and then stop forever? That would
be absurd.
"Here is the interesting part for me as a therapist. When I have a
patient, under hypnosis, open up his perception of time and space, when I
have him branch out, so to speak, and when he becomes familiar with
this process, a great deal of his anxiety vanishes.
"This indicates that the habit of his waking life, his absolute
dedication to one space and time, operates like putting a lid on a pot
of heating water. Pressure builds up under the lid.
"Release that pressure and everything is different. In his waking life,
he can function quite well with one space and time---better than he did
before---but he has this reservoir of truth: He's experienced, many
times, his own deeper level of perception.
And as a result, he becomes more creative in the world..."
Jack and I often discussed how various systems are built to sustain and
force "the one and only space-time." This obsessive and unconscious
mind control goes light years beyond the usual types of brainwashing
people are familiar with.
Modern physics does little more than dip a toe in the water, when it
comes to conceiving other continua. You would find out a great deal
more by looking at the work of early 20th-century painters---who were,
unsurprisingly, attacked, as they cut up and multiplied
space and even time.
Rigid traditionalists, who still long for some grand human unification
(under a banner of their own choosing), are too late to the party. The
cat is out of the bag. It remains for humans to catch up to what they
already perceive below their every-day consciousness:
many dimensions.
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