8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook

Fixing a Prop: Furnishing the Lanza Home

by Allan Powell (with Kelley Watt) 

 To make the purpose of this chapter clear innediately at the outset, the Sandy Hook
Elementary school and the Lanza Home ere set up and stage-managed to support a false
story that Adam Lanza killed his mother Nancy Lanza in their home and then went
to an Elementary School and killed 26 people. 

There are hundred of images on the Internet that show both sites in 
gradual states of preparation to serve as a stage (in the case of the school) 
and as a prop (in the case of the Lanza home), which display its preparation 
over time with different states of tidiness. 

Social engineering requires psychological operations presented to the 
public as factual phenomena. It stands to reason therefore that individuals 
willing to conduct these psychological operations have to be trained in the 
presentation of the same. Both the Lanza home and the Sandy Hook school are 
instances of presentations of this kind and of the training of DHS personnel 
in producing them. 

The Lanza home 

The story through the media is that the Lanza home was left in a state 
that Adam Lanza left it in until police officers entered that afternoon. That is 



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false. The Lanza home was set up to resemble a home of a mentally deranged 
twenty-year-old who killed his mother and drove a Honda to kill over two- 
dozen at the school. 

The images available on the Internet and from the evidence released by 
the Connecticut State Police show that the home was stage-managed with 
props to create a location to support a false media story. From the evidence 
of these images, one or more may have stayed at the home for several days. 

The photos in this chapter show various stages of preparation of the 
house as a prop for the story of Adam Lanza the shooter. There are different 
takes on the decor of Adam Lanza>s bedroom for instance: messy, “normal” 
and pristine. 

Exhibit 1: Adam’s bedroom “messy” 

Note the books in 
the television stand in 
no order. 

* And the boxes 
have yet to be unpacked 
[where the asterisked 
comments are from 
Kelley Watt.] 

Exhibit 2: Adam’s bedroom “neat” 

One of course has 
to ask why these two 
different states for one 
room exist as evidence 
retained by police and 
where— in chronological 
order-one follows the 
other. 

If the room was 
found as messy and the 
residt of action by those 
government officers in the house was to render it to a different state other 
than that found, those officers are not acting in accord with the principles 
of forensic science but with the propagandist principle of public deception. 
They are setting a scene. 




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There are no evidence markers in either image and it is hard to imagine 
why any investigation of the dead shootens room would forward any evidence 
for clearing up any issues which could be in contention in a trial especially 
given that the shooter was dead. 

* Note the glider pad under the leg of the headboard in order to move 
the bed around for picture -perfect staging. 

* There is no blanket or electric blanket on bed despite 28 degrees outside. 

* There is no bulletin board, sports memorabilia, ipads, ipods, headphones, 
stereo equipment, trashcan, trophies, pictures, magazines, caged pets (such 
as a snake or hampster) plants, shoes or shirts, video games or flat screen 
TV. These items are typical in the room of a 21 -year old. 

Exhibit 3: The “computer room” neat 

* White cord running 
across the floor; sides of 
the computer taken apart; 
two bowls on table with 
white cloth draped over 
it, to the left of brown 
desk; trash can is located 
on side of desk; computer 
chair has no dust on legs. 

Cardboard boxes are 
stashed on the bottom 
shelf of black table. No 
medicine bottles or papers on desk. No box of “stuff’ next to screwdriver 
on the floor. 

Exhibit 4: The “computer room” messy 


* Trash can is now 
on desk rather than on 
the floor next to file 
drawer; computer chair is 
moved; water bottle on 
desk and hand weight on 
top of desk. Cardboard 
boxes stacked on top 
of one another. Sheet 
of paper --which is an 




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evaluation form for those managing the arrangement, which will appear in 
many of these exhibits— on top of desk. The sides of the computer tower are 
now not taken off and strewn on floor. 

Exhibit 5: Another “computer room” scenario 

* Computer chair 
now in front of desk; 
screwdriver on floor; 
the cardboard boxes 
have been moved; small 
speakers behind cereal 
bowls. 

Nothing on bottom 
of black shelf holding 
TV. Headphones on 
desk. Box of stuff with 

evidence marker is on the floor. White cloth on floor. 

Exhibit 6: Now with a stash of pills 

Here’s an image with 
a good sized stash of pills 
on the desk. The pills 
have no evidence marker. 

The story is that Adam 
Lanza wouldn’t take his 
meds, so what is this 
stash about? How did the 
photo come about? Why 
would forensics teams 
set up evidence like this 
in cross contamination of 
different areas of the house? 

That is not what they do and they keep different types of evidence from 
different locations at a crime scene separate for study usually in a laboratory. 
They do not lump a whole bunch of items together to present a manipulated 
scene to persuade others of a thematic context. 

Other images in the police evidence file show the desktops with only a 
dozen or so items. This image appears to be one of several mock-ups, probably 
by intelligence agents on a training course/drill. 




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* Stacked cardboard boxes now missing along with the screwdriver and 
box of “stuff that was next to the screwdriver. Trash can now behind file 
drawer; desk chair is missing; cereal bowls are now on desk; the table they 
were on now missing. 

* Small speakers behind cereal bowls are now facing backwards on desk; 
hand weight now on file cabinet and flat screen is turned sideways. White cloth 
that was on the floor is now missing. The sides of the computer tower that 
had been taken off are now gone, while medicine bottles appear on the desk. 

Exhibit 7: The “boiler room” in one of its guises 

The most 
inexplicable area in the 
house is what I shall call 
«the boiler room». There 
are at least four different 
images of this area 
which are completely 
contradictory to each 
other. 

* Hoover box is 
front and center, white 
plastic table is upright. Adam’s bed linens are under laundry basket; the green 
wire rack is in front of white box with pink pillow on floor behind it. The 
brown bookcase to the right of green wire rack. Painter’s paper on floor. (Stuff 
behind the “black oil tank” changes in other photos of «the boiler room».) 



Exhibit 8: Another “boiler room” arrangement 


The contents of the 
boiler room here are 
arranged differently and 
are differ in number, 
position and category to 
the items in Exhibit 7. 

* Now there is 
a book on top of the 
brown book case behind 
the green wire rack; the 
Hover box is moved and 



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on its side; the brass magazine rack is in front of green wire rack; the United 
Van Lines box is front and center. 

Exhibit 9: The “boiler room” rearranged again 

Again the arrangement is different here. There is no explanation for this in 
the context of forensic investigation. None of the activity of re-arranging the 
boiler room--whoever 
undertook it--in any 
manner advances any 
precision in establishing 
a point in evidence 
or establishing a fact 
either in the positive or 
negative. The question 
then arises of what will 
explain the existence of 
different settings of the 
boiler room? 

Training for creating misleading evidence is the only answer I can think 
of. In faking propaganda events, those who leave their integrity at the door 
have to be trained to do it and that appears to be the function of these attempts 
at fakery. Where it falls down, of course, is when other dullard public servants 
are clumsy enough to allow this kind of image to make its way to the public. 

* The magazine rack is now on top of book case. United Van Lines box 
is gone and another box is in its place. Hoover box is now upright; pink 
pillow is no longer behind green wire rack and now, by the side of plastic 
movable cart, a plastic bin appears on the floor behind the black oil tank. An 
evaluation sheet is on top of the black garbage bag. 

Exhibit 10: Another view of the boiler room 

Just in case you 
notice something that 
we may have missed. 

Exhibit 11: The 
“Adam Lanza rifle” 

According to the 
official narrative, Adam 
shot his mother Nancy 




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four times, three in the 
eye one in the forehead. 

Four flattened 22 slugs 
(plus one fragment) 
were in the evidence, all 
flattened as if shot into 
ballistics gel (see below). 

This image of the 
Savage shows what one 
would presume to be 
bloody matter on the 

carpet beside it at the muzzle and perhaps a few specks more. 

Exhibit 12: Another view of “Adam’s rifle” 

Another image 
doesn’t show the same 
matter on the carpet. 

Note too that Nancy is 
supposed to have been 
shot in the eye three 
times, yet the immediate 
surroundings including 
the carpet, the headboard 
and the bed itself do not 
indicate that any brain 
matter or blood were 
expelled forward out of the eye socket from the three shots. 

The shots did not penetrate the back of the skull. There’s no cranial matter 
evident in any images around the bed except for what looks like some minimal 
and feint blood splash on the wall. Nancy didn’t bleed much according to the 
images for having four shots to the head. 

The general rule with headshots is that the heart keeps pumping blood 
because of which wounds evince a large quantity of blood. Four small spots 
of less than a quarter of an inch in diameter each are found on the bedside 
cabinet items. This is inconsistent with three wounds to the eye and a wound 
to the forehead. 

Exhibit 13: The boxed “Adam Lanza rifle” 

The Savage 221r (long rifle) is boxed and cable-tied in this image before 




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being used as a prop along 
with a magazine and 
(oddly) two expended 
cartridges. It looks like 
a factory boxed item. 

That is how the stage- 
managers received the 
rifle from FEMA to use 
in the sham setting. 

Here it’s in the box. 

In other photos, it>s on 
the floor. But the Savage couldmt have been both boxed and on the floor 
when they found it. And if it was still in the box, Adam could not have used 
it to shoot his mother. 



If the forensics team were transporting it to another location, they woidd 
have used a large plastic bag. This is another case of incompetent stagers of 
a hoax taking unnecessary images or of at least allowing the image to come 
into the public domain. 


Exhibit 14: Used cartridges to plant as props? 


The origin of these 
used shell casings is not 
obvious. If would seem 
odd for them to have 
been supplied with the 
rifle. 

Live cartridges were 
also found and both were 
used for placement by the 
bed. These are clearly 
props for the staging of 
a murder which did not 
take place. 

Exhibit 15: The 
blood on the tip of 
the barrel 

There’s pretend 
blood on the muzzle but 



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it>s not very convincing. Note too that the rifle is now in a third location for 
image capturing. 

Exhibit 16: Slugs purported shot into Nancy 

The four flattened 
slugs (plus a fragment) 
that were purportedly 
shot into Nancy>s 
cranium all sustain 
uniform damage and look 
like they were actually 
fired into some form 
of ballistics retardant 
(or gel) rather than an 
any thing-but- uniform 

complex of skin, skull and brain in the head of a human being. 

Exhibit 17: The Nancy Lanza bedroom 

This DHS/FEMA 
image shows Nancy’s 
bedroom with a 
pomegranate-seed 
colored stain on the 
bed. It is not the color 
of dried human blood or 
of brain matter. A pillow 
with a slight red stain 
lies on the floor against 
the double-mirror chest 
of drawers. There is no 
corpse wearing polka-dot pyjamas. 

None of these stains appear to be blood or brain matter. They are some 
kind of red matter applied to simulate blood. Again few and small splashes 
of the red liquid appear on the wall where the direction they indicate it as 
having travelled is forward toward the lit lamp. The stain on the bed indicates 
the red liquid there as having travelled away from the lamp. The red bed stain 
is slightest a the furthest point from the lamp. 

The refection of the top of the bed in the mirror in the left of the picture 
does not reflect any red stain anywhere on the bed. The angle of view shows 
the end of the curtain closest to the bedhead wall. The part of the bed reflected 




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in the mirror is that closest to the mirror, which is the right side. No red stains 
are evident. 

The reason that the red stain evidence is inconsistent with a shooting 
death having occurred on the bed is that no shooting death occurred in the 
room. No evidence from the Connecticut State Police shows any image of 
any corpse on the bed. The reason for this is that there never was a corpse of 
a person who had been shot on the bed. 

The evidence does show, however, that there were three pillows on the 
bed: a white one, a light blue one and a green-and-orange striped pillow. They 
were captured in the first four images taken by the forensic team (or police) 
as they entered the bedroom. 

These same clumsy State government fakers have allowed the images 
which indicate that no corpse was in the bed to be come public on the Internet. 
The following five images are from the Connecticut State Police evidence 
made freely available to the public on a Connecticut State Government site. 

* Notice the evaluation form on the foot chest. No blanket or electric 
blanket on the bed despite 28 degrees that morning. Notice the moving pad 
under the leg of the footboard— just as we saw in Adam’s bedroom. 

Exhibit 18: Peering into Nancy’s bedroom 

This image shows a 
view into the bedroom 
with the Savage rifle in 
the distance. No evidence 
markers for the rifle or 
the magazine are on the 
carpet; therefore, we can 
presume this is prior in 
time to those images. If 
one downloads the image 
and magnifies it, there is 
no blood or brain matter 
on what can be seen of the bed. 

One should notice that the area of focus for this forensic officer is the 
floor, not the “corpse” on the bed of which they would have been well aware 
of by this point. The focus is on the floor because another element of this hoax 
involves a forced entry scenario, which will be discussed later. 



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* The Central Vacuum hose and toilet cleaner in the foreground 
suggest that a Maid Service has already been called, which would not appear 
to be consistent with proper forensic practice. 

Exhibit 19: Taking a closer look 

Here is an 
enlargement of Exhibit 
18. One might be fooled 
into thinking one is 
viewing a body and that 
the conveniently placed 
ironing board and iron 
are concealing a head of 
a corpse, but that is not 
the case. 

No part of this image 
contains any red stain much less a blood stain visible even in the dark as it 
is. Nothing on the bed at this point discloses any murder having taken place 
let alone any victim on the bed. 

Exhibit 20: The top portion of bed from side 

Here is another 
enlargement of another 
image available on the 
same site referred to 
earlier. The iron is no 
longer obscuring the top 
of the bed. There is a 
green-and-orange pillow, 
a white pillow, a piece of 
scarlet cloth and a bundle 
of cloths in the middle. 

No polka-dot body in 
pyjamas is in sight. 

From the lie of the coverlet, the fake corpse appears to have no feet. This 
first entry to the bedroom is at least three hours after Adam Lanza supposedly 
shot his mother. All blood by this time would be dark brown not scarlet. If 
the scarlet coloured material is intended to simulate blood, it has defied the 
law of gravity as a liquid and has failed to flow down on to the bedsheet. 




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Allan Powell (with Kelley Watt) 


No arms, hands, head, feet, face nor legs are discernible in this image. 
The curtains are closed in this photograph, yet open in others. This image is 
contrived to come across as uninformative yet realistic as the imagination of 
the scene-setters has allowed. It falls far short of reality. 

In setting up this room, as in all the other rooms, the participants were 
graded. The graders were dumb enough to leave their evaluation forms. 

Exhibit 21: Nancy Lanza’s dressing table 

This image was 
captured too casually 
because it shows the top 
of the bed reflected in 
the mirror on the left 
with no red colouring at 
all. No corpse, no head, 
but a cross section of 
the bed, which Exhibit 
17 shows as having red 
staining. That staining 
is not evident here. Not even the faked material appear to be in place. The 
colour and configuration of the bedframe and of the chest appear different 
to other images of them. 

* The evaluation form is now missing from the chest in the mirror 
reflection. 

Exhibit 22: Nancy’s bed with stains concealed 

Ask yourself why 
a forensic photographer 
would take an image of 
a bed with the purported 
blood stain covered up? 

Was he queasy? Was 
he trying to conceal 
disturbing proof of a 
murder? 

What complete 
nonsense. The job of a 
forensic photographer is to document images as they are originally found, 
not to create a more acceptable image that won>t upset the impressionable. 




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Noone Died at Sandy Hook 


* The lamp is turned off in this picture. The sheets have been removed. 
No blood visible anywhere. 

Exhibit 23: The Lanza family dining room 

Notice the evaluation 
form in the dining area. 



* Three candle 
holders on the table; no 
chair pads on chairs; 
boxes in dining room. No 
plants, framed art or area 
rugs. Cheap dining room 
curtains and curtain rods 
for a house appraised for 
over $500,000 owned by the ex-wife of an executive for finance at GE who 
was reported to have purchased the home new in the 1990’s. 


Exhibit 24: The photographer catches himself 


One of the 
photographers and 
stager managers catches 
himself in a reflection in 
the mirror. 

We have several 
others, where their 
reflections were 
apparently not noticed by 
those filing the photos. 



* Mattresses are 
stacked on top of one 
another in the dining 
room. Candle holders are 
missing from table and 
moved to sideboard. 



Exhibit 25: Here’s 
another from the 
bedroom 


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Allan Powell (with Kelley Watt) 


Exhibit 26: Here’s one taken from above 


This odd shot appears 
to be a different man 
than the one reflected 
in Exhibit 24. None of 
them seem to be wearing 
protective gear, which 
suggests that they are 
not forensic experts but 
photographers recording 
the home as it was being 
furnished. 


Exhibit 27: The lounge area of the Lanza home 



* Coffee table in the 
middle of the room rather 
than near the sofa or 
chairs. No coffee table 
books, candlesticks, 
candy bowl, magazines, 
magnifying glass, 
picture frames on tables. 
Again really bad, cheap 
curtains. 



Exhibit 28: An access venue that broken in 


Each access point 
was forced and each 
door was broken. The 
Lanza home appears 
to have been stormed 
simultaneously. Did they 
think Adam was still 
alive and waiting for 
them? 

Even the roller door 
for the garage (below) is 
forced or at least broken. One can understand police forcing a single door as 
a matter of urgency, but surely not all points of entry. 



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Noone Died at Sandy Hook 


* The curtains are way too long and cheap, including even the curtain 
rods, for such an expensive home. 

Exhibit 29: The refrigerator filled from the left 

The water bottles in 
the freezer compartment 
woidd have expanded to 
split the bottles if they 
had only arrive at least 
for three hours after 
Nancy had been shot. If 
the official report were 
true, Nancy was shot 
sometime before 9:30 
AM and police entered 
after 12 Noon. 



Exhibit 30: Desk set up for right-handed user 


The setting here 
indicates that Nancy was 
right handed, but the 
filling of the shelves in 
both the refridgerators 
indicates that it was 
performed by a left 
handed person, being 
filled to the left. 




* In contrast with 
Exhibit 27, there is no 
water bottle to the right of the sand timer on the shelf (4“’ from the bottom 
to the left of desk). The 
chair is in front of desk. 


Exhibit 31: The 
study with no laptop 
or printer 

Here’s the study 
with no laptop or printer 
and the evaluation form 
on the Chesterfied chair. 


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Allan Powell (with Kelley Watt) 


Note only one image of Ryan Lanza in the bookshelf and no modem one 
of Adam Lanza. Ryan is wearing a graduation gown different to the one in 
his graduation video. 

* Laptop is missing from desk; chair is in front of cabinet, not desk; 
water bottle to the right of sand timer on bookshelf. Banker box on floor. 

Exhibit 32: Workman’s tools left on the floor 

Workman’s tools are 
on scene before evidence 
markers are laid down. 

This is another image 
which should not have 
been allowed to escape 
by the stagers to public 
scrutiny. 


Exhibit 33: Water bottles left on the floor 

Stage managers’ 
bottles of water are 
caught in photos. My 
(Allan’s) guess is that 
there were three of them. 

* I (Kelley) think the 
house was being lived 
in as a security measure 
against anyone gaining 
access in pursuit ofDNA 
or other evidence. 

Exhibit 34: Outdated electronic equipment 

The whole house has 
electricals from 2008 or 
earlier. 

A Dell Inspiron 
laptop Image 25 and a 
Brother MFC printer fax 
from around that era. 





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Noone Died at Sandy Hook 


Exhibit 35: The paper shredder appears full 

The paper shredder is 
full. What would Nancy 
have had that required 
that much shredding? 

Those setting up the 
fake scene for a pretend 
murder, however, have 
a lot of paperwork they 
wouldmt want seen. 

Exhibit 36: Ryan and Adam’s AAA ID cards 

Ryan has a 
Connecticut AAA card 
and lives in Queens 
but Adam has a New 
England AAA card and 
lives in Sandy Hook? 

Exhibit 37: Back to the Computer Room 

Like all other things 
in the Lanza home the 
carpet protectors here 
are either brand new or 
unused or show no signs 
of use. These plastic 
mats are in an unrealistic 
condition if Adam Lanza 
was on the computer all 
hours. The room is too 
sparsely filled. 

There are no books in the bookcase for someone who supposedly shrinks 
from the world. There are no super hero comics, no computer magazines, 
no favorite anything anywhere. The games are from 2008 and the machines 
from the same period. No Spiderman, Star Wars; only a Matrix poster. There 
is a sack in front of the desk and no boxes. 

Exhibit 38: The room has been rearranged 

Now we have no sack and stacked boxes. Adam was reported to have 





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Allan Powell (with Kelley Watt) 


a huge spread sheet, 
where The New York 
Daily News reported that 
investigators discovered, 

“a chilling spreadsheet 7 
feet long and 4 feet wide 
that required a special 
printer, a document 
that contained Lanza’s 
obsessive, extensive 
research — in nine- 
point font — about mass 
murders of the past, and even attempted murders.” 

But none of the photos we have reviewed suggest any kind of research, 
much less a special printer or a spreadsheet of that size. If it had been in the 
home, surely it woidd have been the subject of photographs. But there appear 
to be no printer, no spreadsheet and no indications of Adam having done any 
research on mass murders or any other subject. 

Exhibit 39: The carpet saver seems unused 


Not one scratch or 
buff or scrape or indent 
or piece of dust on this 
carpet saver. It>s not just 
this. Look for yourself at 
the photo evidence. 

Exhibit 40: And no 
dust under Adam>s 
bed 

No dust, spider webs 
or other miscellaneous 
debris under the Adam 
Lanza bed. Nothing to 
suggest it was here for 
any period of time. 




Exhibit 41: A 
constantly changing 
down-stairs room 


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Noone Died at Sandy Hook 


There is no I 
explanation for how the , 
down-staris room came » 
to have so many different 
states and why they 
were photographed by a 
technician and included 
in a release of evidence 
to the public--except, 
of course, government 
incompetence. 

*Boxes have been emptied, sofa is sideways in order to make room to 
move stuff in. Bed is not made; stuff is on top of armoire. 

Exhibit 42: A variation on the messy room 

Here’s the basement 
less tidy. Notice the ever- 
present evaluation paper 
on the table. 

* Green chair has 
been moved; fewer boxes 
on bed: some may have 
been taken upstairs and 
used to stage tje book 
shelves, etc. In another 

picture, the bed has been made and all boxes have been removed. 

Exhibit 43: A neater version of the down-stairs room 




Here’s the basement 
considerably tidied up 
with somebody’s clothes 
and bag of food evident. 
Whose room was this? 
It wasn’t Adam’s room 
or Nancy’s bedroom. 

Did a forensic’s guy 
break in to set up the 
house after the incident? 
Before is even more 



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Allan Powell (with Kelley Watt) 


likely. And he cleaned up for the official visit, but left his clothes behind. 
Please notice, that the sofa is now flat against the wall. 

Exhibit 44: The ever-changing laundry room 

The ferns in the 
laundry room jump 
around. The ferns are 
gone here and the 
coloured box is on the 
floor. Laundry basket 
is in front of the front 
loader. 

*The paper towels 
are on top of ice chest in 

this photo, in other photo they are on top of fridge. 



Exhibit 45: A decidedly tidier version of the basement 


The fern and the 
coloured box move to 
the top of the washing 
machine. The laundry 
basket has has taken 
some steps to the left. 

Exhibit 46: 

Small things are 
rearranged 

The tube of ointment 
disappears; a pen moves 
sideways; the phone 
and its battery rearrange 
themselves; the Science 
Club ID conveniently 
displays itself. 




iU 



* 


Since when does a 
20-year-old keep phone wallet, etc. in a bathroom cupboard at the lowest 
level? 


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Noone Died at Sandy Hook 


Exhibit 47: Inside the Lanza home garage 


Notice the evaluation 
form even in the garage. 

Exhibit 48: The 
broken garage door 

The garage door on 
the right shows Adam 
Lanza didn>t drive the 
Honda out of that car 
space. There>s a box 
blocking the broken 
roller door which 
wouldn’t have raised 
or closed. The Honda 
couldmt have driven out 
of the garage. 



There’s an evaluation 
form on the BMW. And 
of course the man who 
delivered the oil didn’t 
see the wrecked door even though he had to pass it to fill the oil tank. He 
didn>t investigate and did not call the police. 


Exhibit 49: Wood lice and earwigs in the house 

Perhaps a very 
telling image is this one 
from the kitchen which 
has both an earwig and a 
wood louse at the base of 
this door. Neither wood 
lice nor earwigs stay in 
houses during winter. That is their mating season and they seek out the garden 
in which to mate and live. The image is fabricated. 



Exhibit 50: The view looking down the driveway 

The faked oil bill has been placed in the letterbox early on a frosty 
morning as one more fake effect to create the impression that a family was 
living here, which the evidence presented here refutes. 


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Allan Powell (with Kelley Watt) 


These exhibits were 
originally presented 
by Allan Powell 
on “ The Real Deal 
Ep. 80 Explosive New 
Revelations about 
Sandy Hook”, which is 
available on the Internet. 



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Setting the Stage: Refurbishing the School 


8 


Setting the Stage: 
Refurbishing the School 

by Allan William Powell 

Four large trucks supplied by William B. Meyers, a United Vanline 
franchise holder, delivered the props for the empty school to be window 
dressed to appear as if it was an active school. 

The trucks were from United Van’s Connecticut branch. From the state 
of the leaves on the trees, the last oak leaves are falling so I would say late 
October or early November. 

The trucks unloaded school furniture and props which may have been 
in storage with William B. Myers since the school was decommissioned and 
then re-installed at the school to make appear to be a functioning reality. 
Below are some of those images. 

Exhibit 1: 

A United Van in the Sandy Hook parking lot 

A wet but 
not freezing day, 
probably late October 
or early November, 
the United truck 
stands well out of 
the way waiting to 
be emptied while 
another United truck 
is just visible in the 
left of the image as it 
is emptied. 



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Allan William Powell 


Exhibit 2: 

United movers standing by cartons used to transmit props 

Here we see some 
of the United removal 
staff standing by the 
empty stacked yellow 
plastic cartons after 
the school has been 
filled with props. A 
security officer stands 
guard at the front of 
the school. 

Exhibit 3: 

The United agent involved here was William B. Meyer 

The sign 
“Meyer” on the back 
of the removal truck 
shows clearly the 
United agent was 
William B Meyer. In 
the background the 
leaves are brown but 
not yet fallen. 

Exhibit 4: 

Three semi-trailers 

Three semi- 
trailers in the 
background, one 
in the foreground. 

There’s a white 
unmarked FEMA 
trailer by the portable 
toilet. Also visible is 
the portable mortuary 
referred to by Wayne 
Carver, Medical 
Examiner, in his 
bizarre public speech 

about the victims of the hoax. [Editor’s note: See Chapter 1.] 


in the background, one in the foreground 





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Setting the Stage: Refurbishing the School 


Exhibit 5: 

The empty truck from Bridgeport shows its work was done 

This image 
shows the work 
done, the empty 
United trucks 
from Bridgeport 
Connecticut. Wm B 
Meyer has failed to 
answer any questions 
I have put to them 
about the presence 
of their trucks at the 
school. 



Exhibit 6: 

Unmarked FEMA vehicles making back-door deliveries 

Unmarked 
FEMA vehicles 
arranged deliveries 
at the back door. 

[Editor ’s note: We 
have the FEMA 
manual for the Sandy 
Flook event; see 
Appendix A.] 



Exhibit 7: Multiple indications the school had been abandoned 

Weed growing and wires hanging loose 
indicate the fact the school was disused. 

[Editor’s note: See Chapters 2 and 3 for more 
proof that it had been abandoned.] 

Exhibit 8: Further signs that the school 
had been abandoned 




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Allan William Powell 


Green mould on the wall indicates inactivity at the school, long since 
abandoned. 

Exhibit 9: 

Penske Truck Rental also involved in refurbishing the school 


Penske truck 
rentals were also used 
to move props for the 
faked shooting into 
the empty school. 

Exhibit 10: 

They took photos with the mover’s tags still attached 

The image bears 
the name “William 
B. Meyers” and 
the notation for the 
room in which the 
contents of the yellow 
labelled bins are to be 
placed. The label was 
removed as shown 
in the next image when someone realised it would give away the fact that 
Sandy Hook was staged. 

But someone forgot to remove a sticker from a floor mat and it was 
captured in an image. I>ve sent W.B. Meyers an email requesting that they 
confirm that the stickers belong to them and if they could tell me when they 
made the delivery of the props to Sandy Hook. They have not replied. 

Exhibit 11: 

The MEYER moving sticker identification now removed 

Here the William B 
Meyers sticker has been 
removed from the classroom 
sign 





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Setting the Stage: Refurbishing the School 


Exhibit 12: 

Meyer’s was responsible for both moving and storage 


Over the orange 
stickers, the label of 
William B. Meyers 
can clearly be seen. 
This indicates that 
both storage and 
moving were part of 
the Meyers) contract. 


Exhibit 13: 

Vehicles with fake bullet holes were placed in the parking lot 

Faked bullet- 
holed car props were 
placed in the carpark. 

The official story in 
the Sedensky report 
is that Lanza shot 
holes on the front 
glass next to the door 
and nothing else 
before he entered. 

The Sedensky Report 
also says that cars in 
the car park were only damaged from shots fired from inside the classrooms. 
The only one with any apparent bullet holes in both glass and window frame 
is Classroom 10. 

Other images released in the evidence show that to be false. Additional 
cars were staged as crime scenes as the drill stagers hadn>t fully decided the 
scope of the production. A drill is more likely to test a given situation in which 
participants have been instructed, so here the participants knew the FEMA/ 
DEIS drill would involve a shooter but they would not be given exact details 
of what the drill would involve. 

The Lauren Rousseau car referred to in the section on the Lanza home 
appears in the car park and is shown under a small pavilion as is this vehicle. 
This vehicle appears to have been struck by a bullet which came through 
the window of classroom 10, turned left, advanced for forty meters, made a 
right turn and then a left turn into the rear passenger door. The vehicle has 
been moved to that location; it has cordon tape trapped under the back wheel. 




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Allan William Powell 


Exhibit 14: 

This vehicle was moved to make for better staging 

This vehicle has 
been moved during 
the forensic session 
and appears to have 
driven over the 
yellow cordon tape, 
trapping it under the 
front wheel. 


Exhibit 15: 

The Lauren Rousseau car also seen at the Lanza home 

This is the 
Lauren Rousseau 
car which also was 
staged as being in 
the Lanza house 
driveway. Reflected 
in the rear passenger 
door and window is 
the photographer. The 
condensation drip of 
moisture from the 
exhaust pipe on to the 
car park surface indicates that the vehicle has only recently been driven to 
that location, probably within an hour. 

The car from Exhibit 13 would have been shielded from any bullet 
damage to its right side from Classroom 10 by the Rousseau car, yet a bullet 
hole in the rear right side passenger door was recorded by the forensic’s team. 

Exhibit 16: 

A bullet fragment 
was planted in 
the trunk of the 
car 

The bullet here 
appears to have been 
retrieved from a 





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Setting the Stage: Refurbishing the School 


ballistics testing medium and then placed in the trunk of the Rousseau car. 

Exhibit 17: 

The Rousseau car was photographed in multiple locations 



Here it is under 
the pavilion. The 
car has been driven 
over cordon tape 
indicating that it 
has been moved 
again. The car from 
Exhibit 13 appears 
to be beside it, which 
means the Rousseau 
car would have been 
blocking any bullet 
shown in that exhibit as having hit the rear passenger side door. 


Exhibit 18: 

A close-up of the bullet holes in the right 
passenger side. 

A bullet coming trough the window of 
Classroom 10 would have had to have curved over 
the Rousseau car to hit the Exhibit 13 car. A man 
is visible in the background at the window through 
which the bullets were purported to have passed. 


Exhibit 19: 

Even closer with a forensic identification tag attached. 

The stage 
managers went 
out of their way to 
fake their forensic 
evidence. 




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Allan William Powell 


Exhibit 20: 

These vehicles are cordoned off and not in Sedensky’s report 

These two cars 
and a faked bloodstain 
are cordoned off as 
part of the pretended 
shooting. No 
reference is made by 
The Sedensky Report 
to any discharge of 
the Bushmaster in the 
parking lot other than 
to breach the window 
in order to enter the 
school. 

Exhibit 21: 

Fake blood has been planted between these two cars 

Here>s the faked 
blood between the 
two cars. The shadow 
cast from the eastern 
sunrise shows that 
this is early morning. 

Exhibit 22: 

Notice the forensic tag on the bumper by the license plate 

This creates 
the impression of a 
thorough forensic 
investigation of the 
crime scene. 

Exhibit 23: 

Here is a bullet 
fragment but no 
trajectory of how 
it got there 





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Setting the Stage: Refurbishing the School 


Abullet fragment 
glides conveniently 
to a halt under a car 
trunk carpet, but no 
images of the holes 
the bullet made in the 
car trunk carpet exist. 

Exhibit 24: 

Open school door with no shot-out window glass 

This photo taken 
early on the morning 
of 14 December 
2012 shows the 
school door open but 
no window blown 
out to gain access. 

Notice the discarded 
water bottles at front 
in the gutter. If you 
look closely you will 
see an audio-visual 
presentation being given on a large screen just beside the American flag in 
Classroom 8. 

Exhibit 25: 

A couple of stage managers inside the foyer before the event 

Another photo 
shows a pair of stage 
managers inside 
the foyer before the 
event. 

Exhibit 26: 

Flag full mast, 

SWAT vehicle 
present, windows 
undamaged 

Notice the windows of Classroom 10 are undamaged, the flag is up. 
Wayne C arver can be seen behind the man in the blue evidence suit. The shot 





147 





Allan William Powell 


is taken from one of 
the elevated cameras 
placed around the 
car park to record 
the drill. Leaves are 
evident on the trees 
in the background. 

This is not December. 

No portable mortuary 
can be seen, which 
means this is early 
morning before the 
portable mortuary was 

Exhibit 27: 

Some Port-a-Potties are already in place early in the morning 

Portable toilets 
were ordered prior 
to the day and placed 
in the car park. They 
appear in the early 
morning images. 

The suppliers of the 
toilets will not answer 
emails for details on 
the supply contract for the potties. Establishing that both the toilets and the 
mortuary tent were delivered prior to the “massacre” provides one more 
important proof that this was a planned event. If it>s early morning and 
Carver is there and the mortuary isn>t, that>s pretty conclusive of planning. 




delivered. 


Exhibit 28: 

Another car photo early morning before the event takes place 


The sun can just be seen 
rising over the school in 
reflection on this car rear 
door. The sunlight has hit the 
trees on the west side of the 
car park indicating again that 
the time of this image capture 
is early morning and before 
the incident would begin. 



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Setting the Stage: Refurbishing the School 


Exhibit 29: 

Earlier in the morning before the windows have been “shot out” 

One image of 
a car shows a case 
of water put down 
for the boys to help 
themselves and 
four windows of a 
classroom open with 
three candle shapes 
in each open window. 

The end windows 
have been closed. 

Other images show 
the windows were intact before holes were drilled through the frames to 
simulate bullet damage. 

The sun has yet to rise on the car park but sunlight can be seen on the 
tree behind the school. This indicates again that it is early morning. The 
mortuary tent is not in place as it would have been every morning after the 
shooting had it been real. 

Exhibit 30: 

The windows have been “fixed” to simulate effects of shots 

The mortuary 
tent can now be seen 
in the reflection of 
the window. This 
means it has been 
set up some time 
after the windows 
of Classroom 10 
featuring three 
candle images apiece 
were staged to look 
as though bullets 
passed through some 
of them. 

Exhibit 31: 

The bullet Adam “shot himself with” looks corroded 




149 


Allan William Powell 


This image of 
the 10mm bullet with 
which Adam Lanza 
purportedly took 
his own life shows 
fragments that appear 
to be corroded. 


Exhibit 32: 

None of the .223 fragments could be matched to the rifle 

Other images of 
.223 bullets recovered 
indicate they have 
sufficient land and 
groove imprints to 
forensically link them 
to the Bushmaster, 
were this a legitimate 
bona fide forensic 
investigation. The 
Sedensky Report says 
none of the 154 fragments that were recovered could be forensically linked 
to the Bushmaster. That is simply false. 

Exhibit 33: 

The office area leading to Nurse Sally Cox’s office 

She also claimed 
in another interview 
that Lanza opened 
the door and stared 
her in the face. She 
says she then jumped 
under the desk with 
another staff member 
and together they 
stayed there for three 
hours only calling the 
police once. The story 
is highly improbable. 

Few public-speaking appearances have been made by Sally Cox. As a crisis 
actor, she appears to be a loose cannon. 





150 



Setting the Stage: Refurbishing the School 


Exhibit 34: 

The fraudulent testimony of Nurse Sally Cox exposed 

Another image is 
a view of Nurse Sally 
Cox’s office, which 
shows she could not 
have seen the shooter 
20 feet away. There 
is no desk with a 
view that would have 
permitted it. 

There is also no 
desk facing the door 
for her to hide under and watch the shooter, as she claims she did. She also 
asserted in an interview that she saw his boots through this imaginary hole 
in the desk. But officially Adam Lanza’s footwear was a pair of black shoes. 

Exhibit 35: 

The mortuary tent 

The large tent 
mortuary doesn’t 
appear in other 
released photos 
purportedly taken 
on the day of the 
shooting. 

Wayne Carver 
referred to the 
structure and said 
autopsies were 
performed in the tent. Post-mortem examinations for Pozner and Lanza are 
supposed to have been performed at the Office of the Chief Medical Examiner, 
not in the Sandy Hook mortuary tent. Images of the mortuary tent show an 
oak tree in the background, which has yet to lose all its leaves: the time of 
year is late October. 

Exhibit 36: 

Moving cars around for the best staging: the blue VW 

Multiple images show different parking arrangements for the car props in 


and oak tree yet to shed all its leaves 




151 



Allan William Powell 


the school parking 
lot. 

Notice both 
of the vehicles, 
including the blue 
VW, are facing the 
school. 


Exhibit 37: 

Now the blue VW is facing away from the school 

Now the blue VW 
faces away from the 
school. Notice too the 
man in short sleeves, 
indicating that it 
may be much earlier 
than December. The 
SWAT team is there 
but the windows of 
Classroom 10 are 
intact. How much 
proof of fakery do we 

Exhibit 38: 

A door with a broken window was at the back of the school 

The Sedensky 
Report makes no 
mention of any doors 
at the rear of the 
school being involved 
in the incident, yet 
two different images 
of this broken glass 
exist. The broken 
door glass appears to 
be a CGI aspect of the 
hoax, which did not 
quite come off. The wired glass doesn’t in the real world break as show in 
the images. This is security glass with a crossed wire through it. It does not 
shatter like ordinary glass. 





152 



Setting the Stage: Refurbishing the School 


Exhibit 39: 

A better photograph of the broken door glass in the back 


The angle from 
which this photo 
was taken makes the 
broken glass easier 
to see than in Exhibit 




38. 


Exhibit 40: 

They appear to 
have faked the image of broken door glass 



The broken glass 
on the doorstep is a 
CGI image, which 
could not possible 
happen in reality. The 
pieces show that the 
wire through the glass 
has shattered as if it 
were not wire but glass. This is a physical impossibility. 



Exhibit 41: 

The fantasy scenario of parallel shots from Classroom 10 

Photos exist 
of the windows 
in Classroom 10 
before and after their 
doctoring. They show 
a preposterous line 
of four freehand 
shots fired into the 
aluminium frame. To 
fire and get that many 
shots in such straight 
lines— each exactly at 
a perfect 90 degree 
right angle to the window frame— is overwhelmingly improbable. No one 
experienced with firearms would find this remotely plausible. One image 
indicates that the shot ruptured the aluminium inward, which means that it 



153 





Allan William Powell 


was inflicted from outside. There was no blood splatter from any victim on 
the inside of the window. 

Exhibit 42: 

The windows before they were “fixed” to reflect the shooting 

This picture 
shows the window 
before it was 
doctored. Notice that 
there is no reflection 
in the window of 
the mortuary tent. 

This was indeed an 
elaborate hoax. 

Exhibit 43: 

The precision with which those holes were created 

This image 
shows how the bullet 
holes were actually 
drilled from the 
parking-lot side of 
the window. The 
swarf from the drill 
has erupted into the 
classroom side of the 
window as one would 
expect from using a 
drill on an aluminium 
window frame. 

Exhibit 44: 

The perps at work drilling the holes in the window frame 

This image 
actually shows the 
personnel who are at 
work setting up the 
window frame with 
fake bullet holes. 

It was extremely 





154 





Setting the Stage: Refurbishing the School 


revealing that such extensive records were kept. 

Exhibit 45: 

Cameras to record 

Other images 
show the extended 
cameras fixed on cars 
to record the drill. 

They>re the little 
yellow things on 
extensions from the 
cars in the back row. 

The leaves are still on 
trees so the likelihood 

Exhibit 46: 

Here’s a Connecticut State Trooper setting up his camera 

If you look 
carefully here, 
you can see the 
Connecticut State 
Trooper setting up 
the camera just to the 
left of it. 

Exhibit 47: 

The same 
photographer 
worked the 

Lanza home furnishing 

Note the SWAT 
wagon in the distance 
in this image waiting 
to be put out front of 
the fire station. There 
is no other reason a 
SWAT team would 
attend a forensics 
site. And there>s the 
SWAT team in the 




the drdl mounted on cars in the back row 



that this image was taken in December is very low. 


155 




Allan William Powell 


extreme right of the image their heads visible just above the cars. The 
man in the evidence overall is obviously aware that he is photographing a 
complete faked event. He was also in on staging the Lanza home, again being 
accidentally caught in the image evidence as here. 

Exhibit 48: 

Police tape up before the window has been blown out 

One image 
shows that someone 
stuck a chair into 
the crime scene and 
the window in the 
background doesn>t 
appear to have been 
blown out yet. There 
is police tape but “the 
crime” has yet to be 
committed. 

If I’m not 
mistaken there is 
an audio-visual 
presentation going 
on in Classroom 12 
on a large screen. 

Indeed, as the second 
image shows, I am 
not mistaken. 

Exhibit 49: 

Wayne Carver waiting for his Mortuary Tent to show up 

Here>s Wayne 
Carver waiting early 
in the morning for 
his mortuary tent to 
turn up. This is early 
morning before the 
drill has commenced. 

There’s a drill 
executive back near 
the door waiting for the drill to begin. Note there are no evidence markers 




156 




Setting the Stage: Refurbishing the School 


down yet on the concrete at the front of the school entrance. 

Exhibit 50: 

A view from the woods of a school day that will live in infamy 

Here’s an 
unofficial image of 
the stage setting taken 
from the wooded 
area. There are two 
vehicles in front of 
the school entrance 
and that telltale chair, 
too. Why were there 
two vehicles in an 
area that ought to be 
cordoned off as a crime seen e—ifit were a crime scene, that is? 

It’s possible that two cars were used for the drill and that one of these was 
the car that found its way to Gene Rosen’s driveway with that broken driver 
side window for which no alternative explanation has ever been advanced. 



These exhibits were originally presented by Allan Powell on "The Real Deal 
Ep. 80 Explosive New Revelations about Sandy Elook" and its sequel, "The 
Real Deal Ep. 96 More Sandy Hook”, which are available on the Internet. 


157 


Allan William Powell 


158