chapter is actually a chapter of the Deeper Insights book, but it was also
added as one of the interconnected Illuminati families.
The Illuminati have refined
the art of deception far beyond what the common man has imagined. The very
life and liberty of humanity requires the unmasking of their deceptions. That
is what this book is about. Honesty is a necessary ingredient for any
society to function successfully. Deception has become a national pastime,
starting with our business and political leaders and cascading down to the
The deceptions of the Illuminati's mind-control may be hidden,
but in their wake they are leaving tidal waves of distrust that are
destroying America. While the CIA pretends to have our nations best interest
at heart, anyone who has seriously studied the consequences of deception on
a society will tell you that deception will seriously damage any society
until it collapses.
Lies seriously damage a community, because trust and
honesty are essential to communication and productivity.
Trust in some form
is a foundation upon which humans build relationships. When trust is
shattered human institutions collapse. If a person distrusts the words of
another person, he will have difficulty also trusting that the person will
treat him fairly, have his best interests at heart, and refrain from harming
With such fears, an atmosphere of death is created that will eventually
work to destroy or wear down the cooperation that people need. The millions
of victims of total mind-control are stripped of all trust, and they quietly
spread their fears and distrust on a subconscious level throughout society.
One problem about lies is that one lie will call for another and then
another. It's hard to keep lies single. They seem to want to breed more of
their kind to protect themselves. Soon the liar becomes a victim of his own
lies, trapped in a dishonest web that demands lots of energy to protect his
false fronts. This is the sad fate that the intelligence agencies have
painted themselves into. They must maintain groups that oversee their
double-agents' lies to insure that the lies that they have disseminated
don't contradict themselves.
Finally, they have put out so much
disinformation, they lose track of reality themselves.
Far from saving this
nation, the intelligence agencies have spread the cancer of deception into
all walks of life, so that this cancer is contaminating and killing anything
of value in the United States. The soon-to-come death of this nation's
sovereignty, as well as the destruction of this nation's morals are the
results of this cancer. People who have attended high level Illuminati
meetings were instructed in how the Illuminati plan to bring in the NWO
AntiChrist reign by making everything appear as if it has happened
The Illuminati have decided to camouflage their actions with the
creation of normalcy to avert any suspicions. An example of something which
appears to have happened naturally is the O.J. Simpson case, which was
planned based on previous murder scenarios which had been successfully
covered up. O.J. Simpson was a CIA mind-controlled slave, and the entire
Simpson case was concocted as an elaborate effort to cause racial tensions.
The Mishpucka, the CIA, the Mob and the Illuminati have all had their dirty
hands involved in the entire affair. The entire affair reeks of manipulation
and planning. It is not the goal of this paragraph to go into the case, but
just to drop a couple details. Joey Ippolito, Jr. is both CIA
Ippolito at one time lived in Hallendale, FL, a mob housing subdivision
which was protected by a police force run by the mob. He has helped run
drugs and wet ops for "the Combination" which interconnects with the
Illuminati. O.J. Simpson's friend Cowlings worked for Joey Ippolito, as well
as O.J. Simpson. Simpson distributed cocaine for Joey Ippolito and the
Combination. Simpson's lawyer also is tied to the Illuminati, the CIA, and
the mob. One of his lawyers on TV said the trial reeked of government
Nicole Simpson lived next door to Carl Colby (former CIA
director Bill Colbys son). Colby's wife and kids have been subjected to
mind-control. Colby's wife testified in O.J. Simpson's trial, but was
addressed as "Miss Boe" rather than by her name. O.J. Simpson's mother
worked for a California State Mental Hospital in San Francisco for 30 years.
Many State Mental Hospital workers have children who have been programmed.
When one of the jurors in Simpson's case,
Tracy Hampton, had her
mind-control programming go haywire, she began staring for long periods at a
blank TV and hearing voices. She had to be dismissed. During the Simpson
trial, Judge Ito gave Joe McGinniss the best front-row seat that a
journalist could have.
Joe McGinniss was the cover-up author who wrote a book
covering up about the McDonald-Fort Bragg Drug Smuggling Case. The
McDonald-Fort Bragg Drug Smuggling Case involved the Illuminati drug
smuggling operation within the U.S. military during the Vietnam War. On and
on the stink goes.
The manipulation of history by those in power has been
well-covered over. An example of how mind-control and its role in
manipulation of events has been covered up by the perpetrators is an article
written in the Journal of the American Medical Association (JAMA) in the
Sept. 11, 1967, Vol. 201, No. 11 issue.
which was submitted to
the magazine from three CIA doctors (Mark, Sweet, and Ervin), claims
riots are caused by brain disease. While the article is correct in
the subpoint that only a small percentage of underprivileged urban
participate in many of the riots, the article's thesis is obviously a
to prevent people from catching on that the small number of deviants
create riots might be under mind-control or might have some other
beyond simply being brain-diseased.
Any deception, whether it is an
exaggeration or an understatement of the NWO's capabilities is considered a
useful deception for the Illuminati's double-agents to spread. The German
battleship the Bismarck was sunk due to a little lie sent to Germany by a
double-agent which underestimated the range of British radar.
thinking they were out of British radar range, made some bad decisions that
cost them the battleship.
Knowledge is power, and
lies diminish the knowledge of deceived dupes, and therefore diminishes the
power of the deceived. Deception obscures the alternatives that people have.
It also clouds up various objectives people would work toward.
give up certain objectives due to their mis-perceptions that the objective
is undesirable or unattainable.
In the programming,
colors and directions are used. Be prepared to find out. that sometime
programmers use their creative imaginations such as using the color "octarine,"
or the direction "TURNWISE" or perhaps "WIDDERSHINS". During the most
fundament programming which is done via LSD trips in sensory deprivation
tank to lay in foundations of the Alpha, Beta, Delta, Ome and Theta
programs, each programming memory will be given a code.
Where one popular
programming deception takes place that the programmer knows ahead of time h
to sequence his memory codes so that instance, the fifth memory is coded as
trip, and strenuous methods are used to up the memories of the first four
trips. victim’s s mind will be told to forget the four trips.
codes are deceptively designed to fool the deprogrammer and the victim
alike. Part of the reason the programmer does this, is that they know that
IF a therapist should stumble onto these first memories, the backup
programming to protect these memories is so severe that the therapist will
shatter the victim’s mind.
Backup programs such as Atom bombs and vegetable
programming are locked into place to protect the fundamental programs.
DISINFORMATION TO MAKE
THEIR DOUBLE-AGENTS LOOK GOOD
“A Force” was MI-6’s group
that carried out deception. They would have their double agents pass out
CHICKEN FEED (which is what they call classified information that can be
thrown out to the public) to establish their double-agents’ credentials
(BONA FIDES) as agents against the British. Today, there are numerous anti-NWO
people who are actually double agents.
They are distributing chicken feed to
make people think they are legitimate. By the way, it is interesting to note
for those who realize how important carousels are to programming that MI-6
(HO in Vauxhall Cross, Eng., with a training ctr. at Ft. Monckton, near
Gosport, so. Eng.) is nicknamed (actually its cryptonym) "Carousel” by its
daughter organization Mossad (officially aka Central Intelligence Collection
An example of a
double-agent who is popular among Christians is an Illuminati witch named
Gretchen Passantino, who tours around to Christian conferences belittling
the idea of mind-control. Dr. Loreda Fox reports in The Spiritual and
Clinical Dimensions of MPD that 74% of women abused by SRA come from
The Christian churches are heavily infiltrated.
In the Vol. 2 book a number of references were
made to sleeper agents. The idea of placing someone somewhere in society and
letting them lead a normal life for years without ever being used is
designed to provide a legitimate smokescreen about what they are all about.
Mind-controlled slaves make excellent sleepers.
The concept of making
sleeper agents is not a secret. The CIA has publicly admitted that they
tried to discover long-range sleeper agents in the Los Niños children of
Republican Spain who were the descendants of communist Spaniards who
returned to Spain in the 1950’s. They also have admitted to having tried to
weed out long range sleepers in the Trebizond Greeks who lived near the USSR
in Turkey and returned in the 1950’s to Greece.
As the CIA and KGB
mirror-imaged each other in their manufactured Hegelian Dialectic mock dual
(which was very real for the “little” person) you can well imagine that the
CIA sent sleeper agents against the KGB.
NAMES of TYPES of DISINFORMATION AGENTS
The intelligence agencies have their own lingo
for the types of disinformation agents they send against everyone else. So
far, we have named only double and sleeper agents. Here are some of their
AGENT OF INFLUENCE - These
agents can be unwitting, under mind-control, or ideologically motivated to
use their positions of influence to sway the minds of others. Examples of
Agents of Influence are anchor men on T.V., journalists, labor leaders, TV
commentators, academics quoted by the media, and some politicians.
CONFUSION AGENT - An agent whose job is to produce
confusion by disseminating confounding information.
CONTRACT AGENT- These are the rogue agents, such as the
mob, who the CIA get to do particular jobs on contract. Their connections
can be denied.
DEEP COVER AGENT - A
sleeper agent (often a programmed multiple or person with mind-control
programming) who has been a long term sleeper agent.
DISINFORMATION AGENT - This
is a highly placed agent who passes disinformation to other governments.
NOTIONAL AGENT - A
fictitious non-existent "agent" which is created with a real-looking
identity to mislead.
PROVOCATION AGENT - An
agent sent in to provoke and destabilize the target group to do foolish
SPOON-FEEDER AGENT - Someone who dribbles out
legitimate information, this is often done to build up a person's
credentials (bona fides). Lots of the people who are pretending to expose
the NWO are spoon-feeder agents who provide a little new information, tons
of already known secrets, and sprinkle in a measure of disinformation for
added fun. Generally spoon-feeders increase their percentage of
disinformation once they gain respectability.
There are very few people
really exposing anything of consequence about
This author has
endured the loss of several of the really legitimate whistle blowers who
were friends being assassinated since he began writing exposes. What this
means is that agents for groups that do mind-control may: have been sleepers
for many years and look very legitimately innocent, they may give good
correct information to our side, they may say all the right things and try
to get us motivated to do more than we would want, they may talk about other
friends who are giving them information who do not even exist.
discernment to spot people who are not on our side. Unfortunately, such
discernment seems to be fundamentally lacking within the public at large.
For instance, I have seen people choose obvious NWO agents over this author
as a source of “information” (which is in reality disinformation).
people have bought so much disinformation during their lifetime, perhaps
it’s unrealistic to expect them to purge out all the junk they’ve accepted.
Just as people in the world need to toss out their worldly thinking, people
in the church need to toss out all the indoctrination they’ve gotten from
the numerous kinds of harlot churches. At the moment, the system is set up
so that the perpetrators of the mind-control are in control of the
credentialing process, so that they can provide their stooges/and agents
with the best credentials.
As the reader can see, the roots of power behind
the mind-control go deep.
One trick (or variations of it) that has been
used with suspects is to arrest them, place the suspect in a situation where
the police are in two groups - one group looks like police, the other group
looks like the group the suspect has come from.
After the suspect arrives,
the group pretending to be arrested group members, overpowers the police
contingent and escapes to another setting where another police group
pretending to be even more of the suspect’s group ask him who he is and to
explain his credentials. Letting his guard down, the original suspect
explains what he is all about, thereby giving them the information they
needed in the first place.
Variations of this script can be run. English
intelligence calls this basic script CACKLEBLADDER because chicken blood is
used on the police actors that are overpowered to make them look injured.
THE NAMES OF DECEPTION TRICKS
FOUR FACES refers to pretexts used by agents
to get interviews. DANGLE is the craft word for luring a victim into a
provocation. A dangle operation would be an operation to provoke a group or
individual into a particular action.
This was done with
Elohim City and many
other groups that the NWO is trying to set up as patsies.
STANDARD DECEPTION DEVICES
Agents use BLEEP-BOXES to tap telephones and
in other instances to make free-of-cost telephone calls. A CABMAN is a
device to remotely activate a telephone with a radio beam.
It can be used
without entering the building where the telephone is located.
The use of masks in the occult world is
For centuries, the gypsies have used them for their hypnotic
powers. Special healing masks for their people are kept secret and never
shown to the public. Masks have a shock value and fascination value.
other occult groups have special rituals to create the masks, including
using hair clippings from the person who will wear the mask. Gypsy healing
masks are destroyed after the patient gets well. Illuminati programming
masks may or may not be destroyed after their use. The Illuminati’s
mask-making abilities (according to deprogrammed victims of their
mind-control) are very high quality.
Sometimes the programmers simply wear
Halloween cartoon character masks that anyone can obtain, to fulfill their
role in the programming script that they are involved in during the time.
Some beginners who have just started into
studying the World Order question why the Illuminati would use legitimate
Why would the Illuminati want to create a slave who is an
Because those new converts will go to some establishment
church where other programmed multiples in leadership positions will demand
obedience. Because the
evangelist or missionary and the bishop or pastor are controlled puppets,
the convert will never get the full truth, just enough truth to keep him
working hard for their organization. Even though the convert “got God in my
life”, the Illuminati never lose control over him.
The Christians have as much vested interest in
preventing the exposure of the Illuminati programmed multiples who are big
name Christian ministers running Christendom, as the Illuminati has. Imagine
what would happen if the world found out that most of Christianity was run
by the human-sacrificing, slave-making Illuminati?
This is one of the sad
effects of the infiltration. Perhaps the subject of covers can be explained
from another angle. The reader knows that the elite like monopolies. They
play monopoly for real - for us it’s only a board game! To establish a
monopoly, you find a good product that everyone wants or needs, and then you
eliminate all the competition by either destroying them, or owning the
competition yourself. In the U.S., the Illuminati can’t have a one-religion
In Russia, they had communism with Marx, and Lenin as the
God and Gon the son figure. Communism had a monopoly on worship. In the
U.S., they have established a monopoly by controlling all the various
religious groups. (This author wrote an 800 page heavily documented book Be
Wise As Serpents to show the details of how this is done.)
It’s not a matter
of what they teach, it’s a matter of control, so that the elite have a
monopoly. And when you, as a mover and shaker in the world, control all these
various religions via money, blackmail, and programmed multiples under your
leadership, etc. which religion would you pick to emphasize the most?
will pick the one that sells the best, i.e. the best product. And which
brand of Christianity will sell the best? The televised charismatic brand
will sell the best. Covers that slaves use to explain what they do in life
are almost always “legitimate”.
A missionary, a military officer, a
salesperson, etc. will usually actually do their cover job most of the time.
Their cover is their occupation, their service as a mind-controlled slave is
almost an unwitting avocation. Organizations are used as covers. The
Illuminati use military, social, intelligence, education, banking and other
organizations as covers. (See my
Be Wise As Serpents book for many of
Moriah’s front organizations, such as the CIA, in turn use other
Here is just a sampling of CIA fronts, to show the variety of
Asia Foundation was an academic organization created by the CIA.
Castle Bank and Trust Co. has been a bank in the Caribbean that is a CIA
Forum World Features has been a front created for CIA propaganda purposes
and based in London, UK.
Geschicter Foundation for Medical Research (as well as the Josiah Macy
Foundation) was used as an intelligence front to launder money used for
Air-Sea Forwarders, Inc. was the legal corporation name of a CIA front in
North Hollywood, CA. The company was involved in moving freight. In the last
few years, this corporation sued E-Systems, the company which builds the CIA
and the NWO’s electronic systems such as their communications satellites. In
court, the company proved that it was a CIA front, in spite of CIA denials.
As this chapter provides information about some of the Illuminati/
intelligence connections to Hollywood, bear in mind that this CIA front was
proven in court to be a CIA front in Hollywood.
A feat that rarely occurs.
For years, I have heard
many Americans say that something is terribly wrong in this country and that
things are “going to pot”, and yet Americans can’t put their finger on what
exactly is wrong. When I first began to receive reports from victims of
Illuminati mind-control about Disney’s involvement in their mind-control, I
kept an open ear, but I wanted some tangible proof.
After investigating for
myself, there is now no doubt in my mind that Disney (the man, the movies
the entertainment parks) has been a major contributor to the demise of
America, while maintaining a very well constructed front of wholesomeness.
In this chapter, you will learn why Disney is one of the best deceptions of
the Illuminati. This author has read a good portion of what is available to
the public concerning Disney. This exposé is undoubtedly the deepest on
Disney that has ever been done.
Perhaps part of my motivation is that I’ve
tired of Christians talking and acting like Disney stands for sainthood.
Christians, who should have known better, are some of the ones who have
swallowed “hook, line and sinker” the enormous deception that entails
They feed their children a steady diet of occultism and witchcraft
because they have been programmed to think of Disney as wholesomeness and
everything that is good about America. Many writers over the years have
tried to expose Disney, most have been stopped before they could get their
The few authors who have managed have faced vicious attacks
on their character and integrity, and have faced enormous struggles against
public relations campaigns paid for by the Disney's.
The Disney’s power, and
the power behind them, has frightened most people away from challenging
them. But someone needs to speak on behalf of the victims. Whether anyone
listens or not, the victims will know that somebody cared enough to stand up
and write the truth. Disney has not only left mind-control victims in its
wake, but they have harassed land-owners, stolen employee idea’s and left
all kinds of hurting victims in their path.
Disney has risen to become the
unquestionable largest media-entertainment conglomerate in the world, and was
ranked company no. 48 in the top 500 companies by Forbes 500.
Observations about HOW THE
ILLUMINATI LIKE TO HIDE BEHIND PERFECT FRONTS
There are numerous
Illuminati homes, restaurants, wineries and other institutions that are
today carrying out the same type of strict standards upon their employees
that Walt Disney Studios maintained. While Hollywood was immersed in moral
filth from the start, Walt Disney Studios had strict standards.
1930’s, Disney had a dress code that required men in ties, and women in
sober-colored skirts. If a man looked lecherously at a woman at Walt Disney
Studios he risked being instantly fired. Walt was a shining example of the
strictest legalism. Even during the ’50's, if an employee were caught saying
anything considered a cuss word such as “hell” they were instantly fired no
matter who they were.
Walt would not allow his male employees to have any
facial hair, even though he himself sported a mustache. He never allowed
employees to have alcohol at the studios, (which might not be a noteworthy
standard except that Walt himself drank heavy amounts of alcohol in his
private office at work for decades).
Initially, Walt was very reluctant to
have his young artists, who were being trained by Don Graham, draw live nude
models, but reluctantly gave approval.
Again the motive was not to serve
God, but to make sure the Disney reputation remained untarnished. With the
power of the establishment media behind Disney, Walt had nothing to worry
about, news about the nude drawing classes and their detailed drawings never
reached the light of day.
Behind such strict fronts of legalistic morals,
cleanliness and soberness, you will often find lots of guilt and high level
satanic ritual. For instance, Hitler (who was by the way also a failed
artist and who liked mechanical things more than people) obsessively washed
his hands many times a day (out of guilt), and so did Walt Disney. Walt
obsessively washed his hands several times an hour, every hour. Walt liked
animals and his trains more than people.
This author has seen some alters(alter-ego)
were forced to take another human’s life, and when they relived the memory,
the alters then tried to physically wash the blood guilt off of their hands.
Another example is that over the years this author has discovered that many
of the exclusive restaurants that are meticulous in every detail are tied in
with the mind-control and criminal activities of the elite. Dirty money is
keeping the places looking sparkling clean.
Walt Disney worked very
hard at maintaining a great image for himself and his company. An example of
this, is how he exploded in rage and wrote an angry memo when a Disney
character was placed in a beer ad. (Memo mentioned in Thomas, Bob. Walt
Disney An American Original. Hyperion, 1994, p. 7.)
He had a personal
image builder, Joe Reddy, who worked full time to build Walt’s image.
Reddy was a cigar-smoking Irishman who loved the catholic college Notre
Dame’s football team. He also was a publicity agent for Shirley Temple. But
the Disney deception entails far more than Joe Reddy’s decades of image
making, and Walt’s own abilities to create good images of himself. Just as
with Billy Graham (see Vol. 2 about Billy Graham), the entire
Illuminati threw their weight behind promoting Walt Disney.
and Walt Disney were good friends and both cut from the same die in many
ways. Both men were high ranking Freemasons, both came from socialist
backgrounds (Ronald’s mother was Eleanor Roosevelt’s best friend, and Walt’s
Dad was a socialist leader), both were paid FBI informants, and both were
involved heavily in the abuse of mind-controlled slaves. Walt always
generously supported Reagan’s political campaigns, and in turn Reagan did
political favours for Walt as Gov. of California.
For instance, Disney’s
Mineral King mountain resort needed an access route through the Sequoia Nat.
Park at a time when there was lots of congressional pressure to preserve the
last stands of redwoods. Gov. Reagan got his friend Disney his road through
Reagan served as the
emcee for the opening day of Disneyland on July 17, 1990. He returned with
Illuminati TV host Art Linkletter for the 35th anniversary. Ronald Reagan
Art Linkletter both pumped Disney publicly. Another slave abuser that spent
time with Disney was Bob Hope, who would spend time on the golf course with
On the opening day’s telecast, cameras showed Sammy Davis, Jr. (a
member of the Church of Satan) and Frank Sinatra (a mind-control slave
handler) driving the pint-sized Disney ears at the Utopia ride. When Disney
celebrated its fifty yr-anniversary with a two hour special on May 20, 1991,
the program included people like occultist Bill Campbell and was named “Best
of Disney, 50 Years of Magic.” For the silver anniversary of Disney World in
Oct. ’96, the Clinton’s were invited to help open 15 months of celebrations.
The theme of the anniversary celebrations was “Remember the Magic”. A Boy’s
and Girl’s Club sang ‘When you wish upon a star’ (a popular programming song).
Hillary Rodham Clinton (herself an Illuminati Grand Dame and a mind-control
programmer) shared with the audience that she and Bill “first brought
daughter Chelsea to the Magic Kingdom when she was four.”
Roy E. Disney,
nephew of Walt, told the public that Disney World “is the story of men and
women who took hold of a dream and never let go.” There is a double meaning
to that. Many victims of trauma-based mind-control have taken hold of the
illusions that were programmed into their mind secretly at Disney, and never
let go. Among the visitors to Disneyland have been all the American
Presidents from Eisenhower to Clinton, over a dozen kings and queens, as well
as Emperor Akihito of Japan, Anwar Sadat, and Robert Kennedy (who rode the
Matterhorn with astronaut John Glenn.)
Both Denmark’s and Belgium’s kings who
are in the Illuminati visited, as well as the dictators of Indonesia, the
Shah of Iran and Ceausescu of Romania. (As a side-note Roy E. Disney was
forewarned by Arab leader that the Shah was to be deposed.) Organizations
that have been actively working for a
New World Order for many years gave
big awards to Walt in his early years such as the B’nai B’rith (Man of the
Year Award to Walt) and the Chamber of Commerce.
In 1936, Walt was given the
Chamber of Commerce’s annual "Outstanding Young Man” award. The
establishment’s Yale and Harvard Universities gave him honorary degrees.
Disney biographer Leonard Mosley, who researched Walt Disney for years (as
well as writing books on the duPonts, the Dulles brothers, and Hirohito)
wrote in his book on Walt Disney,
“The studio publicity machines in the film
colony had, as usual, gone out of their way to try to persuade me, as a
writer for a powerfully influential British newspaper, that this was a city
of lawless gods and goddesses, full of clean-living, sanitized stars.
“It was even more of a
deodorized world at the Walt Disney Studio where the publicity men insisted
their boss was faultless - never drank too much, never used a swearword,
never lost his temper, never quarreled with his wife or family, never let
down a friend. And woe betide anyone who tried to suggest otherwise. Members
of the resident foreign and local press risked their jobs if they dared to
write stories inferring that Walt Disney could be domineering, implacable,
and unforgiving (as was the case, for instance, before, during, and after
the 1941 studio strike).
The Disney flacks were capable of exerting heavy
pressure on editors and proprietors or, through the advertising pages,
against anyone who inferred Walt Disney was not the epitome of well-scrubbed
and benevolent perfection."
(Mosley, Leonard. Disney’s World. New
York: Stein and Day, p. 10.)
Disney is perhaps the epitome of Illuminati
abilities to create images. They have created great images for things
Disney, incl. Walt Disney, Disney movies, and Disney’s Amusement parks.
some cases these things have been overrated, in other instances the sinister
side to them has been carefully hidden. In order to make movies that contain
the typical smut of Hollywood, sex and violence, Disney did a slight of hand
and created subsidiaries which Disney runs, which has allowed them to keep
their good image. They also never showed the public the hard core porn that
was made for years in secrecy for the elite.
Behind Disney’s good front lies
hard porn, snuff films, white slavery, Illuminati mind-control, and the
seduction of several generations into witchcraft. Disney’s involvement in
these kind of things will be explained in this chapter. Nobody has sold
America witchcraft as well as the Disney brothers.
Movie after movie has
cleverly brought the occult into the warp and woof of American thought, all
under the disguise of entertainment. For instance, it was Disney that
brought us cannibalism and told us that it was a “triumph of the human
spirit” (a direct quote from Disney’s Touchtone Producer Robert Watts
concerning Disney’s movie “Alive” featuring survivors of an airplane crash
who turned to cannibalism).
Under the disguise of entertainment
and showing us
how “triumphant” the human spirit was, they subtly promoted cannibalism.
Mickey Mouse plays a leading role in “The Sorcerer’s Apprentice.”
when this author has suggested that Disney movies aren’t wholesome, many
Christian parents come unglued and have gotten angry with this author. The
deceptive image that Disney movies are wholesome is a triumph in Illuminati
Parents would be surprised what is slipped into cartoons.
Disney’s “The Little Mermaid” the castles are male sexual organs. In one
cartoon Mighty Mouse is shown without comment clearly snorting cocaine. Walt
Disney Studios Chairman Joe Roth is in charge of Walt Disney as well as
subsidiaries Touchtone, Miramax, and Hollywood Pictures, which were all
created to camouflage the Disney production of adult films.
in a clandestine manner regarding the promotion, distribution and rating of
the films produced by their subsidiaries.
DISNEY MAKES MALE PHALLUSES
Roth oversaw Disney’s
subsidiary Hollywood Pictures’ Evita film. Evita has as its main start
“Material Girl” Madonna. Madonna is in reality a mind-controlled slave who
has appeared in numerous underground porn/and ritual porn movies. (This author
has an underground catalog from a porn business, that has recently changed
its location of business. The
catalogue offered a film of Madonna performing
an actual blood sacrifice.)
She also was the main actress in Disney’s Dick
Tracy film which is reported to be used for mind-control. During an Arsenio
Hall show, Madonna, who as a guest acted dissociative, was picked up by the
cameras during the show kissing her Baphomet ring.
products that are associated with the movies of their subsidiaries.
In Evita’s case they are marketing hats and other items, as just one
Disney’s countless artificially generated consumerism campaigns. In
Stein’s interview of Madonna, Madonna appeared bored with plugging
When asked about the tango dresses and hats inspired by Evita that popped up in stores after the film, Madonna said,
“Believe me, I
have nothing to do with it. Disney is pushing the whole thing.”
Francisco Chronicle, 12/29/96, Datebook section).
In one interview
Madonna states she wants her daughter to grow up knowing Catholicism, but
she doesn’t believe that it would be good for her daughter if Madonna
married the father of her child from Lourdes, Carlos Leon.
interview, Madonna says,
“Actually, I’m a very good role model, because I
say, ‘Look, these are my standards’...”
She then goes on to plug
homosexuality, same sex marriage, and single families in the interview.
Disney stated that it plans to release an album by DANZIG, a heavy metal
band whose songs contain “dark themes”. The Disney press release announces
on its by-line “Mickey Mouse is going heavy metal.” Disney’s album "BLACK
ACID DEVIL” was due to hit the music stores Oct. 30, 1996 during Halloween
time. According to Disney this music has no satanic references, but does
have “dark, Gothic and sexual” overtones.
Glenn Danzig denies that he is a satanist.
B. AN OVERVIEW
Disneyland and Disneyworld
are world famous and the pride of America.
They are also extremely important
programming centers for the Illuminati to create total mind-controlled
slaves. Disneyland is also involved with providing a place for rituals, porn
and other satanic activities. In terms of deception, Disney movies and
Disney Amusement Parks rate as one of the best deceptions.
deprogrammed ex-Illuminati slaves, the Illuminati in the 1960’s needed to
shift their programming away from the military bases, because too much
publicity (heat) was shined on the military bases. Their goal was to have
someplace that people from all over the world could come to without raising
any suspicions, and a place which would be the perfect cover for many of
their criminal activities.
According to a witness, the
Illuminati Programmers got a big laugh out of using Disneyland as a major
Illuminati base for criminal activity. Under the disguise of entertaining
the world, they carried out money laundering, child slavery laundering, and
mind-control. They nick-named Disneyland “the little syndicate of
When a child of 3 or 4 was kidnapped, they could torture the
child and then put him on a ride such as a ferris wheel or carousel that a.
created dissociation from the pain, while also b. going along with some
fairy tale programming script. An abducted child while waiting to be picked
up from one Illuminati non-parent caretaker by another, could be kept happy
and distracted while waiting for the pickup. For years, Disneyland was an
Illuminati center for many of their world-wide activities.
Now Disney has
created other sites around the world such as EuroDisneyland 20 miles east of
Paris and Tokyo Disneyland. Tokyo Disneyland in 1991 had 16 million people
attend. With such huge crowds, it doesn’t take much imagination how the
Illuminati have been able to do sneaky criminal activities right in front of
people, and the public never sees it, in the middle of all the activity.
EuroDisney has been a money losing affair, but the Saudis who benefit from
its mind-control, gave Disney the money to keep it financially in business.
Walt Disney Records is the largest children’s record label in the world.
Disney through their movies, books, toys, records, etc. has made a
tremendous impact on the children of the world. Their movie Return from
Witches Mountain was one of the most powerful witchcraft promotions ever
made. Ducktails, which has deliberate Monarch mind-control triggers written
into the script, is also broadcast in Poland and the former USSR.
From the time of the Roman
Empire (at least, if not before) the oligarchical leadership, who have been
in control of both the Mystery Religions and European aristocracy, have
known about BREAD and CIRCUS. Bread and Circus refers to the concept that IF
the masses of people are given entertainment and food staples, THEN they are
easy to control.
Walt Disney movies have played a key role in providing
entertainment for the masses to insure Illuminati control. Walt Disney’s
friend the Masonic prophet H.G. Wells in his book A Modem Utopia that
there would be lots of shows in the New World Order.
The World Future
Society in a book review in their publication Future Survey Annual,
1993, (ed. Michael Marien, Bethesda, MD: World Future Soc., p. 91)
“Control of commodities [such as entertainment] and access
to commodities translates into control over people. ‘The postmodern US is a
massive rush of disconnected commodities, each seeking a moment of our
"The world of commodities is our soma, and entertainment is the
current form of public discourse. Walt Disney World, spread over 27,400
acres of central Florida swamp and scrub forest, ‘is the most ideologically
important piece of land in the U.S.’ What goes on here is the quintessence
of the American way.
It is visited by over 30 million people a year
only the major middle-class pilgrimage center in the US, but by far the most
important entertainment center in the world. It is clearly Oz, utopia as a
Two Disney brothers
(Walter Elias) and Roy O. Disney have been at the center of the creation of
amusement parks and popular Disney films. In more recent times, two other
men, Eisner and Katzenberg have been notable at Disney. Eisner and Katzenberg,
as well as others will be discussed later.
One of Disney’s directors,
Victor Salva, was convicted of molesting a boy and filming one of the sexual
molestations. Recently Disney Director Salva produced the Disney movie
“Powder”. (Victor Salva’s sexual molestation conviction was covered by
newspaper articles such as Robert W. Welkos of the LA Times, in newspapers
such as The Oregonian, Weds. Oct. 25, 1995, A sect.)
impact of the Disney brothers is monumental. Mickey Mouse tee-shirts can be
seen being worn by natives all over the world. Disney World and Disneyland
are the quest for a large segment of humanity, who often esteem these
amusement parks as the highlight of their life. What is highly esteemed
among men, is an abomination to God according to the Word of God.
arbitrarily makes this claim, but sadly, research by this author over the
years proves that a close examination of Disney and mankind’s esteem for
“Disney” things does vindicate the Biblical expectation. In other words, as
readers of this article will find out, behind the appearance of
wholesomeness of the Disney brothers and their creations lays abominations -
some of the most grotesque aspects of generational occultism the world has
Disney’s Magic Kingdom has become an American Institution that
impacts people all over the world from the cradle to the grave.
C. WHO WAS WALT DISNEY?
In the large book
Art of Walt Disney from Mickey Mouse to the Magic Kingdom by Christopher
Finch (N.Y.: Harry N. Abrams, 1975) on page
11 an interesting and revealing statement is made:
"By definition, public
figures are known to everyone; yet, even after talking with some of Disney's
closest associates, it is impossible to escape the conclusion that nobody
really knew him. Always there was some aspect of his personality that was
just out of reach."
Those who got to know Walt
too closely make complaints such as he was “self-satisfied, intractable, and
He could bring his artists to tears or anger in a matter of
seconds. Finch is not the only author who has tried to warn his readers that
the public’s image of Walt Disney was just that - only a false image.
also writes in his biography of Walt Disney,
“Since Disney is regarded by
millions of people, particularly in the United States, as perhaps this
century’s most brilliantly successful creator of screen animation, I think I
should make one thing clear right away.
I share the general admiration of a
man whose cinematic achievements were always so happily inspired and
inspiriting. But - and this is where I differ from uncritical idolaters - I
have to know all the facts, no matter how unpalatable, as well as the
romantic myths about any great man or woman I admire.
Many of the myths that
have been created by his publicists about Walt Disney are unpalatable,
unbelievable, and unsatisfactory because so much of the real Walt Disney has
been deliberately concealed... Walt Disney... had grave flaws in his
(Mosley. Disney’s World, pg. 9)
Years ago, an Illuminati
Grand Master and programmer stated,
“If the world only had the eyes to see
the fibers which lay under the surface of Walt Disney’s image, they’d tar
and feather him, and drag him through the streets. If only they knew what
Disney’s primary goals."
Walt had black hair with a
black mustache, and bright quick eyes and was about 6’ tall. He used his own
facial features to clue artists on how to draw Mickey Mouse’s features. He
liked specially rolled brown cigarettes which he smoked up to 70 a day. He
picked up the smoking habit in the army.
He loved expensive Scotch Whiskey,
red sunsets, and horses. He had a vacation home in Palm Springs, CA called
the Smoke Tree Ranch. He often wore the Ranch’s letter STR emblazoned on his
necktie. He played lots of golf with Bob Hope and Ed Sullivan at the ST
His main home was an estate in Holmby Hills. The Holmby Hills estate
was located in a plush area where lots of rich show-business families lived.
It was located between Bel-Air (an occult word for Satan) and Beverly Hills.
Walt spent many of his
nights at the Disney Studios and later he had his own private quarters at
the center of Disneyland. He had reoccurring bouts of insomnia. (For his
nerves and insomnia he’d take alcohol and tranquilizers.) He’d go weeks on
end without stepping foot on the Holmby Hills estate and seeing his family.
The main topic at the
studio by the staff during different time periods was Walt’s bizarre
behavior - he would not be available until late afternoon, when he would
emerge from the studio’s subterranean maze of tunnels, where supposedly he
was “chatting with the maintenance engineers” everyday.
The value of his
estate when he died was 35 million dollars of which Lillian his wife
inherited half. In his later years, when Disney took a vacation he went to
Paris for 3 weeks, and 3 weeks at the Hotel du Cap, in Antibes, and then
cruised on Fritz Loew’s yacht with Ron and Diane Disney. In England, Walt
spent time with the British Royal family and met privately with masonic
prophet H.G. Wells.
In Rome, Walt visited privately with the Pope and the
dictator Mussolini. In 1966, Walt Disney died.
Prior to his death he had
investigated cryogenesis - being frozen, and it is believed by some that his
body is frozen somewhere in California, while others claim he was cremated.
According to one source,
the inspiration for Walt to create Mickey Mouse came when he was unemployed
and saw a mouse in the gutter. There are quite a few stories in circulation
as to where the idea came from. Ub Iwerks claimed he thought Mickey up at an
animator’s meeting in Hollywood.
Walt once said,
“There is a lot of the
Mouse in me.”
(biographical article written by Elting E. Morison, p. 131)
fact, Ub Iwerks told Walt that Mickey Mouse,
“looks exactly like you - same
nose, same face, same whiskers, same gestures and expressions. All he needs
now is your voice.”
Walt often did serve as Mickey’s voice.
A book put out
by Walt Disney Co. in 1988 reveals that Walt Disney told Ward Kimball,
frankly, I prefer animals to people.”
Walt usually was the voice behind
Mickey Mouse, (even though he wasn’t the artist.) His mother was chilly for
years about the work Walt did. Around 1940, after much pleading, he finally
got her to watch Mickey Mouse. His unsupportive mother (which he would
within a few years learn was not actually his biological mother) told him
she didn’t like Mickey Mouse’s voice, to which he told her it was his, and
then she responded by saying he had a horrible voice.
The “cold towel” she
threw on Mickey Mouse helped convince Walt to quit making Mickey Mouse
cartoons. Very few came out of Disney after that, and the very next Mickey
Mouse full-length feature cartoon, Fantasia, had Mickey mostly silent.
Walt’s idea for The
Sorcerer’s Apprentice was based on some of his own ideas. Walt had had the
dream which was used for Mickey Mouse in The Sorcerer’s Apprentice of having
“complete control of the earth and the elements.” Disneyland and Disneyworld
were partial fulfillments of that dream for control.
Walt’s final pet project just prior to his
death was the meticulously restored version of the witchcraft film "Bedknobs and Broomsticks.” (Disney Magazine, Winter
96-97, pub. by Disney, p. 96 mentions this.)
As a programming device, Mickey
Mouse works well because it plays on the subconscious genetically
transmitted fear of mice that women have. Mickey’s image can help create a
love-hate relationship, which is so valued during the
programming of mind-controlled slaves.
Some sources state that
Walt’s love for animals came from the time his family had a farm near
Marceline, Missouri. Walt began his schooling at Marceline, but continued it
after the age of eight at Benton School in Kansas City, MO. Walt’s Dad had a
serious gambling problem and passed the spirit of gambling to his son Walt.
Walt never graduated from high school. He had a natural love and a flair for
art work, although (contrary to his public image) he never became proficient
at it. He joined the army in W.W. I as an ambulance driver by lying about
his age. During the war, he also chauffeured dignitaries. He also did some
other things that are very revealing.
He enjoyed drinking and gambling while
in the service, and he ran a scam where he doctored German artifacts picked
up on the battlefield to sell to people. War relics were tampered with to
get them in shape to get the most money from them possible. Walt took the
battle souvenirs - and dressed them up, for instance, coating the insides of
helmets with grease, hair and blood and putting holes in them to make them
into expensive souvenirs.
This shows that Walt was willing to build
illusions if it paid. He could be deceptive if he saw an advantage to it.
From gleanings from things Walt said to people, it appears that as a child,
he’d seen the darker side of life (for instance, his father had a habit of
beating him in the basement) and had had some interest or exposure to magic
as a child.
Bob Thomas writes,
"Walt took a boyish delight in playing tricks
on his parents. He was fascinated with magic tricks...”
(Walt Disney, An
American Original, p. 35.)
After the military, Walt hoped to have
a career as an artist.
He applied to the advertising agency of Pesman-Rubin.
Roy, his brother, claimed that Pesman-Rubin hired Walt as a personal favor
to Roy who handled the agency’s account at the bank Roy worked at. Walter
lasted a month until the advertising agency let him go due to Walt’s
“singular lack of drawing ability.”
According to Current Biography 1952,
in 1923, Walt and Roy had together $290. They borrowed $500 from
another Disney, one of their uncles named Robert Disney and began to try to
make cartoons. Robert Disney had retired in the L.A. area in Edendale, CA
after a successful mining career. Robert had always been close to Walt’s
father Elias, and helped Walt and Roy out when they came to California. Walt
loved to study Charlie Chaplin (a member of the Collins family).
notes about his body language, facial features, and his gag methods. He also
read everything he could about animation and cartooning. They worked out of
their uncle’s garage in Hollywood, CA. They were finally able to make a good
cartoon Steamboat Willie in 1928, which became an instant hit.
As with many
things in life, the cartoon was not only good, but Walt finally had the
right "connections.” On Nov. 18, ’28, Steamboat Willie was shown in a
small, independent theatre without any advance promotion or advertising. But
amazingly(!) the New York Times, Variety, and Exhibitor’s Herald
all ran rave reviews of the cartoon the next day. Was this an accident?
did journalists from all these prestigious periodicals just happen to go to
this tiny independent theater? no it was connections.
The reason the elite
decided to promote Walt Disney after Steamboat Willie came out as
Hollywood’s newest “boy wonder” was to deflect enormous bitterness that had
been generated by the Stock Market collapse toward Jewish financiers.
Hollywood, even in its first two decades, was known as “Babylon” and “Sin
The movie industry was well-known to be run by Jews, and many people
blamed the Stock Market Crash on the moral degradation that Hollywood had
introduced to this nation. There were calls for government regulatory groups
to stop the smutty Hollywood films.
Edgar Magnin, the spiritual leader of
the major movie makers who were part of the Los Angeles
reportedly encouraged those in the Mishpucka and others who were B’nai
B’rith movie makers that Hollywood needed to protect itself by putting Walt
Disney in the limelight as a Christian “white knight with family values”.
(By the way, Edgar Magnin was nicknamed “Rabbi to the Stars”, because he was
“the Hollywood rabbi”.)
E. Magnin’s grandfather’s department store chain was
one of the first major accounts of the Bank of Italy, and Edgar Magnin had
continued his family’s close association with the Bank of Italy. The
closeness also came from the Bank of Italy’s close ties to the B’nai B’rith
and ADL. In 1930, the movie industry made a production code which stated
that the industry must make a special effort to make movies appropriate for
Hollywood directly praised Disney in that code as an exemplary
model of what the movie industry wanted to do. With the power of the B’nai
B’rith and ADL behind him, Walt began sailing to fame. Movie studios that
had been turning out smut, with lots of sex and violence all jumped on the
bandwagon to show Walt’s clean wholesome cartoons. Walt was the facelift
Hollywood needed after the Depression caused Americans to think about
Many of the regular movie makers were so corrupt they were
out of touch with moral issues, but Walt Disney knew black from white.
Jewish movie makers “pushed the man [Walt] they considered their best hope
to the front of the pack” who was billed as a fundamentalist Christian
(albeit a masonic “Christian” who rarely stepped foot in a church - quote
from Walt Disney Hollywood’s Prince of Darkness, p. 50.)
Strangely, the biographies indicate that Walt quit doing the actual drawing
in 1927, and Walt devoted himself entirely to the development of the cartoon
business, such as raising money. In other words, the image of Walt Disney
being the artist who has created the Disney cartoon’s is inaccurate. The
Disney brothers actually hired many other artists to do the art work. If
Walt quit drawing in 1927, and their first marketable cartoon was in 1928,
that clearly shows that Walt did not do the actual cartooning.
to oversee the work, walking in and rigidly inspecting what was being done
to suit his own intuitive tastes. Actually the genius cartoon artist
(animator) who made Walt Disney a success was Ub Iwerks, about whom Walt on
a number of occasions said was “the best animator in the world”.
Iwerks to take Walt’s ideas and turn them into reality, Walt would never
have become famous. Ub was an incredible genius who had a sense of line, a
sense of humor, patience, organization and a great sense of what Walt
Walt treated him cruelly at times, interrupting him, playing tricks
on him, and not being totally honest with paying him, but he stayed with
Walt over the years and made Walt the success Walt became. (The books
Disney’s World and Disney Animation: The Illusion of Life have
information on the unheralded genius Ub Iwerks.)
Another unknown great
artist was Floyd Gottfredson.
Floyd Gottfredson drew all the Mickey Mouse
cartoons from 1932 until October, 1975 - which is a period of 45 1/2
years. Floyd Gottfredson was a Mormon born in a railway station in 1905,
and raised in a tiny Mormon town, Siggurd, 180 miles so. of Salt Lake
City. In 1931, before Floyd totally took over the Mickey Mouse drawings, he
would take suggestions from Walt on what to draw.
For instance, Walt puzzled
him by insisting he do a cartoon series of Mickey Mouse committing suicide.
Floyd had said, “Walt, You’re kidding!” But Walt thought that a series on
suicide would be funny. Over the years the Walt Disney products never
mentioned Floyd’s name. The bulk of the fans were led to believe Walt did
the cartooning of Mickey Mouse himself. (See the book Walt Disney’s
Mickey Mouse in Color. Ed. Bruce Hamilton, pub. The Walt Disney Co.,
Fred Moore was involved in the creation of Pluto and some other
cartoon characters. The idea for Pluto was Walt’s and it was Norm Ferguson’s
genius at drawing that took the idea and created the actual images. Walt
Disney was awarded 32 personal academy awards for the work that was done by
his studios. Walt Disney’s famous signature was actually designed by someone
else, and was taught to Walt. (Schickel, Richard. The Disney Version: The
Life, Time, Art and Commerce of Walt Disney. NY, 1968, p. 34.)
could only make a crude Disney signature, so he delegated the writing of the
signature to several artists including Bob Moore, Disney’s publicity artist.
Later, after much practice he learned to make it well enough to do for
publicity. Many people who wrote letters asking for his actual signature,
and who actually did his signature, thought that they had received forgeries
by his staff, because the famous Disney signature was so crude. The nicer
looking ones were the forgeries.
One cartoon animator who joined Disney in
1940 recalled that Walt told him the first day,
“You’re new here, and I want
you to understand just one thing. What we’re selling here is the name Walt
Disney. If you can swallow that and always remember it, you’ll be happy
here. But if you’ve got any ideas about seeing the name Ken Anderson [his
name] up there, its best for you to leave right away.”
OCCULT PORN KING
Walt grew up fascinated
with the occult and in an abusive home situation. He was fascinated with
cartoons, nature and children. He had an intuitive sense for quality
cartoons that would appeal to children. At some point, the syndicate got him
indebted to them.
At that point he was their man. He owed them a debt that
they held over him. In secret, Walt became a porn king. A victim remembers
that he was sadistic and enjoyed snuff porn films. His interest in children
was far from altruistic. The Hapsburgs of the 13th Illuminati bloodline had
a sex salon in Vienna, where a porn photographer named Felix Salten worked.
Felix Salten wrote a book
Bambi, which was then translated into
English by the infamous communistWhittaker Chambers.
The elite were just
beginning to form the roots for today’s environmental movement. The book
appealed to Disney, because Disney liked animals better than people. In the
book, tame animals view humans as gods, while the wild and free animals see
humans as demons who they simply called “Him.”
The book begins with both
free and tame animal viewing humans as rightly having dominion over them. In
the end, the animals view all humans as simply being on the same level as
animals, a vicious animal only fit to be killed.
Disney instructed his
animators to make the animals “to be human. I want people to forget they are
watching animals.” Bambi was to receive a Christ-like manger birth, with the
animals hailing him as a “prince.” Due to his sexual problems, Walt at one
point permitted himself to be subjected to the packing of his genitals in
ice for hours at a time. (Elliot, Walt Disney Hollywood’s Dark Prince,
Children were instructed to call Walt “Uncle Walt.” An example
of this were the Mouseketeers. For those who know how mind-control
programmers have traditionally liked to be called “uncle” by their child
victims, the insistence by Walt to be known as “uncle” is distasteful. From
what this author has learned from some sources about Walt’s non-public life
as a hidden sadistic porn king, it raises questions about other parts of his
For instance, Kenneth Anger in his book Hollywood Babylon II,
“Some animators stated that the boss [Walt Disney] seemed to have
fallen in love with the boy. There may be some truth in this...”
who Walt fell in love with, was a small young attractive boy actor named
Bobby Driscoll who signed up in 1946 with Disney. He acted in Song of the
South, Treasure Island and Bobby’s voice was used in Peter Pan.
Driscoll was very intelligent and attractive.
Did Disney help or abuse him?
If Disney was such an upbuilding wholesome atmosphere,
and this child actor
had everything going for him, why did Bobby become a methamphetamine addict
at 17 and die within just a few years?
Why didn’t his talent and early career
lead to something positive in his life?
From those who knew Walt personally
one learns that he had an obsession with the buttock part of anatomy.
enjoyed jokes about this part of the anatomy, which he told to his staff
quite frequently. The staff edited out many of his crude posterior jokes
from cartoon scripts. Two examples that got by the editors are a Christmas
special where a little boy is unable to button the drop seat of his pajamas.
The little boy’s problem in maintaining his modesty is the running gag of
In the end, Santa gives him a champer pot. The 2nd example is
the paddling machine used on the wolf in The Three Little Pigs.
Disney cartoons feature buttocks of characters provocatively twitching.
AS A WITNESS BEFORE
After W.W. II, Walt
Disney was called upon by Hollywood to testify in their defense at the
Un-American hearings which were being carried out by congressmen who were
concerned about the heavy communist influence within Hollywood. Walt
downplayed any communist influence in Hollywood to Congress.
Walt’s father was an outspoken Socialist Party leader in the United States
who advocated a socialist New World Order. He regularly voted for socialist
presidential candidate Eugene Debs. One of the first drawings Walt did as a
boy was to duplicate the socialist political cartoons he found in a
socialist periodical Appeal to Reason that his father subscribed to.
When Walt asked in the 1930’s how his father felt about socialism’s
successes, his father Elias said,
“Today, everything I fought for in those
early days has been absorbed into the platforms of both the major parties.
Now I feel pretty good about that.”
(Thomas, Bob. Walt Disney, An
American Original, pg. 147-148)
Walt’s movie Alice’s Egg Plant (1925)
was pure communist doctrine where the red hen (communist) leads the
working chickens on a strike against Julius the farm manager (representing
The strike at Disney and unionization of Disney in 1940,
soured Walt toward communism. The workers at Disney publicly made personal
verbal attacks on Walt and he never forgave the humiliation. In spite of his
public distaste for communism, his Magic Empire (his castle where he was
king) was run like a socialist dictatorship, similar to what the NWO plans.
Employees at Disney did not have titles; it was faceless egalitarianism with
an all powerful dictator Disney at the top. It was racially elitist too. The
only full-time African-American during Walt’s lifetime at Disney was a black
shoe shine man.
Was Walt a socialist of the National Socialist (Nazi)
Arthur Babbitt claims,
“On more than one occasion I observed Walt
Disney and Gunther Lessing there [at Nazi meetings], along with a lot of
other prominent Nazi-afflicted Hollywood personalities. Disney was going to
meetings all the time.”
Lessing was mobster
Willie Bioff’s crony. Bioff had
spent his earlier days running a whorehouse, before coming to Hollywood for
the mob. In the final panel of the Mickey Mouse comic strip of 6/19/40 a
Some people have wondered what this and other “secret
signals” in Disney’s work meant. Disney was not Illuminati. The powerful
elite are very skilled at controlling people that rub shoulders with them,
those who are beginning to become independently wealthy. For instance, they
destroyed Robert Morris, the great financier of the American Revolution.
They simply used Hegelian Dialectics on Walt Disney. Their Unions and the
Mob made Disney’s studio one of their prime targets. In order for Walt to
protect himself from the unions, which he perceived as communist, Walt got
help from the FBI and the mob. Walt was vulnerable to the unions, because he
treated his workers terrible, with long hours, low pay, in addition to
repeated abuses to their dignity.
Walt’s large number of employees
essentially never received any credit or recognition for their years of
creativity and hard work, which was all essentially stolen and credited to
Walt by the establishment to build his image. (I write “essentially”,
because someone might find some obscure exception, but across the board,
Walt got all the credit for what his creative workers produced.)
Walt needed the ego boost from all the purloined public praise which he
stole from his staff to be seen as a great animator, because he had wanted
to be an artist/cartoonist and failed. The praise helped sooth the wounds.
One worker recalls that Walt,
“had no knowledge of draftsmanship, no
knowledge of music, no knowledge of literature, no knowledge of anything
really, except he was a great editor.”
This may not be much of an
exaggeration, because Walt was a high school drop-out, who grew up in
poverty on a Missouri farm. Walt’s first official attempt to direct a film
(and last) was the film The Golden Touch in 1935.
The film was an
embarrassment. Walt had to pull it from distribution. If Walt lacked
abilities to animate, and direct, what was Walt’s talent? Walt was the
driving force, the spirit so-to-speak behind Disney.
He was the dictator who
was feared enough to demand more from his workers than they knew they could
give - and he could get it. He was the driving force that took a mob of
artists, and gag creators, etc. and shaped them into a powerful force to
make cartoons and later movies. He was the hard-driving genius who knew what
he wanted and got others to create it for him.
He was the driving force that
kept an army of costumed sanitation men meticulously cleaning Disneyland. In
normal year, Walt would have 800,000 plants replaced at Disneyland, and Walt
refused to put up signs asking the “guests” (visitors) not to trample them.
How powerful was Walt?
Here is a man who during his lifetime and even up
into the 1990’s had a rule in the studio and Disneyland that no male employees
could have any facial hair, yet he himself wore a moustache for most of his
A possible CHRONOLOGY OF
EVENTS surrounding WALT DISNEY'S ILLEGITIMATE BIRTH
It is beyond doubt that
Walt Disney was an illegitimate child, but that fact resulted in a long list
of mysterious happenings. It also gave power hungry men, something to
blackmail Walt Disney with.
Because this chapter 5 on Deception is focusing
on Disney, and the big boys used blackmail to keep Disney in line, this
information is pertinent. The following chronology of events is what this
author’s believes most likely happened. Without any genetic tests, it is
difficult to determine beyond a shadow of a doubt who Walt’s biological
parents were, and what the actual history of Walt Disney was.
have spent many years investigating the real facts surrounding his birth.
Many interesting and tantalizing clues have been found. This author believes
that the following chronology is suggested by the evidence.
chronology is offered without hundreds of pages of evidence, because the
mysteries around Walt Disney’s birth are here to stay, no matter what
excuses people come up with, and this author doesn't want to stray from the
intended purpose of the chapter.
This is to show that Walt Disney had a
secret bastard birth which gave J. Edgar Hoover - and his superiors -
blackmail leverage over Walt Disney. Walt may also have had gambling debts
and an abnormal sexual appetite which also helped entrap him.
For those who
want more evidence and facts, the following are recommended: Almendros,
Mojacar, Corner of Enchantment, p. 83; Interview magazine, no.
242, “Walt Disney Was from Almeria”, and last but not least Eliot, Marc.
Walt Disney, Hollywood’s Dark Prince, chapter 11.)
1890 - An attractive Spanish
woman Isabelle Zamora Ascensio of Mojacar leaves Spain and travels to
California to a Franciscan monastery. In the same year, but later on In
1890-Walt's future father Elias, who fancies himself a ladies man, leaves
his family to seek his fortune in the gold fields. In California, he meets
another newcomer to the state, Isabella Ascensio, and the two newcomers in
California have much in common, have a sexual affair and fall in love.
1891 - Elias fails to make a
fortune and returns to Chicago, but he doesn't forget Isabelle.
1893 - Isabelle and Elias
have a son, and Elias convinces his wife to accept the baby as theirs rather
than have the family's reputation, their marriage, and their family ruined.
The son doesn't look like the first two boys at all.
1901 - Isabelle and Elias
have another bastard son, who Elias brings home and names Walter after the
minister of the church he attends. The two bastard sons do not look like the
older sons of Elias, and they never have much to do with them, but cling to
each other as brothers.
1903 - The minister of the
church Elias attends finds out about the bastard children and Elias quickly
moves out of state so that the scandal will remain secret. Elias has also
run up gambling debts.
1905 - After moving to
Marceline, Missouri, Isabelle is hired as the Disney's maid, so that she has
an excuse to move in with them without creating suspicions. She probably
does much of the raising and care of the two boys.
1918 - J. Edgar Hoover is
busy involved with the prosecution of draft dodgers in WW I, and it crosses
his desk about the case of Walt Disney committing the crime of forging his
parents signature to join the army. Cases like Walt's were watched because
people who could be blackmailed could be resources in the future for Hoover.
That year, Walt discovered that he had no birth certificate. Waft observes
his parents strange reactions concerning his birth certificate and other
questions, and begins to deeply distrust his father.
1938, Nov. - Walt's mother
dies by gas, and the Disney's maid pulls Elias to safety from the fumes, but
Walt's mother dies.
1939-40 - Hoover offers Walt
Disney to help Walt locate his real parents if Walt will work for the FBI.
Either Hoover already knows that he is a bastard child, or he soon learns
the truth from an investigation. This gives Hoover blackmail power over Walt
Disney, and assures Hoover that Waft will be loyal.
Hoover informs Walt
Disney of the truth, and then moves to generously protect Disney and his
father's reputation. Two FBI men plant baptismal information of a child born
to Isabelle in 1890 named Jose Guirao in Mojacar, Spain. This date is 10
years off of Walt's birth-date, and is intended to throw people off track.
They can't plant a fake birth certificate for Waft in the records for 1901,
because everyone knows from WW I that none exists.
Therefore, they plant a
fake birth certificate for Walt in the Illinois State records in the year
1890. They hope people will think that somehow a filing error occurred. This
way if anything leaks, and worst came to worst, Waft could at least pretend
he was adopted and is not an illegitimate bastard. They pay off townspeople
in Mojacar to tell a particular story. Townspeople probably receive ongoing
1941 - Walt confronts his
father with the truth, and his father commits suicide, and his real mother
comes to live with him as his maid.
1954 - In
order to reinforce
the myth that Walt was born in Spain, a group of Franciscan monks
goes to Mojacar and visibly inquires about the birth records of Jose
Walt Disney. They spend time with the mayor and make sure that
connects Waft Disney with Jose, who is a fictitious (nominal)
the FBI has created records of.
1967 - A year after Walt's
death, a large group of Americans (a large group was needed because they are
not skilled like the 2 FBI men in 1940) pretend to be on "official" business
for the American government. They go to Majacar Spain to destroy all the
records of Jose Guirao to insure that there will be no Spanish claimants to
Walt Disney's fortune.
Later to insure that the fictitious story is solidly
in place to mislead the few who might get by the cloud of secrecy over Walt
Disney, the Spanish government does a favor to certain powerful people and
pays an investigator to investigate the Spanish origins of Walt Disney.
People of the village willingly tell people without any fear or without any
fanfare that Walt Disney was born at their village.
Unless they have
recently done so, the village has never done anything - no monuments, no
markers, or anything about the birth site of Disney. They probably didn't do
this for years, because some of the village probably knew it was a lie.
the older people gone, the lie has probably become well entrenched as truth
and there is most likely some type of memorial to Walt Disney.
WALT DISNEY’S CHARACTER
Because the Disney
deception is such a major Illuminati deception worldwide, and because Walt
Disney was the major catalyst behind all the Disney theme parks, movies,
trinkets etc. it is of importance to examine his character.
historical figures, this author has tried to get to the rock bottom truth.
One may ask, how can this be done? -especially since there have been decades
of myths spread by the establishment and their media? The following
procedure which has worked with other historical figures was also done by
this author with Walt Disney.
The first part of this author’s own procedure
is to study everything that one can find on the man, paying special
attention to what bias and vantage point another author comes from. Special
attention is also paid to biographers who try to give the whole truth as
they have found it, rather than approved biographies that repeat myths,
platitudes, and flattery.
The investigator has to be careful because there
are authors who deceptively say in their introductions that they are
“detached investigators” who are “going to be painfully honest in their
reporting” when they actually are skillful cover-up artists for the person
they write about.
When your author,
Fritz Springmeier, finished
investigating written material about Walt Disney, then I mentally placed
what I knew on the shelf temporarily, and did a handwriting analysis based
on the scientific principles of Grapho-analysis as well as the broader field
This author is a Certified Grapho-analyst who has done
handwriting analysis professionally. Using Grapho-analysis/graphology is an
excellent way to get an unbiased very deep look at a historical figure. It
is a way to by-pass all the propaganda and myths. However, a close
historical look and the handwriting analysis (of various historical figures)
have always matched each other, as they did in this case too.
Here is what
The following paragraphs are how Walt was in the 1920’s. The
personality profile you will read did not endure. Under the pressure of
micromanaging Disney Productions as well as living with financial stresses,
by the 1940’s, Walt could be found in rages giving rough treatment to his
wife, and rough spankings to his two children.
He went to psychiatric counseling to cope with the stress. And unfortunately with the progression
of time, by the 1960’s Walt had become a sadistic egotistical alcoholic. One
biographer described him as "...a bully and a know-it-all” (Disney’s
World, p. 220) Even then Walt had men working for him, such as Bill
Walsh (who had been a orphan as a child) who worshipped Walt.
But here is
how he was in the 1920’s: Walt was a self-motivated individual with lots of
energy which was constantly seeking some outlet. (People have written much
about this trait of his.)
He was more the giver than the taker in
(In the first few years, when he was responsible for making
business contracts he often gave away his work without setting prices for
profits. He even wrote letters to his boss to the effect that his first
priority was good cartoons not profits, and that he’d work without profits,
but he did want some appreciation for his work. That was his sensitive
Walt wouldn’t wait for others to come up with an idea or
someone else to make a move - he was there first. He could communicate his
ideas with clarity and ease and move easily from idea to another. (He would
storm into Disney Productions and spew one idea after another into his
workers’ ears.) He enjoyed competition.
He had a quick mind and keen
perception. He frequently acted on intuition and impulse, taking chances and
endangering his own security. (He frequently gambled all his life savings
and everything he could scrape together on a project.) Long projects bored
him. (Fortunately the real tedious work of cartooning was done by a large
staff of artists.) House chores and repetitive chores bored him and he
avoided them. (He was absolutely a total slob around the house as a
He was impatient with vague philosophies, he liked concrete
realities. He was difficult to get along with because he had both a playful
side (even to the point of cruel practical jokes) to his personality and an
aggressive intolerant impatient side that wanted to achieve.
people around him were disconcerted because on a subconscious level they
never knew which side of him they would deal with.
(The reference series
Current Biography “Disney” article p. 248 gives the following Walt
Disney quote, “We don’t even let the word ‘art’ be used around the studio.
If anyone begins to get arty, we knock them down.”)
He was geared for
action. He was always inventing ways to get what he needed. He could be
explosive when provoked. (The old time associates of Walt remember his
He was a person of dynamic energy, sensuality and keen
thinking, and a disciple of the pleasure principle. Because his father was
so abusive and misused his position of authority, Walt came to be deeply
ingrained with defiance toward authority.
(The themes of his films
repeatedly sympathize with those who rebel against authority, and the police
and other authority figures are consistently shown as absurd. One way he
expressed irresponsibility was with lively dance scenes, which has been a
hall-mark of teenage rebellion during the 20th century. “Comic anarchy
reaches its fullest expression in Alice Rattled by Rats, which shows what
the rats do when the cats goes away!)
He felt that rules were for others to
follow. (That is one reason he would step outside of the law and commit
illegal acts. This is one trait that may be responsible for some of the
criminal activities Walt ended up participating in.)
Walt also didn’t like
to be closely supervised. (He wanted to manage his Disney Magic Kingdom as
if it were his own kingdom. He wanted to be an authority figure, and indeed
became the dictator of his Magic Kingdom. When his workers differed with his
own views he felt that they were infringing upon his own inalienable rights
as an individual.)
He was somewhat of a melancholic temperament, that type
of perfectionist who still enjoys life. He felt a need to protect himself
against intimacy with others. He was most home in a setting which he made
for himself. Walt had the traits of an executive. He was slow to reveal his
innermost feelings, and definitely set his own goals. Walt was one of those
persons that when the going got tough, he hung in there.
Likewise he would
cling to his ideas, plans, and possessions.
(His stubborn refusal to allow
his brother Roy to stop the creation of Disneyland led to events that split
the brothers. His determination to succeed was taken advantage of by the
crime syndicates to blackmail him with some debt. In order to get his
dreams, he was willing to give them what they wanted.)
A clue to Walt’s
macabre sense of humor, at times almost a graveyard sense of humor, and his
high tolerance of seeing pain in others, is that Walt was seriously thinking
of volunteering again as a medic after the W.W. I fighting in France was
over, when volunteers were needed for the Balkan fighting.
animals more than people. The only human being that he had rapport with
while growing up on the farm was his Uncle Ed (who he called Uncle Elf), who
looked like a cross between a leprechaun and a prune. Uncle Elf could make
animals sounds and bird whistles to Walts delight.
Walt loved the charm of
the farm and nature and he loved royalty, pageantry and a strict social
hierarchy such as Freemasonry provides. He often wove a combination of the
barnyard in with royal parades and other trappings of royalty. For instance,
in Alice the Piper, the King Hamlin is a farmer who sleeps in a farmhouse.
In Puss in Boots the local king lives in an authentic palace incongruously
placed in a village.
His early film Alice’s Day at Sea includes both the
features of a royal court and an American circus. In typical Disney disdain
for authority, he pokes fun at criminal fraternal groups with their rituals
and passwords in Alice and the Dog Catcher, Alice Foils the Pirates, and
Alice’s Mysterious Mystery. And while he was a secret FBI agent, he went
against Hoover’s wishes and poked fun at the FBI’s authority.
Walt was loyal
to what he believed and could be loyal to those individuals who he deemed
worthy of his loyalty, but he didn’t want anyone to have authority over him.
(Walt was a 320 Freemason and an occultist, he was loyal to that philosophy
and loyal in his early years to his older brother Roy O. Disney, who was a
father figure to him.) If anyone at the studios agreed with him when he was
angry at his brother Roy, he or she risked losing their job.
were protective of each other, and felt they were the only ones who could
criticize the other one.
WHO WAS ROY O. DISNEY?
Roy O. Disney was born
in 1893, and his brother Walt in 1901.
They had three other brothers, but
Roy and Walt (1901-1966) were only close to each other and not to their
other brothers, who didn’t resemble them. Walt was named Walter Elias, his
middle name derived from his father’s first name. The Disney family had
immigrated from Ireland to Canada and then to the U.S.
The father of the
brothers as stated was Elias, and their mother of Scottish descent, who may
not have been the biological mother, had the maiden name Flora Call. Roy
died in 1971, shortly after the opening ceremonies for Walt Disney World. He
kept his promises to his brother to build Walt Disney World. He reneged on
his promises concerning the city of Epcot (which was derailed into becoming
EPCOT). Roy O. during the 1930’s lived in North Hollywood.
later located in Napa Valley, CA, and was associated with the Illuminati
kingpins in the area. Napa Valley has been nicknamed the Valley of Kings.
This “Valley of Kings” plays a major role in the dirty activities revealed
in this chapter.
Roy 0. Disney played a bigger role at Disney Studios than
people realize. For example, it was Roy O. who made the decision to cut 45
min. out of Fantasia, so that Walt’s pet project could be distributed to
movie theaters. Roy O., considered by some insiders as the more evil of the
two brothers, kept the financial books for the Disney’s down through the
years. It is known that Disney kept two books during the 1950’s, so it is
hard to believe anything except that Roy O. was fully aware of how Disney
brought in their money.
The big boys always kept the financial screws to
Walt and Roy. The big boys often figured out scams to take their money. When
the Disney brothers had an arrangement with Columbia Studio (run by Harry
Cohn) they were advanced $7,500 for each cartoon which cost them an
unprofitable $13,500 to make.
Further, Cohn liked to cheat them by not
sending them their money, and taking a ridiculous amount of time to pay them
what he owed them.
The cash flow problems of the Disney brothers also came
from Walt’s desire to keep improving and upgrading the technology they used.
When Walt went to color over Roy’s objections, Disney’s profit margin was
damaged and the studio was left with shortages of cash.
In 1937, Walt’s
repeated gambles with cartoon production ideas caused Roy O. to say,
bought the whole damned sweepstakes.”
From 1940 through 1946, Disney lost
money every year. In '46, he lost $23,000. Finally in 1947, things turned
around and the Disney studio made a profit of $265,000. Cartoons and
movies were not really big moneymakers for the Disney brothers, until it was
realized that old films could be replayed on television.
Overall, from the
20’s through the 50’s, the Disney's may have broke even with animation. This
is why Disney Studios at Christmas, 1931 was unable to pay its payroll.
Pinocchio cost $2.6 million to make in the late ’30’s, an amount hard to
retrieve at that time from the box office, and Fantasia’s original release
in the ’40’s was a dismal financial failure.
When Sleeping Beauty was
released in 1960, it was a loser, movie goers were apathetic towards it. The
real money made by the Disney brothers in the 1930-1950’s came from the
merchandising of Disney products, the production of underground hard porn,
and the kickbacks from various groups which used Disney for mind-control
programming, and money laundering.
When Walt died, his shares in Disney were
worth $18 million.
His family all in all held 34% of the stock in Walt
Disney Productions. Roy o. Disney’s daughter Dorothy Disney Puder and husband
Episcopalian Rev. Glen Puder purchased property at 1677 Sage Canyon Rd.,
Napa Valley east of Rutherford. (This is close to the Rothschild’s Opus One
Temple mentioned in VoL 1.) O.J. Simpson’s lawyer Johnnie
Cochran Jr. was in the Rothschild’s hard-to-enter Opus 1 when the jury
arrived at a decision in O.J. Simpson’s case.)
It is very typical for Mafia
families in south Boston to have one family member in the clergy and one full
time in organized crime. (See author’s Be Wise As Serpents for an expose on
the Episcopalian Church, which is simply a branch of Freemasonry.) All kinds
of interesting Mafia figures, Illuminati, and Bohemian Grovers live up the
Sage Canyon Rd.
This is an area that has a large well-kept cemetery for
pets. Frank Well’s sister and Rich Frank, who will all be discussed later in
this chapter, also live on Sage Canyon Rd.
E. WHO WAS ROY B. DISNEY?
Roy Edward Disney (nephew
of Walt) is the son of Roy Oliver Disney (brother of Walt). Sometimes he has
been called Junior. The 9/5/94 Newsweek story on Disney’s Magic
Kingdom called him “Keeper of the Flame.” Roy is an executive with Walt
Disney Co. at 500 5. Buena Vista St., Burbank, CA 91521. He has worked as an
asst. producer at Walt Disney Co. from 1954 to 1977.
He has also been the
vice-pres. of Walt Disney Co. He is president of Roy E. Disney Prodns. in
Burbank. He is chairman of the board for Shamrock Broadcasting Co. As if
that weren’t enough, he is on the board of directors for St. Joseph Med.
Ctr., fellow U. Ky. Recipient of the Academy award nomination for Mysteries
of the Deep.
He is a director of the Guild American West, the Writers Guild,
which is important. He belongs to the 100 Club, the Confrerie des Chevaliers
du Tastevin, and St. Francis Yacht Club. He likes speed boat racing. Roy E.
Disney was the cocky son of Roy O. He married a gal named Patricia. He was
merely tolerated by his uncle Walt, especially after Roy E. made some snide
remarks about Walt’s plans for Disneyland, which he and his father opposed
until Walt Disney personally got the project going.
Walt’s son-in-law Ronald
Miller is one of the Disney clan who can’t stand Roy E. The two never liked
each other, and in the power struggle between them after Walt’s death, Roy
E. won and ended up with Disney.
Although people called Roy E. “Walt’s idiot
nephew”, he eventually (with the help of his father and outsiders) won the
various power struggles at Disney after Walt died, and is now a powerful
figure. Roy E. Disney and Stanley P. Gold work together in various ways, and
are both on the present Disney Bd. of Dir.
They are friends and worked to
prevent hostile takeovers of Disney in 1984.
Gold is in charge of Shamrock
The battle between the two
In 1953, the two
brothers and their respective sides of the family split when Walt created
RETHAW corporation. The two sides have fought ever since. When Walt Disney
created RETLAW (his name Walter spelled backwards), this alienated his
brother Roy O. and Roy’s side of the family.
Without going into all the
details, what RETLAW did was cut Roy O.’s side out of the money that was to
be made. But Roy’s side didn’t stand by and idly let their share of the pie
be lost, they fought back and held their own. Their big break came when
Michael Milken and his band of junk bond artists carried out a "greenmail”
on the Disney Corp. Only a few insiders know how greenmail works. It is a
legal form of blackmail.
Milken would work with his friends Saul Steinberg,
Sir James Goldsmith, and Carl Icahn. Milken would provide them the financial
clout, to make them look financially capable of financially purchasing a
corporation that they had selected as a target. According to insiders,
Milken got 40% of the upside of any "greenmail” that went right.
targeted corporation would learn that someone like Saul Steinberg was going
to buy them out. In order to prevent the buyout, and to keep their jobs, the
officers of the targeted corporation would get frantic, and either do
suicidal refinancings, or buy the stock of the potential acquirer for much
greater prices than the Milken group paid for them.
The "greenmail” artists
would then take their loot and go on their way. The stockholders of the
targeted company are the real losers of "greenmail”, because the management
of the corporation in order to finance their protection spends the
stockholder’s money, takes on new debts, and deprives the stockholders of
some profit-making potential of their shares.
Michael Milken’s group made
feints to take over a large number of corporations, including Walt Disney,
Phillips Petroleum and Avco. Saul Steinberg made what looked like the
beginnings of a sincere hostile takeover of Walt Disney through Reliance.
one point Reliance became Disney’s largest stockholder. Steinberg
amended 13D saying he intended to acquire 25% of the corporation.
The CEO of Walt Disney, was Walt Disney’s son-in-law Ron Miller. Saul
is a dear business partner with London’s Jacob de Rothschild.
Ron Miller (Stanford Univ. grad.) and Ray Watson (a
Bohemian Grove member, from
Stanford University) of Walt Disney’s management brought in the Bass brothers to
help them deal with Saul Steinberg’s takeover and to buy and develop land
(esp. in Florida). Ray Watson was Ron Miller’s key right hand man to run
The Bass brothers are mafia. Disney
acquired the Bass Brother’s Arvida, and brought the Bass brothers into
Disney’s management. The Basses
sold their stake in Texaco back to the oil co. and then used this
bolster Disney. Sid Bass and Chuck Cobb (chief exec. Arvida) worked
out a deal
Arvida (sold to Disney for $200 mil.) would profit from
developing Disney land in FL and Disney would profit from the new financial
strength that getting Arvida would provide.
Arvida owned oil fields, theme
parks, and had helped create planned communities. For Ron Miller, on the one
side was the Illuminati and the other side of things was the mafia. He
didn’t trust either, but Steinberg’s takeover could eliminate Disney’s
management and both he (and Roy E. Disney) wanted to save Disney from a
takeover by Steinberg.
At first, Roy E. wrote a letter to Ron Miller
other board members stating his concerns about the acquisition of Arvida For
Disney management, at least the Bass brothers would let Walt Disney continue
to make their family movies. After the Bass brothers joined the Disney
management (and became one of Disney’s major stockholders), they soon joined
sides with Roy E. in a management fallout over whether Disney should buy
Gibson Greeting Card Company.
With enough votes on the board, they sent Ron
Miller packing. With Ron Miller, and those management men aligned with
Walt’s side of the family gone, then CEO Michael Eisner, Frank Wells, Rich
Frank, and Jeffrey Katzenberg and some others made the modern Walt Disney
Corporation. Disney’s Touchtone studio which was mentioned above in
connection to the movie Alive was created in 1984 by Walt Disney’s
son-in-law Ronald L. Miller. Ron Miller’s management style was lackluster.
The new management has really gone gang busters. Although Walt’s side of the
family is out of the management end of Disney, they still receive financial
rewards from various Disney enterprises. The Bass brothers acquired more
land for Disney in Florida. But under their tutelage, Disney now has a
management team that is skilled in land grabbing techniques.
fortune began with Perry Bass, who created a company called Bass
Enterprises. In 1969, Perry retired and turned things over to his eldest
son, Sid Richardson Bass. Sid has three younger brothers Ed, Robert and Lee.
The Basses owned 27% in Prime Computer, as well as sizable real estate and
oil holdings. The Bass brothers founded a local prep school in Ft. Worth,
TX. Their HQs in Ft. Worth is full of modern art.
The Bass brothers were
very clever in their deal with Disney. In exchange for their $14 investment
in Arvida, they had gotten (over a period of time) $950 million dollars
worth of Disney stock. In 1985, they liquidated Bass Brothers Enterprises
and divided the assets between the four brothers. Sid Bass was able to shift
his interests from finances to culture and high society.
One of the Bass
brothers is involved with wineries in Napa Valley. The Bass Brother’s
financial strategist was Alfred Checchi, now of Beverly Hills, who has been
a supporter of Mishpucka member Sen. Dianne Feinstein (D-Calif.). Roy is
involved in criminal activities, and several people investigating him have
been bluntly warned that if they continue, they will see their children
Napa Valley’s Illuminati activity also connects in with CIA
activities as well. The Napa Valley Illuminati families all have CIA
connections. For instance, British millionaire Kenneth Armitage, who had to
flee from England to avoid arrest on numerous charges of theft, deception
and false accounting, had some of his good friends in the Napa Valley, such
as Dr. John Duff, Johnny Beck, and others. Armitage has since mysteriously
died in prison in England.
Armitage had intelligence connections which tie
in with twilight world of the criminal activities of the numerous
intelligence acronym monsters.
Also his company was authorized to provide
people with Central American government documents.
There is more - much more
to sordid affairs which swirl around Roy Disney. Napa Valley, where many
members of the Disney family live, has the Illuminati’s Opus One temple
owned by Rothschilds, as well as two roads lined with meticulously kept
wineries owned by Illuminati kingpins and connected via secret underground
To top off this incredible collection of Illuminati wineries
(Rothschild’s, Mondavi’s, Rutherford’s, Christian Brother’s, Sattui’s etc),
on the north end of a series of wineries on highway 29 lays the CIA’s
medieval-looking Culinary Institute of America Greystone (at 2555 Main St.,
St. Helena, CA 94574), where numerous people have suffered torture.
The Greystone Culinary Institute of America recently had the person who runs
their campus store mentioned in House and Garden, Sept. ‘96.
F. WHAT DO WE KNOW ABOUT
THE DISNEY FAMILY IN GENERAL?
Several members of the
Disney family came to England with William the Conqueror. They were not
known as Disney then, but because they came from the French Norman town of
Isigny, they took the name d ‘Isigny, and anglicized it into Disney. Walt
had two daughters, Diane Marie (bn. 12/18/33) and Sharon Mae. Diane made
some revealing comments when she said, he didn’t spoil us.
Like a lot of
adolescent girls, I was crazy about horses, and I got quite good at riding.
I yearned for my own horse, but Dad wouldn’t buy one. And we didn’t have a
lot of clothes and other things.” For being one of the richest men in the
nation, Walt can’t be accused of having spoiled his children. He was also
famous for his ten cent tips at restaurants, which became the talk of the
Sharon Mae was adopted and arrived at the Disney home 12/31/36. (She
died in ’93.) The adoption was kept very secret.
The newspapers around the
country announced that Lillian had given birth to Sharon, and the Disney
family kept up this lie for years. The reason given for Sharon’s adoption
was that Diane needed a playmate. For years, Walt Disney didn’t care much
for Sharon and seldom acted like he even knew her name.
Walt had wanted a
son, but his wife wanted to adopt a girl, so it was a beautiful girl that
Lillian picked out to be a companion for her first daughter. When Sharon was
kindergarten age, Walt would take her to the carousels in Griffith Park on
Sunday afternoons. Sharon was sent to private schools.
She went to Westlake
School for Girls, and later was shipped off to Switzerland to a girls’
boarding school. She had soft blond locks and was attractive. In June of
1948, Walt took Sharon, who was then an attractive 12 yr. old to Alaska with
him for about 2 months.
For most of this trip Walt and Sharon were alone
together. For a father, who had ignored Sharon for years, now Walt was
totally obsessed with Sharon. He bathed Sharon every night, combed her hair,
washed her underwear, and carefully dressed her each night from head to toe
before taking her to nice restaurants.
He even followed her when she sleep
walked. Why was Sharon a dissociative person? That summer in Alaska, Walt
and his personal pilot took a trip in August to Mt. McKinley, AK. Both were
drinking scotch whiskey and they barely missed hitting a mountain, and
almost ran out of fuel before finding a runway.
Sharon first married a presbyterian
Robert Borgfeldt Brown.
Later, Sharon went on to marry
Lund. Years later, Walt’s wife Lilly even prevented a biographer from
revealing that Sharon was adopted. Sharon died relatively young. It is
important to look at the Disney family rather than just Walt Disney in
trying to understand the Disney phenomena. For instance in 1958, the Wall
Street Journal mentioned that Lillian B. Disney was beneficial owner of
over 10% of common Disney stock.
Lillian, Walt’s widow, quietly purchased
property in Napa Valley and moved there in the late 60’s.
She bought the
property through Walt’s Retlaw Enterprises and the Lillian Disney Trust.
Lillian and her 2 daughters ran Retlaw for years. Diane Miller, her
daughter, also bought land and moved to the Napa area. The Lillian Disney
Trust bought the Silverado Vineyards, which Diane and her husband manage as
"gentlemen growers” as they call it.
This side of the Disney family is
shunned by the Illuminati insiders in the Napa Valley, as well as by the Roy
O. side of the family. Although very private, there are occasional moments
of publicity from Diane Disney Miller, when she donated wine for a fund
raiser for the Planned Parenthood Shasta Diablo held at the estate Niebaum-Coppola,
owned by director/producer Francis Ford Coppola. Francis F. Coppola comes
from an old mafia family.
He owns a big winery
and directed Disney’s Caption EO film. Locals in the Napa area do not trust any of the
the Roy O. side of the family.
There are other
Disney’s who tie in with the occult world. Wesley Ernest Disney, a 32° Mason
and Shriner, who was a U.S.
Congressman, a state official and lawyer in Kansas who had a brother Richard
Lester Disney - who is a Rhodes Scholar and a Mason too. Wesley Ernest
Disney, by the way began as a lawyer in Muskogee County (a Satanic
controlled county), and was a Christian Scientist. He lived in Tulsa, a
powerful city of the Illuminati hierarchy.
Doris Miles Disney has been a
writer of occult fiction, such as The Magic Grandfather the Chandler
Policy (1972) and Trick or Treat (1972) as well as many other
G. A HISTORY OF DISNEY
“The story of Disney’s
silent film career is not so much a struggle for artistic expression as it
is a fight for commercial stability.”
During the 1920’s, Walt stayed safely
within the confines of comic animation as defined by others, such as the
producers of Felix the Cat, Koko the Clown, and Krazy Kat.
In other words,
when many of the ideas were coming from just himself, Disney’s movies were
not any better than others. In the 1930’s, Disney got some of the best
talent available and he began to settle for only the best results from that
talent. With the mob, and the Illuminati behind him, and driven by an
indebtedness to them, Disney began to achieve outstanding results in
and 1927, Walt Disney made a series of 56
silent Alice Comedies which used three different girls (6-year-old
Davis, Margie Gay and Lois Hardwick) to act as Alice who romps
around in a make-belief cartoon world. These cartoons combined live
action and animation.
By the time the series was done, Walt Disney wanted to try working solely
with animation. Margaret Winkler in NY (who married Charles Mintz)
distributed Walt Disney’s Alice Comedies. From the beginning, children were
the center of everything Walt did. The occult world that backed Walt, as
well as Walt himself, believed that if they could bring out “the child”
(that part of a person called “the child” by various psychologists), then
they could appeal to the curiosity and feelings of the “child” part of
adults. If it worked with adults, they could do the same with the child part
They knew even in the 20’s
and ’30’s what had to be accomplished
in the secret Great Plan for a
New World Order.
The Illuminati Great Plan
called for family life to be destroyed, for children to rebel against their
parents, and for the world to become more violent. Children needed to
immerse in images of violence so that a violent society could be created.
For instance, the 1925 film
Alice Stage Struck shows little girl
Alice strapped to a log leading to a buzz saw. They also wanted to make
occultism - witchcraft the common belief of the American people. The
Illuminati felt they could bring in witchcraft if they appealed to the
curiosity of the child in every adult.
For instance, the Donald Duck cartoon
Corn Chips (1951) shows Donald harassing Chip and Dale who then get back at
him by stealing a box of popcorn and spreading it all over the front yard.
Now what does a cartoon like this teach kids? It teaches that stealing to
repay a grudge is O.K. and that doing pranks is funny.
In Disney’s 1920
films, he shows kids cutting school, shoplifting and playing hookey. He
shows Alice running away from responsibility to have adventure. He shows
prisoners escaping and hobos escaping work. His films are expression of
misbehavior being successful. What does this teach children?
In the 1951
cartoon, Get Rich Quick Goofy wins money at poker and his initially
angry wife who doesn’t like gambling forgives him when she sees how much
he’s won. Goofy indicates that they can have a spending spree by telling his
wife, “Easy come, easy go!” The gambling spirit is a very powerful spirit
that the Illuminati want to instill in this nation. How can a cartoon that
promotes gambling be wholesome for children?
Dave Grossman is a
military expert on how to condition people so that they will kill. He writes
in his superb book On Killing (Boston, MS: Little Brown and Co., 1996)
that the same process that the government has used to condition soldiers to
kill, is being used by the entertainment industry.
The only major difference
is that in the military, men are taught to kill only on command, while our
children are being taught to kill whenever they want to via TV’s
Grossman states on page 308, that the conditioning to kill
begins with cartoons.
“It begins innocently with cartoons and then goes on
to the countless acts of violence depicted on TV as the child grows up...
Then the parents, through neglect or conscious decision, begin to permit
the child to watch movies rated R due to vivid depictions of knives
penetrating and protruding from bodies, long shots of blood spurting from
severed limbs, and bullets ripping into bodies and exploding out the back in
showers of blood and brains.”
While children see horrible deaths on T.V.,
they learn to associate this suffering with entertainment, pleasure and
their favorite soft drink, their favorite candybar, and close intimate
contact with their date. (See On Killing, p. 302) Disney has the
appearance of Wholesomeness; this appearance is quite deceptive.
study of Disney cartoons will reveal lots of violence that could not be
depicted if the violence was actually real life and not animation. It’s the
wholesome front which is one of the deceptions that makes Disney cartoons
films so dangerous. Yes, the image of Disney has been that its cartoons are
No wonder Illuminati mind-control programmers have laughed at how
naive the American public is toward Disney. The Disney Gargoyles cartoons
are a television series that is pure demonology. The story line is that a
race of demons protects New York City. One of the Gargoyles is even named Demona.
The Illuminati programmers are amazed at how stupid the masses of
people are, and how easily deceived. How the Disney movies are used as
programming scripts is very involved so only one detailed example is given
at the end of this chapter. The Illuminati and Mafia knew that Walt had the
ability to get the job done that the Great Plans called for. (Source:
They knew they had the “carrots and the sticks” to
get him to cooperate. There is no doubt that Walt was a hard worker who in
turn expected high standards from his employees.
One co-worker of Walt
“Walt made a simple statement, that you can lick them with ‘product’
if you make your product good enough, they cannot deny it... In Walt’s
estimation, everything that was done had to be executed with a great deal of
thought and finesse.”
Neelands, Barbara, compiler. About Ben Sharpsteen,
article by David R. Smith (2nd Impress.) Calistoga, CA: A Sharpsteen
Museum Reprint, pg. 2-3.
One big turn in Walt’s outlook toward quality came
in April, 1927 when the head of Universal Studios wrote a scathing report on
the quality of Disney studio work. It forced Walt to realize that up to then
he had been slipshod and sloppy. He resolved to never take the easy way, but
to work with dedication toward making his drawings come to life with
character and interesting situations.
In 1922, Walt made a film Cinderella.
This is not to be confused with the later animated film also of the same
title released in 1950. The 1950 feature was re-released numerous
times. The Alice cartoons were made with a 6- year-old girl playing Alice.
The first six Alice comedies had extensive live-action beginnings, and then
went into cartoon.
A few of the 1920’s Alice silent cartoon titles include:
Alice’s Wonderland (1923)
Alice Hunting in Africa (1924)
Alice’s Spooky Adventure (1924)
Alice Plays Cupid (1925)
Alice Cans the Cannibals (1925)
Alice Rattled by Rats (1925)
Alice Chops the Suey (1925)
Alice Charms the Fish (1926)
Alice the Whaler (1927)
Alice the Beach Nut (1927)
After the Alice Series,
Disney began a fully animated series called Oswald the Lucky Rabbit.
see the occult concept of luck (who hasn’t heard of a lucky Rabbit’s foot?)
being subtly promoted. Disney cartoon may entertain, but they also
indoctrinate while they entertain. In 1926, Walt Disney signed an agreement
with Mintz and Film Booking Offices (EBO). Film Booking Offices were
Illuminati kingpin/mob boss Joseph Kennedy’s company. For at least the next
years, Disney worked under the control (auspices) of Illuminati kingpin
All of the Disney pictures were registered by R-C Pictures Corp.,
one of the parent companies of Kennedy’s FBO.
Joseph Kennedy also controlled
the RKO studio which worked together with the other big studios to insure
that no small studio would develop as a competitor. By 1937, all the big
studios - 20th Cent., Paramount, MGM, Warner Bros., Cohn’s Columbia Pictures
and Kennedy’s RKO were allowing the mob to skim money from them.
Kennedy’s RKO gave Walt a guarantee in 1937 that they’d distribute Snow White sight
unseen. Walt Disney had their films distributed by Kennedy’s RKO from 1936
to 1956. Another little known detail is that in 1926, Leon Schlesinger
(future producer at Warner Bros.) subcontracted animation jobs to Disney.
One of these was Universal’s
The Silent Flyer.
In 1928, Steamboat
Willie debuted. This was an animated cartoon with a soundtrack starring a
mouse later named Mickey Mouse. It had taken lots of hard work and
determination on Walt’s part, but it was the first cartoon with a sound
track and it was successful. In 1929, the cartoon The Haunted House came
The story is, Mickey Mouse is forced by a storm into a house full of
ghosts who force him to contribute to their spooky musicale. In 1930, Harry
Cohn, one of the most ruthless and unsavory characters controlling a studio
bailed Walt Disney out of Walt’s trouble with con-artist Pat Powers who was
stealing Disney’s money.
Harry Cohn was a former NY pool hustler and gambler
who was brought in by Chicago investors to front their investments in
Columbia Pictures, and run their studio. He wore a sapphire ring that the
Chicago mafia-man Johnny Roselli gave him. Roselli later became a rogue asset
of the CIA, and testified before Congress (the Church Committee on
Assassinations in ‘74) about a CIA contract which was handed him.
worked for the Mafia Council of 9, which incl. Anthony Accardo and Sam Giancana. Harry Cohn was said by some to be the most hated man in Hollywood.
His money gave him “the power of an emperor”. His money got him the best
female flesh available which he used for his pleasure.
He always seemed to
arrive from Las Vegas with rolls of new greenbacks, which had close
associates wondering where all the money came from that he always got when
he made trips to Las Vegas.
In 1931, Walt went into a long suicidal
depression that lasted into 1932. In the summer of 1932, he took a vacation
to try and recover from his nervous breakdown. By 1932, Ingersoll had
marketed its first edition of Mickey Mouse watches. Disney products have
served as a model of consumerism for the world. Disney watches have been
made continuously since 1932 or ‘33. In 1932, eighty major U.S. corporations
(such as General Foods, RCA and National Dairy) began to market Disney
Ed Sullivan began regularly running stories that bragged about
Disney’s work. Freemason Dr. Rufus B. von Kleinsmid, pres. of the Univ. of
So. Cal., gave Disney an award from Parents magazine for Walt’s “work
with children”. In 1932, several artists who had worked for William Randolph
Hearst came to work for Disney. In 1932, Roy switched Disney from Columbia
to United Artists. United Artists agreed to front Disney $15,000 for each
In the 1930’s, the Illuminati’ Bank of America financed Walt
Disney. Years before, the Bank of America had been quietly created from Bank
of Italy which was controlled by the same oligarchy that has run the Knights
of Malta and renaissance Venice. The Bank of Italy was a powerful bank in
Hollywood’s first years.
It’s representatives A.P. and
financed Walt during the 1920’s with petty cash to keep him going, but not
enough to get him out of financial bondage. Joe Rosenberg of Bank of America
was sympathetic to Walt. Joe Rosenberg, a jewish banker, came to all of
Disney’s board meetings, sat beside Walt, and would advise Walt on what
direction Disney Studios should take.
Joe wasn’t a board member, but his
advice got high priority. Bank of America also bankrolled other Illuminati
projects and organizations. Bank of America had one of their branch offices
on Disneyland’s Main St. from ’55 until ‘93.
They were open on
holidays and Sundays for Disneyland. Bank of America is slated to be perhaps
the only bank to survive the economic crash, when the Illuminati kingpins
will allow their own banks to crash. Bank of America executive S. Clark Beise (who is a Scottish Rite Freemason) has been a member of Disney’s board
of directors from ‘65 to ’75. One of the biggest depositors in Bank
of America is Roy E. Disney.
Other Disney execs like Rich Frank have also
used Bank of America as their bank of choice. The Bank of America bankrolled
the Disney animation Snow White. Walt managed to sell Joseph Rosenberg on
the idea, at a time when old time Hollywood people were advising Rosenberg
that Snow White could only be a failure.
When Snow White was successful,
Walt announced a monster party for all Disney workers at Lake Norconian,
near Palm Springs, southeast of San Bernandino, CA where the cost of
everything the Disney workers wanted to order - food or drink or whatever,
would be taken care of by the Disney’s.
Under the full moon, the Disney male
and female workers, finally free of the tight rules at the studios, had what
amounted to a Roman orgy and a large nude skinny-dip at the lake. Almost all
of the Disney workers participated in the orgy and Disney had only two
options, 1. fire them all or 2. ignore that the party took place. Walt
choose the later option, and after that no-one ever dared mention the party
in his presence.
In 1937, Walt and Roy took a trip to Europe where Walt
dined with the British Royal family, and met privately with H.G. Wells, the
masonic prophet! planner of what Wells and other masons called “the New World
Order”. In Paris, the League of Nations (the forerunner to the U.N.) gave
him an award.
After the success of Snow White, Disney chose Pinocchio to
follow it. Many have asked why Pinocchio was chosen by Walt. If you look at
the script, the puppet-maker’s wife is taken out of the original script, and
there is an emphasis on the little wooden puppet visualizing becoming a
flesh and blood son to the man who had created him. Here we have a boy with no
soul, who is told if he works hard he will be given one. (Does this sound
familiar to readers of VoL 2?)
The script was
definitely changed to
have a storyline far more useful to mind-control programming. For
think Walt simply recreated fairy tales on the screen, if one
changes that are made from the original storylines, they are changed
them more useful for mind-control. Both Snow White and Pinocchio
type “deaths and resurrections”. After W.W. II, Joseph Rosenberg
persuaded A.P. Giannini, his boss, to bankroll Disney again.
Although Walt was
financed by the Mishpucka (Jewish Mafia), he didn’t like the idea. Richard
Rosenberg, a later Pres. of Bank of America, is also Mishpucka. Richard
Rosenberg (his mother was a Cohen) was also in charge of Northrop Corp. and
Marin Ecumenical Housing Assn. (Other examples of Mishpucka executives are
R. Goldstein, v.p. of Procter and Gamble, and Marvin Koslow, v.p. of Bristol
In the 1930’s, the elite promoted Disney’s new cartoons. In
1935, Walt Disney received the French Legion of Honor for his Mickey
Also in 1935, the Queen of England (who readers of my
previous articles will realize is Illuminati, involved in drug trade, and is
involved with the leadership of Freemasonry) and the Duchess of York (also
Illuminati) selected Mickey Mouse chinaware as gifts for 600 children. This
was after Walt spent time with her in 1934.
The League of Nations (the pre-W.W.
II equivalent of the U.N.) took the time to vote its approval of Mickey
Mouse. (Finch, Christopher. The Art of Walt Disney from Mickey Mouse to
the Magic Kingdom . NY: Harry N. Abrams, Inc., 1975, p. 53.)
There is no doubt that Walt Disney had talent. There is also no doubt
from the record that powerful people wanted to promote him. No doubt his 320
Masonic membership and his DeMolay activities helped boost his support, and
also helped Walt’s bent toward the occult.
Let’s digress just to let people
in on Freemasonry’s involvement with acting and motion pictures. The famous
233 Club was a masonic chapter for actors who were Freemasons. Examples of
actors who were Freemasons include John Aasen, Gene Autry, Monte Blue and
Humphrey Bogart, Douglas McClean, John Wayne. Then there is T.V. DJ Dick
Examples of Motion picture executives who were Freemasons incl.
G. Arnall (Pres. of the Soc. of Ind. Motion Picture Producers)
Will H. Hays
(Czar of motion pictures 1922-45, and Pres. Motion Picture Produces and
Distributors of Amer. Inc.)
Benj. B. Kahane (v.p. and dir. Assoc. of Motion
Picture Producers, Inc.)
Carl Laemmle (Pres. Univ. Pictures Corp til ’36)
Frank E. Mullen ( man. dept of info. RCA, VP NBC ‘39-’46, exec. VP NBC
David Sarnoff (Chrm. of Bd. Radio Corp. of Amer.
Jack M. Warner (v.p. of Warner Bros.) and the
President and dir. of Universal Pictures since 1952
The Freemasons have made
much of Walt Disney’s membership in their membership sales pitches.
the 2 Disney brothers’ chief contributions to the production of Disney films
were the finances and occasionally the ideas used in a film, it is rather
misrepresentative of things that Walt Disney got all the credit for the
success and quality of the Disney cartoons. He was showered with 700 awards
and honors from important people, including 30 Oscars, and the Presidential
Medal of Freedom (in ’64).
Walt Disney’s great animators never got the
credit they deserved, but no one should forget that Walt was the driving
force that inspired and guided his workers. In 1934, Walt Disney made a
cartoon about a goddess of the Mystery Religions named Persephone. In the
cartoon entitled The Goddess of Spring, the goddess Persephone is
captured by Satan as his bride and sent to the underworld, with the
agreement she could return to earth six months of each year.
have rituals around Persephone. On Dec. 21, 1937, Disney premiered the first
full-length color cartoon movie “Snow White and the Seven Dwarfs.” This
cartoon had taken $1.4 in depression-time money and three years to make.
Over 750 artists worked on the film. Walt Disney had gotten the idea from a
silent movie of Snow White which he saw as a boy in 1917.
The movie has an
important occult theme to it, and has been used for occult mind-control
programming. When the 1940’s got started, Disney was in financial
difficulties. At this point, Nelson Rockefeller hired his cartoon
capabilities to make cartoons for South America, with the idea that South
Americans would remain loyal to the American capitalist hegemony, rather
than shift to rising ideologies of fascism/nazism, if they saw Walt Disney
In Rio de Janeiro, Brazil on 8/24/42, Disney did its world
premiere of Saludo Amigos, a 42 minute feature about Latin America. Goofy
becomes a gaucho, a parrot teaches Donald Duck to dance the samba, as well
as Disney art showing various landscapes of Brazil in the film. However, the
film The Three Caballeros, if it was meant to encourage South American
loyalty to American capitalism, completely failed.
The Three Caballeros
showed a sexually lecherous Donald Duck who in bad taste tries to make
it with Latin women. The mysticism was also seen as bogus. Although the
Latin Americans hated the film, the establishment media’s Look
magazine praised it. Another reason that Rockefeller sent Walt to South
America was to get him out of the way so that the government could settle
the strike by Disney workers. Nelson Rockefeller was the government’s
Coordinator of Inter-American Affairs, a good position considering how much
of South America the Rockefeller’s controlled.
Rockefeller told Disney that
Disney couldn’t beat the strikers, but that while Walt was in South America,
FDR would see to it that the strike got settled. When Disney returned he
submitted to the powers that were, and accepted the unions and the mafia’s
control. Another change for Walt Disney was that in 1940, he and Roy turned
Disney into a “public corporation” and initially sold 755,000 shares
of common stock.
The Illuminati Boston firm of Kidder, Peabody
and Co. were
the underwriters of the studio’s public stock-offerings. By 1940, the Disney
Studio at Burbank had become a miniature city with 1,000 men and women
employees and 20 buildings on a 51 acre tract of land.
After the U.S. joined
W.W. II, Disney Productions were made a part of the American military
establishment. The very next day after Pearl Harbor, the military moved onto
the Disney Studio, which leads this author to suspect that Disney was
already part of the power establishment prior to the war breaking out.
Disney made military movies/cartoons that taught the different branches of
the military many things. They made propaganda movies for the allies.
series of films was “Why we fight.” Disney made movies for the IRS to get
people to pay their taxes. Some of the Disney films were top, secret, and
concerned secret military weapons or secret psychological tactics of the
Americans. For instance, one military film was “Army Psycho Therapy” which
taught army men how to instill fear, and about the basics of fear. Another
army film was “Prostitution and the War”. Another showed a carrier pigeon
evading the Germans.
In 1940, Disney came out with 2 full length animated
cartoons, Pinocchio and Fantasia, both of which were soon used
for Illuminati mind-control programming.
Fantasia contains Schubert’s sacred
Catholic music Ave Maria, which was used in a concluding segment side to
side with the profane Night on Bald Mountain song, as well as six other
classical pieces of orchestra music. As a feature cartoon it was a flop, but
as a programming tool it was fantastic.
Fantasia receives a comprehensive
explanation of how it is used for mind-control programming at the end of
this chapter. Because an explanation of the use of a Disney film for
mind-control is complex, this explanation is placed at the end of the
chapter so that it won’t interrupt the flow of this chapter’s information.
The Pinocchio film has been redone and released 9 times over the years.
of the next full length animated films to come out were:
The Adventures of Ichabod and Mr. Toad (‘49)
Treasure Island (1950)
Alice In Wonderland (1951)
The Story of Robin
Hood and His Merrie Men (1952)
Peter Pan (1953)
20,000 Leagues Under the Sea
Sleeping Beauty (1959)
Very soon after the production of all of these
movies, the Illuminati and their intelligence agencies used them for
Illuminati total mind-control programming.
To see their misuse as
programming scripts one has to understand how the fantasy worlds of a
programmed multiple are created and how the movie scripts are adapted to be
Vol. 2 gave quite a few examples of how
Wonderland and the Wizard of Oz scripts were used for programming scripts.
When Disney had his animal-nature documentaries, he edited and used
narration to give the animals human like characteristics - something he’d
already been doing with animation.
Disney played an important part in the Illuminati’s plan to elevate animals and dehumanize humans. One of the
biggest Illuminati kingpins, and leader (Grand Master) of the
Sion was Frenchman Claude Debussy (bn.1862).
Claude Debussy, a
was Nautonnier (Navigator-helmsman) of the Prieure de Sion from 1885-1918.
(See the document Dossiers secrets, planche no. 4, Ordre de Sion,
written about in
Holy Blood, Holy Grail.)
In 1891, when some secret
coded parchments (Merovingian documents) were found by a French clergyman
Sauniere, he was directed by church officials to visit with Emile Hoffet, an
occult acquaintance of Debussy.
Debussy was close friends with many of the
top French occultists of his time. He is known to have been a close friend
to both the notorious Satanists Jules Bois and MacGregor Mathers. Mathers
started the Order of the Golden Dawn.
Debussy was also a friend of the
infamous Papus (aka Dr. Gerard Encausse) and W.B. Yeats.
Papus was one of
the men who during his lifetime was part of the interlocking occult
directorate of occult groups. Claude Debussy put some works of the previous
P.d.S. Grand Master Victor Hugo to music. Debussy and his other powerful
occult friends were influential with Monsieur Philippe, whose Russian occult
circle influenced the Russian Czars and Czarinas before Rasputin came
Debussy traveled to Russia and Rome. Some of Debussy’s works became
operas. Interestingly, Walt Disney was extremely anxious to make a cartoon
using Debussy’s Clair de Lane. The work was done, but it was never shown to
Disney never found a place to use it. It was originally done
with animation with flying cranes for the occult extravaganza Fantasia,
but when the Fantasia ended up too long, Clair de Lane was cut
and shelved. It was again planned for the film Make Mine Music, but
then Blue Bayou was substituted in.
Walt used the Le Sacre du Printemps (the
Rite of Spring) music for Fantasia. This piece of music was written
AS a pagan ritual where a virgin sacrifices herself by dancing to death.
Disney’s mobster Gunther Lessing had threatened Stravinsky if permission
weren’t given for Disney to use the piece of music, it would be used anyway.
Dr. Julian Huxley got involved in the production of Fantasia. Aldous
and Julian Huxley are well known by conspiracy researchers for their roles
in the World Order.
In the 1940’s and 1950’s, the Illuminati began using
Disney’s Alice In Wonderland and the Wizard of Oz films as
programming bases for their total mind-controlled slaves.
Wonderland had been done many years earlier by the Britisher William Cameron
Menzies (who also did Freemason H.G. Wells’ masonic forecast of the New
World Order entitled “Things to Come” in 1936, and the film Invaders From
Mars.). In 1944, Illuminati Kingpin William Randolph Hearst (with some minor
help from others) funded the Motion Picture Alliance, and Walt Disney became
a co-founder and its first Vice-President.
In the early 1950’s, Walt turned
his attention from animated cartoons to other projects, such as
True-Life-Adventures, television shows, and the creation of Disneyland. Seal
Island was his first true life adventure which was released to the general
public on May 4, 1949, and soon won Walt Disney an Oscar.
Alfred and Elma Milotte had shot the film on some Alaskan Islands named Pribilof Islands.
James Algar had put the movie together. In 1952, Walter spelled his named
backwards to create the name of another corporation "Retlaw”. Roy and
his family saw the move as an attempt to cut them out of the financial
In 1954, Walt Disney and ABC made a agreement. ABC would directly
invest half a million US dollars as well as guarantee $4.5 million in loans
for the construction of Disneyland. This made ABC 1/3 owner of Disneyland.
In return, Walt Disney agreed to produce a regular television series for
ABC. Remember too that ABC’s president Leonard Goldenstein was a good friend
of Ronald Reagan.
On July 13, 1955, Walt and Lillian were attempting
to celebrate their 30th wedding anniversary at a park and restaurant.
got too drunk to speak into the microphone, so he blew noisemakers into it,
while Lillian rushed to pull him out of view. In 1961, Disney bought out the
ABC investment (also labelled Paramount) for $7.5 million with cash and
notes, and to bring this all up to date, later on July 31, 1995, Disney
merged with Capital Cities/ABC, with Disney in nominal control.
Capital Cities has long been a CIA front company, so the merger placed
Disney squarely within the CIA ranks, although it had been in bed with them
for the CIA’s entire history. The Illuminati-controlled corporations of
Coca-Cola and the drug firm Johnson and Johnson became sponsors for Disney’s
early TV shows.
On 7/3/57, the Wall St. Journal announced that
Atlas Corp. got 26% interest in Walt Disney Productions. Walt Disney worked
quietly with some consultants on the concepts behind Disneyland. His brother
and nephew tried to prevent the project from happening. Later they requested
that Walt sign over Disneyland, Inc. to Walt Disney Productions, which Walt
Walt kept 17.25 % of Disneyland holdings and Walt Disney Productions
got the rest.
Walt Disney Productions then shared their portion with others.
The man who helped Walt finance Disneyland was the executive vice-pres. of
ABC Kintner. Walt Disney got the Illuminati’s Stanford Research Institute to
determine what would be the best site for Disneyland. A retired Navy admiral
Joe Fowler was in charge of constructing both Disneyland and Walt Disney
How do admirals fit into the power structure? Admirals are briefed
each day, and are given information concerning the secret power structure.
Most men who are at that military level are Illuminati or at least well
controlled by the system. Within the last few years there has been an
intense effort to weed out any admirals who are not loyal to the Illuminati.
who lives in Malibu, and who may be of the famous Morgan clan,
was the one who created the spectacular landscapes for Disneyland,
Disney World, and EPCOT in FL. According to CIA informants opposed
to the NWO, CIA contractors were brought in to build the underground
Disneyworld in 1977.
These contractors were sworn to secrecy, but were only
informed on a need to know basis why the CIA was involved with an amusement
park. To work on the secret tunnel project took an “Above Top Secret”
clearance. A major programming center was constructed under Lake Holden.
(Many of the lakes in Florida are named Lake So-and-so, rather than
So-and-so Lake.) The tunnel system was built for programming trauma-based
total mind-controlled slaves.
It was built of concrete with steel
reinforcement. Lake Holden lies just to the northwest side of the Orlando
International Airport and just south of Interstate 4. (It is close to Range
29E on quad maps.) It is only (as the crow flies) about 12 miles from
Disneyworld. In spite of Draconian measures of secrecy, numerous lawsuits
(Fed. and State) were filed over the years by victims trying to expose the
Disneyworld programming tunnels, so that finally the programming center was
dismantled, cleaned up and a "maintenance” tunnel level and a "casting”
tunnel level were opened to the public.
During its heyday, the programmers
(military and intelligence men) had exotic offices underground with unusual
programming equipment. It doesn’t take any imagination to realize that if
Disney carried mind-control programming above and below ground, that they
would need tight security forces to protect their secrets. Indeed, such is
Disney amusement parks have been granted draconian powers wherever
they have been built! The Disney parks have also employed armies of spies
dressed like tourists to spy on Disney’s employees! If amusement park
workers did anything slightly out of place, they were (and still are)
reported by the spies in the camp, and they often have lost their jobs. For
instance, one ex-worker, who had 10 years with Disney, was caught discussing
his divorce with another worker.
Since divorce doesn’t fit the wholesome
image that Disney wants, when the spy dressed as a tourist reported his
conversation, he lost his job. Many workers have tried to tell their
personal horror stories of Disney’s draconian rules and their draconian
private police force, but most of the time Disney has had the power to
suppress and intimidate away any bad publicity.
An exception to that is the
recent Nov. 4, ‘96 Napa Valley Register article on page 2D entitled,
“Critics of Disneyland Say Security Abusive Inside Magic Kingdom.”
professor David Sklansky commented about Disney’s police,
“One of the major
problems we have is nobody really knows what they are doing- how often they
stop, interrogate or search people. They are not subject to the same sort of
It’s almost superfluous to tell readers that Disney’s
amusement park with it’s theme areas such as Fantasyland, Tomorrowland and
Adventureland were a great success. Everyone worldwide was curious to visit
this entertainment Mecca to participate in something that had a clean,
wholesome image to it.
The entire world system pulled together to insure
that Disneyland got the image and publicity that the top 13 Illuminati
families and the various syndicates wanted it to have. For 40 years they’ve
done this. When something that everyone thinks is clean and wholesome is not
attacked by the world system, that should raise eyebrows among thinking
Home schooling, learning to read phonetically and other wholesome
activities for children have been viciously attacked and ridiculed by the
established media. Why has Disney gone untouched? Disney Studios for years
strove to have a very clean image. Workers had dress codes, and any activity
on the part of employees that wasn’t morally conservative was grounds for
Of course, the exceptions were well covered up, such as
an employee who used hypnosis to get quite a few of the females employees to
undress until nude.
John L. Hulteng, author of The Messenger’s Motives
(Englewood Cliff, NJ: Prentice-Hall, 1976, p. 213) informs us,
communication researchers have emphasized, the greatest impact the media
have on the formation or change of public opinion is in terms of impressions
built up over a long period.”
The wholesomeness of Disney is an
image that has been built over a long period of time. Disney’s occult themes
of world citizenship, witchcraft, humanism and idolatry have also been long
running impressions that have been craftively perpetrated upon this nation,
so long that they began prior to this author’s - and probably the reader’s
People don’t associate movie’s like Consenting Adults with
Disney, or The Corpse Had a Familiar Face with Disney. In fact as
previously mentioned, when Disney wanted to put out more “adult” films, they
did a slight of hand and created the label Touchstone films so that people
wouldn’t associate movies like Splash (which showed what looked like bared
breasts) with Disney Productions.
Another label, Hollywood Pictures, was
created by Disney to help distribute Touchstone films.
At first the
personnel of these companies was simply Disney’s staff, but as time went on,
they got their own production personnel. On Oct. 27, 1954, Walt Disney’s
Wonderful World of Color debuted on television. The TV show celebrated
Disney’s movie triumphs. The words Wonderful World of Color are not ill
chosen. According to an Illuminati mind-control programmer, when Disney
worked on his cartoons, and amusement parks, colors - special colors and
color combinations - were specifically chosen for mind-control programming
Wonderful World of Color under various names such as Disneyland
aired for 22 years over the television networks. In 1955, Walt Disney made
his cartoon character Mickey Mouse real by creating a fan club - the Mickey
Mouse Club, which aired five days a week usually just as children came home
Twenty-four children called mouseketeers would help Mickey, and
they would dance and sing and do skits. The Mickey Mouse Club adored the
unique, cute little beanie Mickey Mouse caps with their big ears mounted to
each side of the beanie. In the 1950’s, most kid viewers of the show wanted
their own “Mouse Ears” and to become a Mouseketeer, especially children who
were receiving Mickey Mouse scripts in their total mind-control programming.
Disney used his Mouseketeers to play all the roles in an Oz movie Rainbow
Road to Oz, which was never shown to the public. Adults today (both men
and women) who received Mickey Mouse programming during the 50’s through 70’s
can still be seen with Mickey Mouse clocks, watches, lampshades,
knick-knacks, tee shirts, etc.
Years later the kids who watched can still
remember “Spin and Marty” and the Mickey Mouse theme song.
The image that
everything was perfect including Mickey was portrayed by the Club’s T.V.
program. Still somehow the American people began to use the word “Mickey
Mouse” as a synonym for a silly, pretend way of doing things. It became
common for people to say, “He mickey-moused it together.” to mean he did a
poor job putting it together.
On Jan. 30, 1957, Walt Disney had a television
show aired entitled “All About Magic” where a Magic Mirror explains about
magic. The Magic Mirror also contains a "Bibbidi-bibbidi-Boo" sequence. In
1959, Disney bought 8 small submarines from Todd Shipyards for $2, 150.000.
When ABC wouldn’t let Walt make a TV series out of a storyline where a magic
ring changes a boy into a dog (a mind-control programming theme) - because
ABC didn’t think the public could swallow the story line - Walt quit ABC for NBC.
Walt then made a scaled down version of this occult storyline entitled
The Shaggy Dog. Early in the 1960’s, Walt and his brother Roy went secretly
looking for an area on the east coast to build another Disney Park. Walt the
younger of the two, died in 1966, and Roy finished the project.
1964, 30,000 acres were secretly purchased at $200 an acre in the Orlando,
FL area just west of NASA’s Cape Kennedy.
Using phony names and paying
cash, Disney buyers bought the land and swore the sellers to secrecy. The
Magic Kingdom has been multiplying. In 1971, Walt Disney World was opened to
the public. Bob Hope and others participated in a Disney special on Oct. 29,
1971 “Grand opening of Walt Disney World”.
From the time
of its opening
until Oct. 12, 1995, Disney World calculated 1/2 billion people
visited DisneyWorld. This amusement park is in Orlando, FL on over
27,400 acres and
includes the EPCOT Center (now also called simply Epcot). The EPCOT
was another dream of Walt Disney’s (albeit more than slightly
Walt’s original EPCOT ideas.) EPCOT originally stood for
Prototype Community of Tomorrow. It was to be an extension of the
mind-control being carried out at Disney World.
The original EPCOT city
designed by Walt was to carry on its commerce (traffic) via underground
roads and tunnels like the Disney Theme parks. After Walt Disney died, his
successors changed the proposed experimental city into another theme park
simply called Epcot. It is not unusual to see crowds of over 48,000 people
descend on Walt Disney World and the EPCOT center in a single day. Some
visitors arrive via a monorail.
Visitors can buy 5-Day World Hopper passes
which allow them to bounce around with admission to all the sites for a
seven day period. In other words, some families stay for a week at
Hardcore visitors can get Annual Passports which provide
unlimited use of Walt Disneyworld for an entire year. In reality, many
visitors to Disneyworld begin the day enthusiastic and after a day of hot
sun and waiting in long lines with large crowds for imitations of reality,
the tourists are zombie-like and looking forward to getting back to their
Many people have felt the rides were not nearly what they expected.
Some of the rides are better than others, and some typically get comments
like, “It was stupid.”
Some of the spooky events like Snow White’s
Adventures, or the oversized heads of the Disney characters walking around
can leave the little preschool children terrified and dazed for the rest of
the day. In contrast, older children, who normally rarely show patience at
home may show how much they want to go on a particular Disney ride, by
waiting an hour and a half in the hot sun for a ride.
Alien Encounter is a
Walt Disneyland feature that invites tourists in for a “demonstration of
interplanetary teleportation.” When the “demonstration” as planned “breaks
down” an "alien” with asocial traits appears among the audience and
terrorizes the audience. A cute creature is hideously fried, deformed, and
then vomited into space screaming.
Here are some comments from visitors to
this Walt Disneyland attraction:
“Alien Encounter ...is one of those rides I can say I’ve seen and that I
have no intention of ever doing again. In fact, parents who take children
under the age of six should be brought up on child abuse.”
Woman, from MI
“Alien Encounter was the WORST experience for my
10-year-old (and almost every child in there). It starts out cute enough
during the pre-show, but the actual show is a disaster for children. My
daughter screamed and cried in terror throughout it. I thought the Disney
warnings were vague and inaccurate. When we left, there wasn’t one child
with dry eyes (even sturdy looking 12-year-old boys were crying.). I think
an age requirement of 13 or 14 is more appropriate. I talked to a few adults
and we even agreed that the special effects were extremely unpleasant even
for us. This show is not a Disney family experience - its ATROCIOUS!!”
mother from Phillipsburg, NJ.
“We did go to Alien Encounter...The pre-show
is deceiving. It kind of lulls you into thinking “this isn’t so bad.” When
the main part came up, I admit the experience gave me the absolute
heebie-jeebies... I am never doing that presentation again - it was way too
intense for me, and I’m now 27 years of age! - from a family in Laurel, MD
Michael Eisner, the President of Walt Disney Co., initially rejected Alien
Encounter for not being scary enough when it was being considered as an
addition to Disneyworld.
One wonders what he would have liked!
Adventures, which was an attraction at Disneyland, was one of what the
Disney people called “dark rides”. After a while a sign appeared with a
witch warning people that the attraction was scary. Later in 1983, they
renamed it Snow White’s Scary Adventures. It might be interesting to point
out that when the original Snow White and Seven Dwaffs film came out, that
England forbid the film to be seen by any child under 16 unless accompanied
by an adult because of the scary content of the movie.
How far we have come
since then. Schools in the Florida and California areas also make field
trips to the Magic Kingdom that are arranged with Disney.
tens of thousands of children this way during March, September and October.
High schools use the Magic Kingdom for proms or senior nights, and some
couples use the facilities of the Magic Kingdom for weddings. Modem Bride
ranked Orlando as the number-one honeymoon destination in the world.
Group discussions of people who took honeymoons to DisneyWorld have had a
consensus that the hype is not as great as the reality.
Some weddings are
done with cartoon characters. Disney offers “fairy-tale” wedding packages. A
great deal for two mind-controlled slaves. They can reinforce their
programming while getting married. The Disney fairy-tale wedding typically
has its ceremony on a pavilion on an island in the Seven Seas Lagoon with
the Cinderella Castle as a backdrop. The fairy-tale wedding can then be
followed with a Fantasy reception with a choice of themes such as Beauty and
the Beast or Aladdin.
The fantasy programming can continue as the bride is
delivered to a “Cinderella’s Ball” by an actual glass carriage drawn by six
white Disney ponies. A costumed fairy-godmother and stepsisters are also at
the ball. Desert is served in a white chocolate slipper.
One of the after-dark
shows is IllumiNations which consists of music, fireworks, erupting
fountains, special lighting, and laser technology done at the World Showcase
Lagoon. EPCOT has a show Cranium Command at the Wonders of Life in the
Future World section where guests sit in a theater that functions as a
command control room for a boy’s brain. In 1980, Disney came out with the
box office flop The Devil and Max Devlin. In 1984, Roy E. Disney
brought in Michael Milken, of junk bond fame to help Disney out financially.
In 1985, Disney bought MGM’s rights to Leo the Lion logo and began using the
MGM Wizard of Oz material. Later a remake of Alice In
out in the modern motif of Honey I Shrank the Kids. In the 1990’s,
Illuminati controlled companies continued their promotion of Disney.
instance, the Nestle family’s Nestle company promotes Disney movies on their
chocolate bars. The Nestle family is exposed in this author’s booklet
Illuminati Control Over Foods and Grains, p. 4 as one of the elite Black
Nobility families. In 1996, Walt Disney World created an actual residential
town named Celebration on its property.
This self-contained community has
20,000 and a school, a theatre, a fiber optic information network linking
business, as well as other features.
SOME DISNEY people of
Over the years, the
close associates of the Disneys’ is very revealing. The public can get a
feel for Disney’s attitude toward Illuminati bloodlines in the Disney movie
The Happiest Millionaire which is about Anthony J. Drexel Biddle and
Angie Duke. Readers of this author’s previous writings will recognize the
Biddle and Duke names.
In fact, the movie was based loosely on a book
written by Cordelia Drexel Biddle about the Biddles.
His first name was Xavier, but was nicknamed and called X. He worked on the
haunted mansion of Disneyland with WED enterprises. He joined Disney in
1938, and was an assistant animator of Fantasia.
Warren Beatty. (b. 1937
in VA) This actor is from the Illuminati Beatty family and starred in
Disney’s Dick Tracy. The Dick Tracy film uses color in a special way, and
this ties in with the color programming of the mind-control. Some total
mind-controlled slaves have programming based on Disney’s Dick Tracy movie
for them to track down and kill “targets” (people). Warren’s sister is the
famous (or infamous) Shirley Maclaine. Shirley “MacClaine” is not what she
Her father was a professor who was a CIA asset. She was used by the
CIA as a sex slave. She became popular with the studios because she went to
bed with the correct people. Her talents were used to get her as an
intelligence slave into places that an obvious intelligence agent couldn’t
She was married to a man in the NSA for nearly 20 years. Her adopted
name Maclaine (reportedly her mother’s maiden name) is a pun on "McLain, VA
where the CIA programmed her. She was used by the CIA in an operation in
Australia, where the CIA used her as a sex slave to compromise Andrew
Peacock, an Australian MP" so that they could establish the Nugen-Hand bank
for their dirty money laundering etc.
She is friends with Satanist Stephen
Nance who has provided her with some of her teachings. Lowell McGovern
writes her material. The CIA has programmed many of their New Age slaves to
adore Shirley MacLaine. An example of this is Christa Tilton, one of their
mind-controlled slaves, who revealed in an interview how she considered
herself a born-again Christian who had spent most of her life in Oklahoma,
but had mysteriously been drawn to Shirley MacLaine.
During her life she has
gotten repeated “psychic urgings” - that is strong urges to do things and go
places, which she doesn’t understand where these urgings came from. After
hypnosis, Christa drew pictures of the doctor who programmed her. Christa
has had a federal agent monitor her constantly. Her husband has seen this
agent, who has shown up on her door step and made calls to her. She names
the agent John Wallis (most likely a cover name).
This agent has a complete
knowledge of her life, and government agents have taken photos of her during
her supposedly “alien abduction” experiences. Christa is just one of
hundreds of victims who have been programmed to adore Shirley MacLaine.
(Christa is mentioned here because she is one case that this author is
Warren Beatty, who peppers his speech with four-letter words
was a student at the Stella Adler Theater Studio in NYC.
Black, Shirley Temple.
Shirley Temple Black sat on the Disney board of directors (74-75).
Her films were used for some of the early 40’s and ‘50’s programming
and teaching slaves body movements/dance. She married someone in an elite
Network family from San Francisco named Charles A. Black.
Charles A. Black
was a Lt. Col. in the Pentagon who lived at Bethesda, MD. Was Shirley an
early example of brain-stem scarring to get geniuses? Shirley’s brother
appears to have developed “Multiple Sclerosis” from brain stem-scarring. It
was Shirley Temple who co-founded the International Federation of Multiple
Sclerosis Societies, and was a member of its exec. committee.
represented the U.S. at the UN General Assembly in 1969, belongs to the
Sierra Club, and has been decorated with the Cross of Malta. Shirley has
shown clues that she may be an Illuminati mind-controlled child protégé.
Bollenbach was part of Walt Disney management, and was a key figure who
helped engineer Disney’s $19 billion buyout of the CIA’s Capital Cities/ABC,
as well as sell the idea to Eisner. He is the CEO of the Network’s Hilton
Hotels Corp. He recently has been involved with trying to buy ITT, in order
to put together the world’s largest hotel-casino combination.
an extensive background with the gaming-gambling industry. When the Justice
Dept. began looking into the merger of Disney with Cap. Cities/ABC,
Bollenbach resigned his Disney position. Some people feel his resignation
was needed for Disney to get the Justice Dept. to approve the merger,
because his past was vulnerable to be exposed.
Warren Buffett. A major
stockholder in Walt Disney. He also owns 40% of Berkshire Hathaway Inc.
which also owns lots of shares of Disney stock. According to S.F. Examiner,
Buffett himself owns 24 million shares of Disney. Warren Buffett is part of
the Ak-Sar-Ben fraternity and Monarch slave abusers who were exposed in the
Nebraska Saving and Loan scandal. He is perhaps the second richest man in the
nation, and too powerful for anyone to touch.
In the kingpin vs. kingpin
battles, some people close to the inside see Buffett as a good guy. Readers
need to study the Lincoln Savings and Loan scandal and the scandals connection
to programmed child slaves at Boy’s Town to get more information on this
Disney stockholder. Robert G. Hagstrom, Jr., who is the portfolio manager of
the mutual fund Focus Trust, which has shares in Walt Disney, wrote the book
The Warren Buffett Way.
Hagstrom has a chapter on Disney in his
The Warren Buffett Way. He quotes Buffett as extremely enthusiastic
about Disney’s merger with Capital Cities/ABC. Because of his enthusiasm
Buffett says, "The odds are extremely high that we will have a very large
amount of Disney stock.”
Salvador Dali - This
strange surrealist spanish artist was a friend of Walt Disney. After
Salvador was kicked out of Spain for Franco’s belief that he was a
communist, he came to America, and worked with Disney Studios in 1946.
Salvador, an eccentric who had no particular work habits, described himself,
“The only difference between me and a madman is that I’m not a madman.”
The Tommy Dorsey
Band - This band has had a number of men in it who are Mind-control slave
abusers associated with the Network. Frank Sinatra, a sexual slave user, got
his big break with this band. This band performed at Disneyland in 1984 at
the Plaza Gardens. Tommy Dorsey was part of the Network’s in-crowd.
was on a USO Tour with Bob Hope, he stabbed actor Joe Hall and threw him out
of a window. Joe had to have 32 stitches. But Joe didn’t get justice, the
judge dismissed his case against Tommy.
Michael Dammann Eisner,
Chairman at Disney is a CIA asset and connected to the mob. Some insiders
believe he is connected to elements of the CIA and mob that are anti-NWO. Even
so, these anti-NWO factions also employ mind-control. Eisner ignored a
threat by Red China to boycott Disney products if he made a movie about the
nation Tibet that China controls with draconian force. The U.N., the
Commerce Dept. and the State Dept. all tried unsuccessfully to get him to
back down on the film.
A paper trail connecting Michael Eisner and Walt
Disney Co. to mind control is their support of the Boys and Girls Club of Napa
Valley, which is used for a supply of children for pedophilia and
mind-control. The Boy’s and Girls Club is used to supply caddies for the
Silverado Country Club, where these children are also used as
mind-controlled slaves for the sexual perversions of the elite.
Napa’s Silverado Country Club invites in celebrities (such as CIA asset Pat
Boone, Joe DiMaggio ex-husband of sex slave Marilyn Monroe, Engelbert
Humberdinck a slave handler, Digger Phelps Notre Dame’s coach who uses
slaves, and Jack Vale nti CEO of Motion Picture Assoc. and Bohemian Grover)
for a golf tournament which is billed as a "benefit for the Boys and Girls
The benefit for child slaves is they get to caddie
and sexually service
elite perverts. Michael (bn. March 7, ‘42 in NY) came from old American
money of a family that has been rich merchants and lawyers. Michael grew up
in luxurious Park Ave. as well as his family’s “country place” in Bedford
Hills near Mt. Kisco, NY.
He went to an elite private school
Allen-Stevenson, which is famous for its children’s orchestra. At the age of
14, he then went to Lawrenceville School, which is a prep-school for
Princeton, whose tuition in ‘56 was $3,000. Eisner’s class incl. NY’s
governor’s son, and other sons of powerful men, such as the son of Saudi
Prince Turqi al-Faisal. The school is a prep school for the establishment’s
entertainment industry. Students are only allowed to see their parents on
Eisner was in the Periweg Club, the school’s drama society.
His poor scholastic performance meant that he had to go to a small liberal
arts college, rather than Princeton or Harvard such as was family tradition.
For instance, his grandfather had attended Phillips Exerter Academy and
Harvard. His grandfather has serve in many govt. commissions and belonged to
the Harvard Club, the American Club in London as well as some yacht clubs.
Between his junior and senior year in high school, Eisner was a page at NBC’s
HQ in the Rockefeller Center. In 1966, he landed a job in the programming
department of ABC.
He had an influential position. Eisner had one good break
for deciding TV programming. He was 21 when the target audience was 21 years
old, and when he was 35, the target age of the film industry was then 35. He
has been described as having “supernatural enthusiasm” coupled to a lifetime
quest for untested ideas.
Rich H. Frank, was
Executive Vice-President with Walt Disney until his sudden resignation about
a year before this was written. He worked side by side with Katzenberg and
left after Katzenberg resigned in a dispute with Disney’s chairman Eisner.
Rich Frank was President of Walt Disney’s TV-Media Division. He acquired the
estate of VanHoffenwiggen, when VanHoffenwiggen fled the country and
vanished when Lendvest began to be exposed.
VanHoffenwiggen was a major
figure involved with Lendvest Mortgage Inc., a drug-laundering operation and
drug smuggling operation operating out of Napa Valley. It was also the
fastest growing real estate mortgage company in northern California until
its drug smuggling began to be exposed. Lendvest did some tricks ala Nugen
Millions of dollars of investors and creditors have disappeared
leaving lots of hurting people, and the mortgage company filed for
protection from creditors in U.S. Bankruptcy court, and is still in
operation. International financier Edmond Safra’s private bank, the Republic
National Bank of NY, launders money from the Medellin drug cartel. Safra’s
bank sent Lendvest lots of crisp new $100 bills.
The Safras are tied in with
the Rothschilds. (The Safras are reportedly recent property owners in St.
Helena near Napa (through Good Wine Co. which is the Spring Mountain
Wineries), near where Lendvest was HQed. Edmond’s nephew, Jacob Safra, has a
partnership in Napa Valley’s Good Wine Co. The Rothschild’s Citicorp gave
Republic National Bank the transaction ability to issue international
(world) bearer bonds (“bank notes”)
The Luxembourg/Belgium branch of Bank Nacional de Paris issued a bearer bond that was connected the Lendvest drug
running operation. In Britain, a U.S. citizen Mike Spire ran the British
operation of Lendvest and InVest. LandVest’s parent was InVest which has
operated in the U.K., Switz., Saudi Arabia and Paraguay. Long story made
short, Lendvest has been an international CIA-Mafia drug running operation,
with Illuminati overtones and connections to it.
With all this in mind, it
is strange, that Walt Disney’s President of its TV-Media Division, Rich
Frank, bought the palatial mansion of John O. Van Hoffenwiggen after Van
Hoffenwiggen disappeared from the country when indictments and arrests began
to be made of people connected to Lendvest.
According to insiders, Rich
Frank is also one of a number of Napa Valley people involved in illegal
labelling of wines. Rich Frank was a key figure in Disney’s programming
venture with three regional Bell Telephone companies (Ameritech, Bell South,
and SBC Commun.) coming together.
Bell Telephone wanted to get into cable TV.
Michael Ovitz formed a rival group of 3 other Bell Telephone co.s. Calvin
Robinson, who tied in with Land Vest, worked with Boyce, who in turn worked
for TRW Co., in Redondo Beach, CA. Boyce was sentenced to 40 years for
selling US surveillance secrets to the soviets.
Daniel Hillis, the
co-founder of a supercomputer producer Thinking Machines from MIT, is in
charge of the Walt Disney Imagineering unit. Hillis helped Disney develop a
virtual-reality ride at Disneyland based on the Aladdin cartoon.
has been the chairman of Disney’s movie studio, is an aggressive worker, a
model Type A person. "Ask 50 people to describe Jeffrey Katzenberg, and
most will say tenacious. ‘If Jeffrey were any more aggressive, he’d be in
jail.” says the producer Dan Melnick.” ( Harmetz, Aljean, “Who Makes Disney
Run?”, NY Times. Feb. 7, ‘88, p. 29.)
Katzenberg is the father of
twins, which people joke was typical of his efficiency. Katzenberg
supervised the production of Star Trek. Most of his movies have been box
office successes. In the ‘70’s, Katzenberg worked for NY Mayor John Lindsay.
Sanford Martin Litvack.
Sanford is the Executive Vice Pres. of Disney and in charge of “Human
Resources” for the corporation. He is a jewish lawyer who was educated at
the Jesuits’ Georgetown Univer. He is on the bd of dir, of Bet Tzedek.
Price has been one of the major influential occultists who has provided the
world with many occult horror books and scripts. He worked for Disney some,
and was the voice for Ratigan in The Great Mouse Detective. Vincent
Price’s good friend John Hay Whitney is an Illuminati kingpin and vice-pres.
of the Pilgrim Society and was raised into the Illuminati through the Yale
Scroll and Key fraternity. His friend Whitney likes horror movies.
The Osmond Brothers.
Merrill Osmond’s boys were “discovered” at Disneyland when they were
visiting the site in 1962. The Disney people on Main St. just “happened” to
recognize the talent of the five boys and signed them up soon for their
first professional singing contract.
The Osmond Boys did some television
appearances for Disneyland such as Meet Me at Disneyland, and Disneyland
after Dark. (Considering the mind-control programming done to these Osmund
children, these TV shows were a cruel joke.) Of the singing Osmond kids,
Donny is the next to the youngest, and his sister Marie is the youngest.
Both Donny and his sister Marie are programmed multiples who are slaves, who
have been subjected to a lot of abuse.
They have good front alters. Their
father has made millions from drugs, porn and white slavery and is part of
the Mormon Illuminati front. The Mormon front of the Illuminati has gotten a
lot of good publicity off of the Osmonds. They sang for Andy Williams whose
french wife was once arraigned on murder charges. Later they sang for the
satanic Network’s Lawrence Welk show. Swedish accented Lawrence Welk has
been part of the Network.
Marie Osmond has grown up, and she has adopted 3
of her 5 children in spite of her busy singing schedule which includes
approx. 200 singing shows a year at places like Mafia controlled Atlantic
City. In terms of occult families, adopted children are often programmed
children, so this is a clue that her children have been programmed too.
Michael Ovitz. Ovitz was
the no. 2 man at Walt Disney for a while until near the end of ‘96. Michael
Ovitz was a high school classmate in VanNuys, CA with Michael Milken (later
the junk-bond wizard), and there are many of the same people connected to both
men. When Michael Ovitz’s National Mercantile Bancorp (a saving and loan)
began getting into the quicksand of several lawsuits and scandals, attorney
Robert Strauss represented him.
Illuminati member Robert Strauss has been a
lawyer connected with drug running and the mafia. He was also an FBI agent
from ‘41 to ‘45 with Hoover. He is admitted to the Wash. D.C. bar.
Pres. Bush appointed him U.S. Ambassador to Russia. He has been on the board
of dir, of the Illuminati’s PepsiCo, Archer-Daniels-Midland (ADM), and
General Instruments (which have been exposed in other writings by this
He was also a board member of the Illuminati-mafia run MCA. Strauss
is seen in Wash. D.C. as a behind the scenes power broker. Strauss
represented Michael Milken associate Ronald 0. Perelman, Chrmn. of Revlon,
who made a $600 mil. killing off of the 1st Gibraltar SandL. Strauss
represented MCA, which the Bronfmans took over in 1995. The book
Knoedelsder, William. Stiffed-The True Story of MCA, The Music Business,
and the Mafia. NY: HarperCollins Pub., 1993, does an good job of
connecting MCA to the mob, the Network, and Iran Contra. See especially page
Time magazine 2/24/97 carried a page long story about Michael
Ovitz being out of a job. In the article, they reported that he was spending
time on his new yacht The Illusion, visiting Joe Silver’s estate in So.
Carolina, visiting his property in Aspen, CO, and eating lunch with
investment adviser Richard Salomon of Spears, Benzak, Salomon and Farrell.
Gordon Crawford of the Capital Group is quoted in the article praising
Ovitz, and saying he would invest in an Ovitz venture.
Ovitz is believed to
be mafia by people in a place to know. He has also been known to threaten
people using mafia terms, for instance, Vanity Fair (12/’96, p. 272)
reports Ovitz threatening Bernie Brillstein, a producer, with his “foot
solders”. The San Francisco Chronicle (Fri., 1/26/’96, p. D20) quotes
the latest issue of Columbia Journalism Review about an incident
where a reporter Anita Busch who was investigating Ovitz got violently sick
from the MSG in her food as she interviewed him.
To top off it all off,
Ovitz followed up her story which questioned his actions, by sending her a
gift wrapped package of MSG with a one-word note: “Enjoy.”. Michael Ovitz
has had the clout to deal with Illuminati kingpin Edgar Bronfman head to
head. He requested and got Bronfman to keep his dad employed, which was
Edgar Bronfman Jr. had seriously considered having Ovitz
head Seagram’s MCA/Universal conglomerate.
Frank G. Wells. Frank
was the President and the Chief Operating Officer of The Walt Disney Co. Wells
was also on Disney’s board of directors. He was a Rhodes Scholar, and a
lawyer in 1955. Those who have read previous books (such as Vol.
1) by this author know how the Rhodes Scholars fit into things and are
part of the Illuminati.
He worked closely with Eisner and Katzenberg. Frank
died in a helicopter crash in the spring of 1994 while heli-skiing in
Nevada. His surviving sister is Molly Wells Chappellet who runs around in
Illuminati circles. Molly Wells Chappellet has been featured several times
in Betty Knight Scripp’s magazine Appellation. Betty Knight Scripp
was married to a Bohemian Grove member.
Betty has been good friends with:
the late Pamela Harriman (who was a recent U.S. ambassador to France and
connected to the Rothschilds), as well as good friends with Her Imperial
Highness the Grand Duchess of Vladmir of Russia, who owns the Chateau
Margaux in Bordeaux. Betty Scripps personally monitors with care what is put
into her incredible magazine Appellation.
She has a column “Who’s Who
in the Wine Country” where the Chappellets have appeared in print numerous
Nearly all of Disney’s 1920
movies had a black cat in them. Many had occult slants to the scripts. The
occult slant never departed from Disney themes.
Some of DISNEY’S
blatantly OCCULT MOVIES
wisecracking all-powerful genie is shown.
Bednobs and Broomsticks
(1971) A witch finds a magic formula from a lion king. The magic formula
raises a ghostly army of armor in a museum which stops a band of German
Beyond Witch Mountain
(1982) A pair of twins leave Witch’s Mountain and have to use their special
occult powers to outwit a character named Deranian.
The Black Cauldron
(1985), A Horned King uses his magic to fight a clairvoyant pig and the
pig’s keeper. This animation cost $25 million, but was a box office
Bride of Boogedy (1987)
An evil spirit visits the Davis family and puts the father under a spell.
Directed by Oz Scott.
Child of Glass (1978) A
glass doll must be found to set a ghost free in a haunted house.
The Gnome-Mobi1e (1967).
A multimillionaire and his grandchildren encounter gnomes. In the end the
multimillionaire deeds the forest to the gnomes for eternity.
Halloween Hall of Fame
(1977). Jack-o-lanterns come to life.
Halloween Treat (1982).
Cartoons about Halloween. This was followed the next year with a film
Haunted Halloween which talked about the origins of Halloween.
Misadventures of Merlin
Jones (1964) A genius tries to help other students. He tries to also use
hypnotism and ESP which backfire on him.
Richest Cat in the World
(1986) A wealthy man leaves his fortune to his cat, who the relatives later
discover can talk.
H. DISNEY and its MOB
When this author spoke to the
co-author’s deeper Illuminati alters about Disney, their reaction was that
Disney had been described to them when they were in the Illuminati as "a
syndicate within a syndicate." They said that while in the Illuminati, they
were aware that Disneyland had their own government, their own rules and
their own police force.
They were a crime syndicate within a syndicate. What
these Illuminati alters casually mentioned, was verified by this author the
hard way through research.
One Disneyland Security Supervisor said,
is no Constitution at Disneyland. We have our own laws."
Once, when Walt
Disney got miffed at a Hollywood policeman, Walt said,
"I’ll have your
If Disney guards decide to, they will get very rough physically with
people, and assault them in any fashion they see fit.
The people they detain
are often thrown into tiny cells at Disneyland where they are kept without
benefit of a phone call, without benefit of a toilet or water. The judicial
system turns a blind eye to whatever Disney police do. Many people pay
Disney to get their children out of a Disney cell, and never get due process
of any law.
This type of treatment has gone
on for decades, and is almost a daily occurrence at Disneyland. The Anaheim
Police force is very chummy with the Disney private police force. Also at
one point, the Burbank Chief of Police was the brother-in-law to Disney’s
Chief of Security.
Recently, when a couple filed a wrongful death suit
against the Magic Kingdom of Disney in Florida, the state of Florida
surprisingly has appeared to have backed off from their traditional behavior
of protecting Disney’s sovereignty.
An article on the suit said,
evidence of some nervousness with Disney’s relative autonomy."
Francisco Chronicle, article "Mickey’s Dark Side" Oct. 1, ‘96, p. C6)
attorney in the case said,
"Disney World’s security people aren’t just cops,
they are bad ones. I don’t think there is any corporation that has ever had
the perceived power that Disney has."
Richard Foglesong, a professor of
politics at Rollins College in Winter Park stated,
"Because Disney World
controls so much of its corporate and municipal universe, it can’t help but
act in a heavy-handed manner in order to ferociously protect its
self-interest. They have immunity from state and local land use law. They
can build a nuclear plant, distribute alcohol. They have powers local
communities don’t have. Do they abuse it? In my opinion, yes."
In line with
Disney’s previous dictatorial policies on their properties, Disney’s new
city called Celebration will not have any elected government.
Since the city is unincorporated
(a neat Disney trick) the mayor is appointed by Disney. Several Disney
"quasi-government’" bodies control citizens of the city.
For instance, the
Celebration Residential Owners Association, which participates in binding
all residents to a Declaration of Covenants, a legal binder of rules that
residents must live by. Of course the Declaration of Covenants was written
by Disney. These rules include such nit picky things as, no more than two
people can sleep in the same bedroom, no pickup trucks can be parked in
front of homes, and if Disney officials don’t like your cat or dog they can
forcibly remove the animal from your home.
Disney Corp. has perpetrated
numerous deceptions on the residents, incl. shoddy work on their homes, and
operating their ""public"" school with Disney cronies. Still, the residents
that have moved into Celebration are glowing with praise for the town in
spite of the fact that the city is totally run by Big Brother Disney Corp.
Of course those who don’t love it, soon leave.
So much for the American
tradition of self-government.
Some MOB HISTORY
Traditionally, the mob crime
bosses have had a yearly summit. In 1928, they had their yearly conclave
at Cleveland. In 1929, they had their secret yearly conclave at Atlantic
City. In 1931, they held their secret annual conclave at Wappingers
Falls, NY. At the Wappingers Falls meeting, attended by about 300
overlords and soldiers, the heads of the family clans discussed their
crime family agendas. They decided where the first national Mafia
convention was to be held.
Once the Mafia was able to hold their yearly
private national meetings, they were able to coordinate their
activities, as well as decide such things as:
the direction of national
and internal operations, and long range plans
the promotion of new
decisions on turf and rank,
commodities and cash
hashing out alliances or
disputes with the Mishpucka, Triads, FBI, Illuminati, etc. and
working with others in a concerted manner.
The mafia clans would then
leave the annual summit meetings and follow through in their area of
operations, until they would meet the next year, review their successes
and failures, get new assignments, and decide upon new short and long term
In 1927, the Mishpucka worked with Mafia to highjack a bootleg
shipment of whiskey traveling from Ireland to Boston for the Kennedy
Illuminati family. Most of Kennedy’s guards were killed in the shootout,
and J.P. Kennedy had the widows of the guards besieging him for
Billy Graham’s good friend Mafia Chief
Joseph Bonanno was one of the chiefs who attended the yearly conclaves. He also
met with J.F. Kennedy in the Winter of 1959. John Kennedy was known to
have said that mobster Sam Giancana worked for his Kennedy family.
The mob/Illuminati alliances
and infighting are too complex to deal with in this book, but both
groups had to put plans into action to deal with the repeal of
Prohibition, which would end their lucrative bootlegging. The short term
plan for the Mafia was to control the film industry in Hollywood, and to
penetrate the unions better.
The long term plans called for sending
their next few generations of children off to the top schools and
getting them into legitimate respectable corporate positions. By
learning the ins and outs of honest, legal operations, they could then
mix in the illegal operations with their legal ones and look legal.
planned to extend their power base into politics, the Harvard-Stanford
business schools, as well as the finest corporate board rooms. They
intended (and have succeeded) in getting some of their offspring to
They would have an
increasing presence within the Bohemian Grove membership, as well as
some of the other great social and business clubs. Their plan to take over
the film industry hinged on their union control over unions and
theaters. The Chicago mob controlled the International Alliance of
Theatrical Stage Employees Union.
The mob controlled the projectionist’s
union, and if the film makers had the theaters where their movies were
shown shut down, what good would it be to make movies? The film makers
and the mafia both had power and money. Rather than fight a protracted
war, they made a deal. The major studios would give about $50,000 a year
to the mafia, and the small ones $25,000, to be allowed to function.
Other agreements were also reached. Mob henchmen
Willie Bioff and George
E. Browne were mob lieutenants who orchestrated the mob’s "Hollywood
Time Magazine, Nov. 1, 1943,
"In the witness chair in
Manhattan’s Federal Court sat bland, wily Willie Bioft (pronounced
Buy-off), blackmailer, panderer, labor leader, and now star witness
against eight ex-pals, who are charged with shaking down $1 million
from the movie industry...
Question: Was it true
that Bioft once had a five-year plan for taking over 20% of
Hollywood’s profits-and eventually 50% interest In the studios
themselves? Bioff (wistfully): "If we’d lasted that long, we would
Question: "Did you ever
say you were boss of Hollywood and could make producers do whatever
you wanted?" Bioff: "Yes-and I could make them dance to my tune."
Although Bioff rolled over
on his pals and ended up getting car bombed, that didn’t stop the mob/Mishpucka
infiltration and control of Hollywood. (Bioff had tried to save his public
image by helping Walt Disney settle his labor dispute with the mob-led
unions, but Walt wisely relected his offer of help, and made sure he
didn’t offend the Chicago mob leaders who were disgruntled with Bioff.)
Hundreds of millions of
dollars were poured by the Mafia and Mishpucka into real estate in
southern California, by using legitimate local businessmen to launder
the money. Hollywood was declared a "free zone" where all the Mafia/Mishpucka
families could operate without a fear of a turf war.
Let us backtrack
slightly to 1930. Columbia distributed Disney cartoons from 1930 until
1932, when Disney switched to United Artists, because Columbia wasn’t
bothering to pay Disney the money they owed. In 1930, Cohn, Pres. of
Columbia Pictures, got Disney off the financial hook with Powers by
intimidating Powers with some street toughs carrying a legal suit.
If Disney wasn’t indebted to
the mafia before, he was at that point. Biographers have been puzzled
why Disney went into such a traumatic depression after Henry Cohn
"helped" him. Tough guy Henry Cohn made sure Walt knew who was boss. His
attitude was that Walt should be happy to be paid at all by him for the
cartoons Walt supplied Columbia. After this, Walt would lock himself in
his room and weep uncontrollably for hours.
He was impossible for anyone
to get along with. He was unable to focus on anything, and would stare
for long periods out the window. Biographers blame Walt’s behavior on
the fact that his wife was pregnant. They also blame it on his friend Iwerks defection to another company.
Frankly, Walt had treated Iwerk
like a dog, and deep down must have known why Iwerk left such an abusive
To claim that he wept for
hours day after day because he realized he might become a father is too
much to swallow. When Walt was asked years later about why he was so
depressed he said it was the stress of the financial situation.
"I had a nervous breakdown... Costs were going up; each new
picture we finished cost more to make than we had figured it would earn
when we first began to plan it... I cracked up."
This author submits to
the reader that part of his breakdown may have indeed been the financial
stress from having come under the heel of the mafia. They had all the
means to make or break him, and he had no choice but to surrender to
their overwhelming power to blackmail and destroy him OR to get out of the
What this did was place Walt
in a position where his two strongest traits had to clash--his
overwhelming obsession to be his own boss, and his creative obsession to
create animation which was wrapped up with his ego and his deep phobias
and psychological needs.
His mind couldn’t give up its independence nor
its creativity without great mental anguish, and therefore Walt was very
saddened, knowing that he would have to admit defeat, and buckle under
the heels of the big boys. Just when he needed emotional support his
wife was going to have a child, and his best animator left. Walt had
abandoned Iwerks years before, and Walt’s wife had wanted a child for
Iwerk’s departure and his arriving child do not in themselves
account for the long intense nervous breakdown that Walt experienced.
Biographers point out that
Walt was very reluctant to have children, and that he was impotent with
women including his wife much of the time. His impotency to carry out
normal sex may help explain his secret sexual habits. Walt’s masonic
brother Carl Laemmle offered Walt a good deal to help him recover from
Henry Cohn’s abusive control of Walt, but Carl wanted the copyright to
Mickey Mouse in return for the help, and Walt wouldn’t part with Mickey
Instead, Walt signed a contract offered by
Joseph Schenck of UA
(United Artists), who was one of the Mafia’s illegal drug kingpins. In
1935, the mob’s illegal drug dealer Joseph Schenck went on to found 20th
Century, Inc. which later merged with Fox in ‘38 to form Twentieth
Century-Fox, whose board of directors would include two Illuminati
kingpins William Randolph Hearst and Malcolm MacIntyre.
brother Nicholas Schenck and Marcus Loew merged Metro Pictures and
Goldwyn Pictures and named Louis B. Mayer as its head. Meanwhile over
the years, MCA, headed up by Illuminati Kingpin Lew Wasserman gained a
monopoly over the American film industry with the secret backroom deals
that they made with Ronald Reagan’s Screen Actor’s Guild and Petrillo’s
American Fed, of Musicians.
(By the way, Lew Wasserman
would try to revive Reagan’s acting career in the early ‘60’s. Frank
Sinatra and Walt Disney were both friends of Ronald Reagan, and all
three believed in mind-control.) Ronald Reagan and Petrillo in turn
worked with the Mafia’s NCS Council of 9 (which incl. Anthony Accardo
and Sam Giancana), which at one point divided the U.S. into 24 mob
territories. After J. Schenck went to jail (very briefly), he was
replaced as Pres. of 20th-Cent. Fox by Spyros Skouras.
arrest, while Schenck was still in charge of 20th-Cent. Fox, he made
numerous offers to Disney for Disney to incorporate his studio as a
subdivision of 20th-Cent. Fox. Disney worked for a few years with them
distributing his films, but he would not let go of trying to be
independent. The FBI and American Intelligence turned to the mob to help
them as the U.S. entered WW II. Perhaps Walt’s mob connection added
impetus for his recruitment. Walt went to a number of American Nazi
meetings prior to Pearl Harbor.
This author believes from knowing Walt’s
personality that Walt may have been on assignment, rather than a Nazi
sympathizer. Still, why does one of Disney’s pre-Pearl harbor cartoons
display a swastika? Disney’s Epcot Resorts is close to the mob’s
Atlantic City Board Walk with its nightclubs. The resort was designed by
Robert A.M. Stern. (This author doesn’t know about Robert Stern, but
there are programmed multiples and Illuminati members within the Stern
At Walt Disney World, the nightclub there was named "Cage", and
then later ’8 TRAX". Comedy Warehouse, which is a nightclub at Pleasure
Island in Walt Disney World opened on May 1, 1989 and has used slave
comedians as well having people who are mind-control abusers.
11, 1987, Walt Disney Co. was reincorporated in Delaware. Delaware is
the only state that allows total corporate secrecy. No one can find out
who really is running a Delaware corporation, and many other secrets can
be hidden under Delaware’s corporation laws.
Capital Group has
considerable shares in Disney, as well as 29% of the shares of the
Robert Mondavi winery at 7801 St. Helena Hwy, Oakville, CA. Wellington
Group and Mellon bank also have shares. Behind Capital Group are mob
controlled groups like Debartolo Reality Corp. and La Quinta Inns (a
Bass bro. operation.) Sam Bronfman operates Sterling and Monterey
There are countless people walking around that have felt the
ruthless, impersonal, controlling, money-grabbing side of the Disney
Corp. Also, there are a number of journalists who have experienced first
hand the secrecy and paranoia that the Disney corporation has. Most
journalists are not used to the secrecy that pervades Disney. Because
Disney has shaped the myths of America for several generations, the
public takes more concern over who is running Disney, than they would
Because most of America believe in the image that
the Illuminati have built for Disney, they are rooting for it to
How the Disney Executives
have figured out how to steal land all across the U.S.
Over the years Walt Disney
has developed several very sneaky reliable techniques to acquire land.
They acquire land through their executives and large stockholders and
family members of the execs and stockholders. After all the deals are
made in an area, and when everything is in place over a period of time,
these people then turn their land over to Disney.
Disney works with
government officials and local bankers to line up special deals so they
can succeed in their plans. After everything is lined up, the
corporation announces their plans and goes forward. This methodology has
been used repeatedly, for instance the American History Theme Park in
the Manassas Civil War battlefield area of Virginia for which Disney has
acquired 1,800 acres and has access to at least 1,200 more.
In Nov. ‘94,
after a new Virginia governor was elected, the Virginia "Disney’s
America" project was announced, and Virginia voted almost instantly for
the money for transportation and infrastructure improvements to the area
so that Disney’s theme park would be viable. Disney set up 3 banks in
Their banks made loans to old families in the valley.
trusts and the wills for these families were made up by Stanford Univ.
grads. These people set on the boards of these banks or connect with the
boards of these banks. They charge large fees, and know every trick in
the book to rob people of their estates and their living trusts. The
Stanford grads, who connect in with intelligence agencies and the mob use
certain code words when they set up their businesses, such as RESOURCE,
EVERGREEN and PACIFIC.
There are a number of scared landholders who are
being intimidated to sell their land in the Napa Valley region.
DISNEY and the GOVERNMENT
Just prior to W.W. II, the
FBI recruited Walt Disney. His job was to spy on Hollywood or anything
else that looked suspicious. Documents obtained from the Freedom of
Information Act, in spite of heavy censoring, clearly show that Walt
Disney became a paid Special Correspondent asset of the FBI.
to FBI agent E.E. Conroy. In 1954, Walt was promoted to Special Agent in
Charge (SAC) which means others reported to him. After "leaving" the
CIA, ex-DCI (ex-head) of the CIA William Hedgcock Webster became a
lawyer for the Wash. D.C. based firm of Milbank, Tweed, Hadley and McCloy.
In 1993, when news broke about Walt Disney’s FBI membership,
ex-CIA head Webster worked with the Disney family to cover up to the
public that Walt Disney was an FBI agent. Webster went on TV and had
interviews to spread the fabrication that Walt was not connected to the
One of the countless items
that Disney was involved in was the investigation into the
disappearance/rape of a six-year old child Rose Marie Riddle on 1/12/61.
According to documents gotten from the Freedom of Information Act, W.G.
Simon was the FBI agent who met with SAC Walt Disney in L.A. about the
case. W.G. Simon has been one of those people who has been publicly
lying by claiming that Walt Disney never was an FBI agent.
trail proves otherwise. Why is it so important to the FBI and CIA to
cover up that Walt was an FBI agent? Walt also worked for the CIA, even
though documentation of that is not available. This author theorizes
that the reason the FBI and CIA are so touchy about letting people know
that Walt worked for the government is that the Network knows how the
FBI and CIA worked together to procure children for mind-control
Because Disney and Disneyland played such as
enormous role in Mind-control, Disney’s connection to them, although on
the surface a seemingly minor fact, is in reality a minor fact setting
on top of an enormous ghastly secret. When W.W. II started, the
government incorporated the Disney studios into the war machine.
The military paid Disney
$80,000 for 20 training cartoon, which cost Disney $72,000 to make.
Disney studios also made some secret films for the military. Mickey
Mouse and Goofy cartoons were slanted to have war themes, for instance,
the Goofy cartoon of 1941 "The Art of Self Defense" and "How to be a
Sailor" in 1944.
Perhaps in honor of the contribution Disney had made to
the war effort, "Mickey Mouse" was the password of the Allies for
millions of men on the big D-Day invasion on June 6,1944. Walt Disney
produced a cartoon showing Donald Duck paying his taxes faithfully. The
film was entitled The New Spirit. It was very successful in getting
Americans to comply with the IRS.
In 1946, Disney made a film for the
public schools for sex education entitled The Story of Menstruation.
For the United Nations, Walt
Disney created "It’s a Small World" attraction for UNICEF for the ‘64-65
World’s Fair. This attraction was moved to the theme parks and has been a
major feature for mind-control. After learning of the enormous amount of
mind-control programming going on during after hours in secret tunnels
at Disney as well as in the public facilities, it makes more sense why
the Russian Premier Nikita Khrushchev would be denied a visit to
Disneyland by the U.S. government "due to security considerations" when
he was visiting the U.S. in Sept. 1959.
Khrushchev obviously had his own
security working in tandem with American security and the intelligence
people for whatever reason(s) didn’t want the complication of these
Russians going to a major programming site.
Some powerful military men
have been connected to Disney films. Two former commanding officers of
the USS Alabama nuclear sub were technical advisors for the Disney film
Crimson Tide. Walt Disney was tied to the U.S. government, and recent
disclosures show that he was tied to the FBI.
Walt used his FBI
connection to destroy the life of Art Babbitt, who had led the strike
against Disney in 1940. Babbitt found that everything he attempted in
life after the strike was ruined by some hidden power. Was Walt part of
naval intelligence attached to the FBI? Was he part of the FBI that is
involved with child procurement and mind-control? In the 1950’s the
Illuminati began organizing covens on the West coast and began
solidifying their power. (This comes from several independent sources.)
Likewise, it’s clear that Disney didn’t have the clout in 1953 with
local governments, that it does today.
Walt Disney was unsuccessful
when he tried to get permission from the city of Los Angeles and the
Burbank City Council for the construction of Disneyland (called
Disneylandia at that time), in the Burbank area.
One Burbank councilman
"We don’t want the carny atmosphere in Burbank."
Inconsistently, within a few years they gave permission to Universal to
build an amusement park in Burbank, which opened in 1964. Disney then
ask the Stanford Research Institute to locate a spot for Disneylandia
(Disneyland), which they found at Anaheim. In recent years, Disney
decided they wanted to build another amusement park (called California
Adventure) across from Disneyland.
In order to do so, the Interstate
highway will have to have changes, and the Anaheim city council needed
to approve the large 55 acre expansion.
In contrast to the Burbank
City Council in 1953, Anaheim’s City Council was enthusiastic about the
expansion in spite of lots of local opposition. The locals complained at
council meetings to the City Council that the city had no business going
hundreds of millions of dollars into debt to help a corporate giant.
(Anaheim will issue $400 million in bonds.)
Locals also raised concerns
that the public school system in Anaheim is stressed to the breaking
point where they are considering going to half days, and that Disney
Corporation should give as much consideration for the school children of
Anaheim as they do to their Amusement park.
Disneyland’s Pres. Paul Pressler bragged about Disney’s new California Adventure amusement park,
"Disney’s California Adventure is really a celebration of the fun, the
beauty, the people and the accomplishments of this magical state. We
really have set out to try to capture a bit of what the California dream
is all about."
(Sounds like the dream is to be wealthy and control
people. The elite would rather give us BREAD and CIRCUS than an
The Dragnet films were done
in part at the Disney studios.
In an Office Memo from the 66-new LA SAC
FBI agent to Hoover (12/16/54), which was obtained via the Freedom of
Information Act, the typed memo states,
"Mr. Disney has volunteered
representatives of this office complete access to the facilities of
Disneyland for use in connection with official matters..."
we now know that Disney’s use for "official matters" included
J. DISNEY and MIND
Once the reader is familiar with
the programming scripts, the reader merely needs to watch the Disney
"Adventures in Wonderland" that come on TV in the morning to see Disney
mind-control at work.
Within a few minutes one morning, this author had seen
a white rabbit create "a world in your mind" (the quote is what the show
said!) with a ring, watched Alice go through the mirrors, watched a White
Rabbit [the programmer] read a book to a little girl, and the TV listener be
told by the show "The White Rabbit is our only hope!"
The deeper alters(alter-ego) of
Illuminati slaves who are programmed for espionage, for spying and blackmail,
and seduction and assassination, are given programming to live in a fantasy
world. They never touch base with reality. Much of this type of programming
has gone on at Disneyland.
Disneyland visitors are taken in
a boat where dolls sing an around-the-world theme song "It’s a small small
world". These doll world parts of the amusement parks are used for
programming assassination and espionage alters. The song and dolls play
important roles in these alter’s
mind-control programming. Some slaves at
around age 19, have this type of programming tested to make sure it is
solidly in place.
The song "It’s a Small World" was composed by the Sherman
brothers for Disney originally as a theme song for a ride at the ‘63-’65 NY
World’s Fair. The Sherman brothers were talent that Disney discovered.
were born in NYC, and both graduated from Beverly Hills High School. They
wrote Disney songs for at least 29 films. Mind-controlled slaves, who
repeatedly bump into each other, but don’t know why, will be found saying,
"It’s a small, small world." Both rituals and programming go on at Disney
amusement parks during both the day and night.
When Walt Disney began Walt Disney World he sent Card Walker to the Florida
capital to request quid pro quo, and the governor gave it to Disney. What
that meant is that Disney’s property in Florida was totally controlled under
Disney’s jurisdiction, they had their own laws, their own police force,
their own hospitals, and their own tax rate.
No outside authority would
interfere with Disney’s jurisdiction. DisneyWorld’s finances would be
untouchable and out of sight by the state of Florida. Never had so much
power been given away. DisneyWorld became its own crime syndicate within the
syndicate. Disney amusement parks are like a city within a city.
there own security forces, and the local police allow the Disney security
forces to take care of their turf. Disney has their own policies (laws).
Some of the security forces can be identified in plain clothes with
clean-cut hair styles and have communication devices.
The security forces have a
headquarters room where TV monitors display-live the exit points at Disney
as well as other locations. America ‘s Most Wanted has a fairly large file
on children who have been kidnapped at Disney Amusement Parks. One mother,
who got separated from her child when getting off a train, frantically told
a guard her child was missing.
The guard took her to the monitor room, where
they saw the kidnapper carrying the child out of the park with the boy
slumped over his shoulder. In that short of a time, the kidnapper had
drugged the child, cut his hair different, and put a different shirt on him.
(This anecdote was mention in Inside the Mouse, pg. 52) As written before,
white slavery is part of what Disney is all about. This mother was one of
the fortunate few who did manage to find their kidnapped children.
insider states that the Disney police are definitely part of those moving
and abusing innocent children brought in for occult rituals. In addition,
the Disney security forces spy on their own employees.
Employees do not enter the theme
parks like the visitors, nor do they move around like the visitors. They
have underground tunnels and underground entrances and facilities for that.
One victim of total mind-control mentioned that a tunnel entrance was at the
Matterhorn mountain at Disneyland. (The Matterhorn was opened by Walt and
his good-friend Richard Nixon, who rode in the first car down the mountain.)
The Disney productions has given the Illuminati the cover to bring together
Illusionists, magicians, and special effects artists without anyone being
suspicious. Some of these men were able to apply their talents toward
programming children. As an example of their talents, Disney special effects
artists were able to create 16 realistic-looking cadavers for the 1989 film
Walt Disney, Inc. has teamed up
with Los Alamos and Sandia Labs, two other groups which are heavily involved
in mind-control and people control to develop body scans, branding and
access codes for the visitors to Disney’s theme parks. Each of the Disney
Theme parks, such as Disneyland, DisneyWorld, EuroDisney etc. have vast
These underground facilities allow many of the
workers to get to the ride areas via underground passages. Each theme
facility also has a vast infrastructure underground in order to maintain it.
The underground areas contain wardrobe design and repair units, fitting
rooms, restrooms, cafeterias, security units, computers, freight ramps,
utility encasements, and large connecting tunnels.
The underground areas
also have programming rooms. They have their own power plants and water
systems and their own police force. Disney company employs 71,000 people at
several locations, tone recent TV show used the figure 40,000 Disney
employees. People are coming and going 24 hours at the Disney theme parks.
Three shifts keep up the 24 hour
business. The night crews maintain and repair the parks for the thousands of
people that will soon arrive in the morning. Disneyland makes a natural prop
for carrying out mind-control. The items they sell are also natural
props--such as the Goofy watch ($19.95) which has hands that move backward
to confuse a slave as to what time it is.
Was Walt Disney aware of how
Disneyland was used for programming? There is no doubt.
Disney lived much of
nights at Disneyland, and had an apartment at the firehouse near the train
station on Main St. At night, if he was not doing anything else, he’d roam
the grounds of Disneyland scribbling notes on his own distinctive blue
paper, which he’d leave for workers to follow the next day.
The notes would
say such things as "Replace these flowers," or "Move that bench". (Prince of
the Magic Kingdom, p. 25)
Walt Disney knew everything that
went on in his Magic Kingdom. The Epcot Center and the Disney amusement
parks market all kinds of occult triggers, including crystals, rainbows,
wizards etc. that reinforce the programming. The Epcot Center has two glass
pyramids along with its "Journey into Imagination".
Disneyworld has the
Island of Atlantis on its sub tour. Fantasyland is one of the most used
tours of Disneyland for mind-control purposes. It has carousels, merry
music, an incredible castle, boat rides, story book characters etc. Sleeping
Beauty Castle with its blue turrets and gold spires is the central visual
object of Disneyland.
You cross a drawbridge to get into it. Inside
Fantasyland are Illuminati programming sites such as the Mad Hatter teacups,
the King Arthur carousel horses, and Snow White’s forest.
In the far corner of
Disneyland’s New Orlean’s Square is the Haunted Mansion. This mansion is
designed to frighten and scare, it has an ingenious design and many special
effects and illusions. Realistic ghosts, a screeching raven, howling voices,
and other scary things welcome the visitor.
Life size holograms are created
at the Haunted Mansion, and dance in sync with the music and then fade out
at certain points.
There is a hologram of a woman’s head in a crystal ball
who chatters non-stop. A real good laugh for the programmers of a little
child. When you are toward the end, you will have a chance to look into a
mirror where a hologram ghost will nestle up beside you.
Star Speeder is another great
programming location at Disneyland. It was the creation of George Lucas and
the Disney Imagineers. The technology is borrowed from Star Wars, and is
similar to flight simulators used by the military to train pilots.
Disneyland Hotel offers Character Breakfasts, where children eat breakfast
with Disney characters, to people who make special arrangements.
Special Forces, which carries out mind-control, owns two hotels near Disney
World, and the Mormons have one also. Knott’s Berry Farm with its Ghost
Town, Amusement Park, and its Charlie Brown themes and characters is near
Disneyland. One of the Disney executives began one of the most horrible
trauma-based mind-control programming centers in Los Angeles called Magic
Castle a comedy warehouse.
This trauma center had horrible
torture chambers. Children were brought in from South and Central America to
be programmed at the Magic Castle. A brave L.A. policeman exposed the
place--for which he lost his job, and eventually was able to get the site
closed. One of Disney’s recent ventures in their Disney Institute, which
Newsweek labeled "the Disneyland of the Mind". (Newsweek, Mar. 4, 1996, p.
A private club called Club 33 at Disneyland located upstairs in the New
Orleans Square is believed to be involved in mind-control. Cub’s Den
supervises children’s activities at the Wilderness Lodge Resort at Walt
At Disney-MGM studios the major
attraction is the Twilight Zone Tower of Terror. Guests take a strange scary
trip through the hotel, where guests are finally sent into an elevator that
drops out of control 13 stories.
The ride has been advertised on TV.
Disneyland now has a Temple to the Forbidden Eye - which is simply a
to the All Seeing Eye, the Illuminati symbol. Visitors, who have the
patience to wait in line, can strap themselves in for a ride that is like a
jack hammer that jars the rider through a temple filled with snakes, rats,
and mummies. One aerobics teacher couldn’t walk for three days after the
jarring ride, which comes across as "hokey".
The experience is more
traumatizing than fun, but then maybe that is what was intended.
DISNEY VACATIONS FOR THE
Years ago this author’s
newsletters exposed Hilton Head Island, SC as a watering hole of the
powerful elite incl. retired generals and admirals, and the site for the
elite’s Renaissance Weekend "meat market".
Remember, that at one time Hilton
Head Island was private, with imported alligators in the water around it. A
person was only allowed on the island by going through security gates with a
clearance. In a later newsletter, Disney’s Hilton Head Island Resort was
This resort, built by Disney Vacation Development, Inc., is
located on a 15-acre private island linked to Hilton Head island by a narrow
bridge. Members to the Disney Vacation Club can exchange time for vacations
at Disney and other resorts around the world.
Memberships cost minimum
Right smack across from the
entrance to Disneyland is the Assembly of God’s Melodyland Christian Center,
the birthplace of TEN (Trinity Broadcasting Network). The Assembly of God
denomination has been heavily infiltrated by the Illuminati, and has been
heavily used as a front for programmed slaves.
Paul Crouch, president of
Trinity Broadcasting Systems, Inc., was affiliated with Melodyland in 1973
when TBS was getting started. At that time, Melodyland was a rich heavily
infiltrated charismatic church, with its share of programmed multiples. In
1973, closet homosexual minister Jim Bakker, and his wife Tammy Faye, a
programmed multiple were with Paul Crouch in Anaheim at Melodyland.
Crouch had been the assistant pastor of Bakker’s home church in Muskegon,
MI. Crouch’s right hand man was Alexander Valderrama, a charismatic Roman
Catholic. TBS used an abandoned military base as their TV complex, using
hangers as studios. In the early 70’s, ABC put Bakker and Crouch’s early shows
on their affiliate stations on Sunday morning.
Bakker had already gotten his
career kicked off with Illuminatus Pat Robertson and his 700 Club.
Jim Bakker split and went to the
east coast. To help Bakker with his money, Bill Perkins, who had been a
financial analyst for the World Order’s mind-control research at Sandia
National Labs in Livermore came to help Bakker run his ministry’s finances.
Later, televangelist Bakker began building Heritage USA, which was to be a
Bakker hired people who had worked for Disney to construct
Heritage USA. Bakker studied Disneyland, Disneyworld, and other Disney
places as a model for Heritage USA. After Disneyworld opened in Florida, Jim
Bakker was a REGULAR visitor to it. Heritage USA’s Ft. Heritage was modelled
after Disney’s Ft. Wilderness, Main St. was modelled after the Magic
Kingdom’s Main St., and Disney’s wrought-iron fencing was also copied.
people are aware of Jim Bakker’s $265,000 payoff to Jessica Hahn to keep her
sexual services to him a secret, his longtime homosexual relationship with
his right hand man David Taggart, and his prison sentence. James Orson
(named after Orson Welles) Bakker was from Muskegon, the same place that
Cathy O’Brien, a freed Mind-controlled slave came from. He was born
pre-mature, and had some interesting family situations that make his family
While Cathy O’Brien got
programmed via the Catholics, Jim was part of another denomination which
also was into programming, the charismatic Assemblies of God. His
grandfather, who lived next door to Jim, and where Jim spent much childhood
time with was popularly known in town as a "huckster", and nicknamed
Kingfish after the manipulative character on Amos and Andy.
Tammy his wife
grew up in International Falls, MN in poverty in the home of her stepfather
and mother. Besides having a "shopping demon," she has had her share of
phobias and mental problems, as can be expected from someone who has had to
suffer through programming.
It would be worth pointing out who has come to
Jim Bakker’s rescue when he was under attack. For instance, on Thursday,
Oct. 4, 1984 when Jim was under attack, Jim Bakker’s show had six people
give endorsements and praise of Jim Bakker.
those, this author knows for sure that all are masons, except for Rex, who
may or may not be.
Robert Schuller, Billy Graham and Oral Roberts are
"Christian ministers" who participate in using and handling mind-control
slaves. These three ministers all participate in secret Satanic rituals.
few paragraphs have given only a sketchy picture of the intimate
relationship between Disney Mind-control and the charismatic movement and
its use of trauma-based total mind-control.
DISNEYANA FOR THE PROGRAMMED
For people who have been
programmed with Disney programming and who are obsessed with Mickey Mouse
and everything else about Disney, and for other people who just have the
collecting spirit for Disney memorabilia, there is a group called Disneyana.
Disneyana, was organized in the 1980’s, and consists of people who are
cult-like in their devotion to anything true Disney. Some of them to express
their devotion outwardly tatoo their bodies with Disney characters. This
group holds their annual convention at the Contemporary Resort in FL.
One Disneyana at the annual convention said,
"We collect to keep the good
Another when interviewed said,
"This is why it’s all about
The author knows as a fact some of the men who are obsessed with
Mickey Mouse and Disney items are programmed multiples. One of Kenneth Anger’s
occult friends has had the world’s largest Mickey Mouse collection.
Kenneth Anger? Kenneth Anger, a member of LaVey’s Magick Circle
and later his
Church of Satan, is an occultist and an underground film maker.
Kenneth Anger (he choose the
last name Anger) was raised on the Wizard of Oz books. His biographer
Landis writes that the Oz books,
"laid the groundwork for Ken’s attraction to
Crowley, the occultist who would rework Rosicrucian thought into his own
Ken was obsessed with Crowley’s life
As a child,
Ken had danced with Shirley Temple in competition after she became a child
star. Ken Anger loved the OTO’s solar phallic religion, and was also
obsessed with Mickey Mouse. He spent part of his time studying his friend’s
Mickey Mouse collection. Ken Anger did his casting for his film "Lucifer
Rising" by telling occult friends and acquaintances that they could live out
their goddess or god power-trip fantasies by acting for him.
government’s National Film Finance Corp. fronted 15,000£ for Lucifer
Rising’s production. Famous occult musician Jimmy Page did the sound track
gratis. Ken Anger acted as the film’s Magus and made his Magus role resemble
Mickey Mouse in the film Fantasia. (The role Fantasia plays in mind-control
programming will follow as the last part of this chapter.)
also starts with Fantasia-type volcanoes.
Another of his well-known films
was "Invocation of My Demon Brother."
The elements within Disney
movies that are intentionally put in for mind-control would take volumes to
describe. A detailed description of how just one Disney movie is used as a
programming script soon follows. Fantasia was selected as the example.
random sampling of features in Disney movies for mind-control programming
Cogworth the enchanted
mantle clock in Beauty and the Beast.
The character Door Knob,
which is a doorknob portrayed as a person in the Disney cartoon Alice In
Wonderland, is useful for programming door knob alters.
The Blue Yonder is a Disney
movie on time travel of a young boy. Time travel movies are used for
programming to mess up the victim’s sense of time.
Disney film "Animated
Alphabet" has letters which come alive, which is useful for programming.
And what about the ‘82 Disney movie "Computers are People, Too!" ?
All the Illuminati members
this author is aware of who have received trauma-based total
mind-control were taught to astrally project and study on the astral
plane what they needed to learn. A Disney movie that portrays this is
Goofy over Dental Health. This is an educational film released by Disney
in ‘91 and again in ‘93, where Goofy places a magical toothbrush under a
child’s pillow, so that the child astral projects to a dentist office
and while on the astral plane studies how to have healthy teeth.
Illuminati alters believe
that trees and flowers are alive. The 1932 Disney film Flowers and Trees
is a story about two trees who fall in love. The film portrays the
occult belief that trees can talk and sing. Internally, alter systems
will be constructed with singing trees and flowers that represent people
and which are alters. The singing trees give out internal codes to move
alters internally where they need to go. Return to Oz. (1985) This
Disney film begins its story line about a girl who is thought to have
psychological problems because of her tales of Oz. She is warned not to
talk about Oz by her relatives. She is taken to a psychologist who wears
a big ruby ring, who tells Dorothy that electroshocks won’t hurt her,
and that we are at the "dawn of a New Age." Dorothy is told that her
memories are "just dreams" that stem from excess electrical current in
the brain. She is sent to a mental institution to receive shock
treatments for talking about Oz. A lightening storm allows her to
escape the shock treatments and when she sleeps, she awakes in Oz.
In Oz she
goes through many mind-control scenarios, ruby slippers, mirrors, etc., and
toward the end visits with evil Mombi, Princess of Oz who keeps Ozma
(Dorothy’s twin) as a slave. Mombi eventually casts a spell and enchants
Ozma into a mirror.
Sci-Fi author J.D. Vinge in her
Return to Oz based on
the screen play writes on pg. 211-212,
"Dorothy gazed at herself in the
mirror, seeing her own reflection, and remembering the moment when she had
looked at herself and seen someone else there, someone so like her that it
could have been her sister."
Parts of this film were filmed near Stonehenge,
Eng. Disney has put out several films on the Wizard of Oz theme, all of
which were used for programming. The original series of Oz books were by
In ’39, MGM did the famous
Wizard of Oz film. In the Disney movie Tron (1982), a young computer genius
goes into an altered state where he ends up becoming a computer program.
After defeating the MCP, he returns to the real world. This is simply a
A special effects team created a 3-D world, showing how
talented Disney special effects people can be in making something seem real.
This movie should show people their mind-control capabilities. Mathematical
Applications Group, Inc. (MAGI) were one of the groups that created the
graphics. Disney came out with 3 videos of new adventures in Wonderland
which are mind-control programming.
In the mornings here 9-9:30, on
channel 21, Disney has a Wonderland Show every morning which is mind-control
programming for children. Within a few minutes, this author had seen a girl
walk through a mirror, the 3 lives of Thomasina mentioned, and a little
ditty "I’m a little tea-pot" where a person becomes a tea pot. They also had
an "under the umbrella" scene.
This was all pure programming, right on TV. Of
course, they show the White Rabbit as a central figure. ABC under the
auspices of Disney produced a lengthy 140 min. film Wild Palms which depicts
Illuminati mind-control and life. One reader of Vol. 2 stated that the Wild
Palms movie would have made no sense except that having read the Vol. 2
book, the movie made lots of sense in the light of Vol. 2’s revelations.
film depicts how children are kidnapped, switched at birth, programmed via
TV cartoons, programmed to kill and use stun guns etc.
The film depicts Illuminati
bloodlines and arranged marriages. Although the name "Illuminati" is not
used, if viewers substitute in the name "the Fathers" for Illuminati
fathers, they will get an insider’s view of life at the top. The main
controllers are addressed by their slaves as "Papa" or "Daddy" or "Mother".
This is true to life.
A person opposed to the Fathers states,
"One day we
will wake up and discover we don’t own this country and no one will care."
The movie states that events are not happening randomly. The movie shows an
underground tunnel system which has an entrance hidden by a swimming pool.
Quite a few actual programming codes were said during the film, for
instance, "down, down, down through the pool of tears..." and "we’re going
to go down the yellow brick road now."
The movie was created by Bruce
Wagner, who obviously is an insider concerning trauma-based total
mind-control. The fact the movie was made shows the arrogance of the
programmers’ beliefs that their criminal acts in programming thousands of
little children will not be exposed, and that people will be too stupid to
realize that what is put out as fiction is actually mirroring what is
It’s like they believe their own script that IF people did find
out "no one will care."
Because so much of the
Illuminati programming involves the creation and programming of 3 alters
linked into trinities, it is not surprising that Disney has helped such
triad programming with a series of movies about threesomes, including:
3 Blind Mouseketeers
3 little pigs
Three Little Wolves
3 Lives of Thomasina
The Three Musketeers
Three Orphan Kittens
For Mickey Mouse programming
they came out with Thru the Mirror, where Mickey Mouse steps through his
bedroom mirror and ends up in another world (altered state).
Not all of the
Disney movies that have mind-control programming themes got released to the
public. One unreleased cartoon had Penelope fleeing from a sinister looking
Grandfather Clock which is carrying her to another world, and has another
scene where Penelope tries to hold onto someone who personifies the Wind.
George Lucas, who directed the movie
Star Wars, which was a movie planned by
the Illuminati and used for Illuminati programming, also directed Disney’s
movie "Captain EO". Captain EO (who looks like a demonic entity) goes to
rescue the Queen (who looks like the harlot describes as Mystery Babylon in
The Queen is in captivity simply
because she and her people believe in black and white (which represent good
and evil). When they renounce such a belief, they are saved by Michael
Jackson (in actual life a mind-controlled slave) playing Captain EO. It’s a
New Age witchcraft film through and through.
By the way, Michael Jackson has
gone to Disney amusement parks many times, sometimes in disguise.
public knowledge that his Jehovah’s Witness family has been very abusive
mentally and physically to their children. Disney has put out several movies
on how the mind works, such as the educational film The Brain and Nervous
System in 1990. Their film Runaway Brain is a cartoon where Dr. Frankenollie
transplants Mickey’s brain into a monster’s body and vice-versa.
A 1994 film,
Puppet Masters shows the govt.’s secret Office of Scientific Intelligence
trying to save the U.S. from aliens who live in human bodies. In recent
years, Bette Midler has been Disney’s main actress.
In the Vol. 2, it was exposed
that she is possibly a Monarch Mind-controlled slave. She is famous for her
"mood swings" (switches in personality), and she had a "mental breakdown" in
1985. Her eyes and body gestures are those of a programmed multiple. She has
gone out on tour for Disney without making -money, and she is best of
friends with Jeffrey Katzenberg (second in command at Disney).
Katzenberg by the way is extremely disliked by his counterpart Sid
Sheinberg. Bette Midler plays Stella in the movie Stella. Stella is an
occult name. In the movie, the script seems tailored for Bette Midler and
for someone who is a programmed slave, rather than the actress fitting the
At the movie’s end, Stella (Bette Midler) attends her own daughter’s
marriage by peeking in a window and watching from the outside.
This is the script they give so
many of the parts of a slave, so that they feel unworthy and feel like they
are always on the outside looking in at life. Many parts (personalities) of
slaves find it hard to connect with real life, because they feel they are on
the outside looking in. And then in true Disney fashion, Disney had Bette
Midler play the role of the lead witch in Hocus Pocus.
The movie Hocus Pocus
does some hocus pocus of its own.
While pretending to make fun of
witchcraft, they actually teach witchcraft. They do make the 3 witches look
comical. By the way, the 3 witches stand for the maiden, mother, crone combo
that the Illuminati reverence. Disney subtly works in deep occult things,
such as the all-seeing eye on the cover of the book, the little girl
promising the cat (who is a familiar spirit) that her descendants would
always care for it (true, because the cat was a generational spirit).
The cat is killed in the movie
but can’t die. And Bette Midler as lead witch in her costume, which has some
Mother-of-Darkness symbology on it, states as she gets ready to take the
life force from an innocent girl, "We want to live forever, so we take
children’s lives." This is wholesome entertainment for children?
capacity for deception extends to its own workers. PR men recruit young
people for its Disney College program. They tell the young people what a
great stepping stone it will be for their careers. They have been known to
make it sound like the greatest thing in your life. Kids come from all over
the country due to the slick recruiting tactics to work for Disney.
They are then housed in Disney
housing, given menial jobs, and paid low wages. Most people in the College
Program leave disillusioned. If the worker happens to think of a great idea,
Disney officials have been known to steal the idea, and because the worker
was working for Disney the worker will find that they are unable to get any
credit or money for the idea that Disney steals and makes millions off of.
One unaccredited creator of a Disney sale item said,
" literally, they’re
using everybody for everything." (Inside the Mouse, p. 239.)
Next, will be the script
for how the Disney film Fantasia has been used as a standard programming
tool since the 1940’s by the Illuminati.
K. DETAILED SCRIPT ON
HOW THE DISNEY FILM FANTASIA IS USED FOR PROGRAMMING TRAUMA-BASED
During the 1950’s, ‘60’s, and
‘70’s at least 90% of the Illuminati’s trauma-based mind-controlled slaves
were subjected to watching Disney’s Fantasia film in order for them to build
the foundational imagery of the mind-control. Child mind-control victims had
their eyes taped open, and then sat one-on-one with their primary
programmers so that the programmers could give the scripts as the child
watched Disney’s Fantasia over and over.
What made Fantasia unique as a
programming tool is that it had almost everything the programmers needed to
create the foundational imagery for their trauma-based mind-control. To
build a dependable alter system means that the worlds need a solid
foundation. Fantasia has provided the means to get a solid foundation for
the internal worlds that the Illuminati slaves build in their mind. It is
also a masterpiece in coordinating color and music.
The Disney film Fantasia which
premiered on Nov. 13, 1940 (at Broadway Theater in NYC) was a financial
disaster as a movie, but was an Illuminati programming masterpiece. The film
was released to theaters in ‘40, ‘46, ‘56, ‘63, ‘69, ‘77, ‘82, ‘85, ‘90 in
order to catch every generation of children. The video was released in 1991.
During programming much of the child slave’s mind will watch the film. One
particular part (alter) will be forced to memorize everything in the film.
This small part (small alter) is well hidden in each victim’s mind. This
small alter, who has a vivid and total recall of the film Fantasia, is
locked carefully away so that ONLY an access code will pull him/her up.
Watching the videotape Fantasia is not going to pull this alter up. The
programmers pull this alter up when they have a clean slate alter.
are taking a clean slate of the mind, they will pull the clean part up and
have the alter who has memorized Fantasia throw its memory onto an internal
The internal Outer space (aka Rubicon) is shaped like an
amphitheater, and functions as a big vast screen for replay. There is an
internal ball or sun created via the lighting effect of the movie Fantasia,
so that the movie appears projected in the mind as on a globe.
And the Fantasia film images hit
this internal globe and go circular in the mind and spin through the system.
The programmer will then say to the new part,
"THIS IS WHAT I WANT YOU TO
CREATE. THIS IS WHAT WE NEED."
In this fashion, Fantasia has provided the
programmers with their primary tool for taking a dissociated clean slate
part of the mind, and manipulating it to become a new workable part within
the system. The young part that holds the entire Fantasia memory is
strategically placed in the system so that it can be called up from anyplace
in the system.
No matter where the programmer is working in the system, he
can access this small alter whose function is to remember the movie. Most of
the system will go into a trance sleep if shown the movie. The front (as
well as most of the system’s alters) will be totally amnesic to having ever
seen the movie. Since the programming put in with Fantasia is so fundamental
it should come as no surprise that the programmers have done an excellent
job in protecting this programming from everyone, including the slave.
Abreacting the film for many alters could rip the system apart, because
after the film is memorized severe trauma begins to be overlaid and attached
to the film. There may be some small alters that still carry tiny bits and
pieces of memory of the movie, but only one will really remember it.
The following script will be a
running account of how Fantasia has been used as an important preparatory
film for Illuminati trauma-based mind-control to train the mind-control
victim’s mind to be able to visualize the programming that will be layered
in. The time clock will begin when the feature film’s action begins, and
then will run its entire 116 minutes.
This will give the researcher of
mind-control a blow-by-blow description of how a Disney movie is used for
programming. The film was often shown to child victims around 3 to 4 years
of age with a wide screen while the child was under a guided LSD trip.
(Prior to the use of LSD some other drugs were used.)
A Grande Dame or
Mother-of-Darkness often worked with the Illuminati programmer as an
The scripts and the programming
have already been discussed prior to showing the child the film, so the
programmers know the direction they want to take the child, and will tailor
some of what is said to the child victim to individualize the programming.
When a three or four year old is shown Fantasia on a hypnotically-prepared
and controlled LSD trip, the colors and effects of Fantasia are increased
about 1,000 times.
The film is realer than real to the child. The movie will
not be shown just once, but over and over so that the scripts are ingrained
into the mind. The imagery for the child’s internal world will be well
established, because the big screen movie enhanced by both the drugs and the
bright colors of the art work will seem more real that life itself.
time, the child is a multiple, but the walls between the various parts of
the mind are not solid, but similar to the walls between ego states in an
adult non-multiple. A large part of the 3 or 4 year-old child’s system will
be allowed to view the system, including the Christian parts. Then the
entire system (with the single exception of the alter carrying the entire
memory of the film) will be hypnotically told to forget having seen the
Years later, the front alters will not remember having seen the movie,
but they may have a strange dislike for the film. They may find that they
can’t identify where their feelings of dislike of the film stem from. The
child victim will watch the movie with its programmer and assistant
programmer one-on-one, with no other children in the room.
The child will
watch the film repeatedly and be grilled about what is in the movie.
The child will see the movie so
many times in such a vivid form and will be tested to the point that the
movie will be memorized. But it will be hypnotically locked up in the
subconscious by the programmers, so that it forms a base for the mind to
begin building programming, but will remain hidden from the conscious.
the time the Fantasia film was made, the Illuminati had been creating
trained multiples for years, but they knew they wanted to program the
different personalities in accordance with the best mind-control techniques
of the day. For this reason, the Fantasia film was planned ahead of time, so
that it could possibly serve as a programming aid.
The film is silent
(almost no words) except for music so that it can be used for hypnotic
visualization, so that the Mother of Darkness and the programmer can fill in
the programming script with the child victim as they watch the movie. As it
turned out, their plans were successful.
The New Age author David Tame
states in his book The Secret Power of Music (Rochester, VT: Destiny Books,
1984, p. 292), that Fantasia is...,
"A superb marriage between the visual
and musical arts. Most of the sequences... are
what New Age cinema was intended to be!"
The power of the movie to influence
the mind stands out. In order to make the film, Disney used some strong arm
tactics on a few people.
The movie was a box office flop when first released
in the 1940’s, but then it was made for the occult world anyway. By the
1960’s, the Illuminati had create a drug culture and had lots of
undetectable mind-controlled slaves running around that had been programmed
In the 1960’s, Fantasia became a hit with the drug culture
which had its share of Illuminati slaves deeply involved in it. One more
reminder, the sentences that are "ALL CAPS" in the script are things that
the programmers are saying to the child victim as the child watches the
(Bear in mind, that the child watches the film over
and over, so not
everything indicated in this script by caps that the programmer says will
necessarily be said in one showing.)
00 minutes. Curtains open. Action begins
with an orchestra. The Conductor upon a step pyramid is the center of
the scene, and is shown to be the center of authority. Master Programmer
Dr. Joseph Mengele liked Fantasia because he was a musician and a
violinist. Mengele (Dr. Green) liked Bach, Beethoven, and Schubert and
orchestra music. He enjoyed taking what he liked and using this music to
make slaves. He would portray himself during programming as being the
conductor, and all the orchestra were his children. The film will allow
for a repetition of this theme.
00.5 minutes. The instruments begin playing.
The musicians are silhouettes which cast shadows upon the wall. Alters
will often see themselves in this fashion too, as merely a shadow or
merely a silhouette.
01.5 minutes. The MC (named Taylor) begins
talking. He begins grooming the viewer. He says that the film may
suggest to your imagination "geometric figures floating in space."
02. minutes. The M.C. says there are 3 kinds
of music. He says some music is to create definite stories, some to
create definite pictures, and some music exists for its own sake.
02.5 minutes. The M.C. introduces us to the
03. minutes. He states that "Abstract
images that might pass through your mind...music will suggest other
things to your imagination..." The Philadelphia Orchestra begins playing
"Toccata and Fuge" by Bach in the background. As a cartoon for children
(or adults) the film has already lost the normal audience at this point.
(There is no way that Disney could have escaped realizing that the film
starts out losing the normal audience.)
03.5 minutes. The conductor is standing out
and everyone else is a silhouette with shadow mirror images (like so
many of the alters become). Leopald Stokowski is now standing as the
rising sun rises. This is an allusion to sun worship and the sun rising
in the east. The music is going up and down, and this music at this
point is used to train the child to go up and down the trance ladder
(that is to go deeper or lighter in trance).
04. minutes. The conductor opens his hands
and waves them in an Illuminati hand signal. The music begins.
06 minutes. A row of violinists play, they
are merely silhouettes with shadows.
06.5 minutes. A harp scale is played in the
background that is used in the programming. Triggers are attached to
this harp scale, or the harp scale is used as a foundation identifier
for a piano scale. More children can be taught the piano than the harp,
so this scale is usually transferred to a piano scale.
07 minutes. A series of 3 musicians is
07.5 minutes. The conductor (the programmer)
becomes invisible. The Prog. Assistant will ask the child,
GREEN? GREEN BECOMES INVISIBLE."
08 minutes. First lines representing bows
are shown (the violinists are invisible), then the Golden Gate Bridge.
"REMEMBER THE BOW, NOT THE VIOLINIST." The bow lines flashing on the
screen represent energy. 08.5 minutes. Colored disks are flashed onto
the screen. The lights are represented to the child victim "THAT’S DR.
GREEN’S ORCHESTRA." Geometric shapes and flashes of lines explode onto
the screen. Concentric rings that will pattern the concentric worlds
appear. (See Vol. 2 p. 196 for an illustration of this.)
10. minutes. Asst. Prog. will say, "YOU ARE
HIS STAR." as stars flash on the screen. Many hidden alters (parts) are
stars. Swirling lines arrive, and then colors and then more concentric
11 minutes. Worlds within worlds are shown.
Water is shown. Concentric circles that are the pattern for the worlds
are presented. A varying number (5 or 7) of Castle-like structures
materialize and then disappear. (These will form the pattern for some of
the internal castles.) A quick flowing yellow line comes down the center
of the screen,
"THAT’S THE YELLOW BRICK ROAD."
11.5 min. Lots of stars emerge.
12 minutes. Various worlds are shown, and an
illusionary castle. Lots of stars are shown, which will be how the
victim will model many of their alter parts after. Lots of purple stars
appear, representing royal star alters.
12.5 minutes. Spiral splotches of cloud-like
colors appear and disappear in dissociative colors. This is the Kingdom
of the Gods during programming. The Asst. Programmer takes the
opportunity to ask,
This scene is used for the
internal heaven where the kings are. Then the camera shows the conductor
13 minutes. The programmer has finished
building his basic worlds.
13.5 minutes. The MC talks about
14 minutes. 13 circling lights come into
view circling around and around. (The 13 lights are something like 4
yellow lights, 3 white lights, 4 orange, 2 blue-something like this.
They don’t have to be all the different programming colors at this
point, because that programming will come in its own time.) Stars turn
into fairies. A fairy with lots of fairy dust whirls around. ("Make a
wish" the slave will be told later on, create what you want.) Flowers
grow into butterflies. Hypnotic music plays as the fairy throws fairy
dust. Soon, the Fairy spins a web.
15 minutes. The cabalistic tree of life is
made with lights, and then the many colors of the ribbons are flashed up
on the screen quickly. A compass image is very quickly flashed on the
16 minutes. Lights multiply on the screen,
and a spider web appears in the background. There are lots of stars
which shine as lights in a spider web. (Stars will serve as alters in
programming, the spider web serves as a system within the system, see
Vol. 2.) There are several shots of multitudes of stars on a spider web.
There is an explosion of light which has a splintering
effect (which will fit in well with an electroshock later on to create
alters.) Around and around go 6 big mushrooms dancing, with a little one
trying to participate. The programmer will point out that the mushrooms
are "A FAMILY". When the splintering effect is done with real
electricity in the future, the mind will splinter into a family.
17.6 minutes. Concentric circles appear in
water. Flashing pedals emerge as if they were dissociation spreading
through the water. The flowers are the top spinners (see the pages in
Deeper Insights on spin tortures to create spinner families), they
dance, and then they float away in the bubbles (of dissociation). "A
FAMILY OF SPINNERS" the programmer will say.
"SEE THEY SPIN YOU INTO
BUBBLES INTO NOTHINGNESS."
There is lots of dancing shown by the
spinners. Everyone is dancing to the top. The child victim’s head will
be wobbling back and forth from the influence of the drugs and
dissociation at this point.
19.5 minutes. When the family of fish make a
star, the Asst. Programmer says, "SEE HOW SAD THEY ARE." The fish dance
in circles and they also hide behind veils. "THE FISH MADE ITS OWN
BUBBLES AND YOU CAN MAKE YOUR OWN BUBBLES TOO."
21.5 min. The child is trained to trance at
the hypnotic 8’s that appear in the water. This type of scene will put
the deeper alters to sleep of a slave still actively being used. The
movie here is being used to teach symbols, which will be important in
the programming. Asst. Programmer,
"LOOK YOU’RE JUST FLOATING.. ..FLOAT,
FLOAT, FLOAT, SLEEP...SEE SHE WENT RIGHT INTO THE CENTER OF THE TRANCE
STATE.. .YOU DANCE ROUND AND ROUND AND ROUND AND WHERE WE END UP YOU’LL
22 minutes. Lots of bubbles begin appearing.
They will be used in the programming to assist the child to protect its
mind from the traumas. The asst. programmer may have a bubble toy to
make bubbles in her hand as a game to play with the child. The child
will be trained and programmed to put its memories into bubbles and let
"WHY WOULD YOU WANT TO GO INTO THE BUBBLE TO GET AWAY
FROM THE DARKNESS? 1,2,3...NOW THERE ARE MANY BUBBLES, THIS IS WHAT WE
WANT YOU TO DO."
At this point the film is showing different colors of
bubbles, for instance gold bubbles. This trains the child’s mind to
identify different colors of bubbles. The bubble-fish-flower scene is
"DON’T YOU FEEL LIKE THAT FISH, ROUND AND ROUND YOU GO"
The fish continues going in a
spin. The fish swim in graceful perfect figure 8’s which have a
subconscious hypnotic induction message to the victim.
FISH" is said when the music gets hypnotic.
"YOU’RE SLEEPY and YOU’RE
TIRED, THIS IS NOTHING BUT A DREAM."
"ALL THE DIAMONDS ARE ALL AROUND,
In other words, this is teaching the child that their entire
internal world can be around them, but "you don’t know that it’s you."
The child begins to lose the ability to realize that other parts of
itself belong to itself, they are only stars, etc. The fish changes into
another character. flowers are appearing in different colors of the
color coding, red, green, orange, blue, white.
All of a sudden it
"SHHH, LISTEN CLOSELY."
22.5 minutes. Eyes shine in the darkness.
"EVERYTHING IS FINE, YOU JUST RELAX."
Silhouettes appear, which
represent fish (alters, and people) who are there but you don’t see
them, they are behind the veil like the silhouettes.
"THEY AREN’T THERE,
IF YOU SEE THEM THEY AREN’T REAL THEY LOOK LIKE A FLOWER, WHEN YOU SEE
THEM, YOU WON’T SEE A CHILD- YOU WILL SEE A FLOWER."
The silhouette veil
gives the sense to the child that he can sense something but it’s not
23 min. Different plants appear and dance.
(This part of movie is very important in structuring.) The plants
separate into many plants and flowers, and they multiply on the screen,
but at the end they solidity into a solid plant. This is teaching the
"FAMILIES ALWAYS WORK TOGETHER.
WHETHER YOU ARE BLUE OR YELLOW OR GREEN, FAMILIES ALWAYS WORK TOGETHER
"BUBBLES ALL HAVE A LIFE
SOURCE...THERE, LOOK, WHAT’S IN THAT BUBBLE?"
HAVE YOUR OWN ORCHESTRA".
Fruit that hangs on the tree is shown, which
will be the basis for how they hang the programs (the fruit) in the
internal world. Note the colors, orange, white, yellow, purple, blue,
24.5 minutes. Fairyland appears on the
screen. The Fairies awake and fly through leaves.
"THERE’S YOUR FAIRIES.
SHE IS VERY MAGICAL. SHE CAN CREATE ANYTHING AND SO CAN YOU."
FAIRIES ARE SO MAGICAL."
Disney often portrays Mickey
Mouse as a Sorcerer.
When the core is being first split, the
parts of the mind that are creative are taken and used to create the
fairies. The programmers will only take these original creative splits,
they will not try to get fairies from any more torture. The fairies are
the creative parts of the child, how ever many creative parts that the
child has splintered will be the number of fairies created.
of the mind receive very heavy programming. They are core splits. (If
readers remember on page 87 of Vol. 2, it refers to a Core Protector
coded "Creation". That alter was a fairy, a core split. Not only does
this creative part make things "magically" for the system, it protects
the core. Does that help people to understand how the Core can be so
creatively protected?! (For more understanding about the Core see
Cisco’s very deep article on the Core.)
Fairies are assigned to every
part of an alter system. The child of 3 or 4, who watches Fantasia has
had their core locked away at 2 1/2. The core’s stars have not been
locked away yet, and have access to her energy. When the system is built,
the stars are locked away and become the core’s guardians. They will act
like the core to protect her.
The real value of the fairies comes when
the core’s stars are locked away and the Programmers have to depend upon
the creative power of the fairies.
25 minutes. A vine (which represents a
system’s double helix) lights up one leaf after another. The leaves are
staggered (alternated) and they light up in sequence, which teaches the
child the foundation of how they will create the DNA helix and its
staggered exit permissions.
25.5 min. The leaves are now floating up and
down, like the alters will learn to do.
"SOME FALL TO THE GROUND AND
This is the point where the story of the Oak Tree will be added in
for programming. When the Illuminati programmers want "to destroy" an
alter they can use the chandelier-MT 6:22-23 torture mentioned on page
310 of the Vol. 2 Formula book, and then have the splintered alters
become leaves that fall to the ground and die. After this, these
disobedient and now "dead" alters can be taken and be dissociated from
their memories. The memories are locked up someplace permanent within
26. min. Out of a leaf like "box" come a
series of fairies. The child is taught to put things (such as alters) in
boxes of various shapes.
26.5 min. Leaves blow in the wind. Fairies
cover things and keep them safe.
27. min. Fairies continue flying around. The
seasons are passing in sequence. An internal green-skirted fairy will be
connected to the internal hourglass during the programming.
27.5 min. The fairies quit flying and skate
on ice. The season has turned to winter.
28 min. A winter scene. The four seasons
have come to an end.
28.5 min. A sorcerer is introduced by the MC
(emcee). The sorcerer is shown and then his assistant or trainee who is
Mickey Mouse. Mickey Mouse wants to be creative and magical like the
great wizard. Mickey Mouse sees the power that the sorcerer has, and
wants that power. What is really being subtly portrayed here is the
programmer (the wizard) and the core and the core’s creative splits
(Mickey Mouse). Showing the programmer as a great wizard is actually
right on the money. The top programmers are all Grand Masters in the
Illuminati and are very much into witchcraft.
29 min. The sorcerer (wizard) is shown
again. This time the wizard" with his skull beside him, creates from
his witch’s cauldron a big colorful butterfly which is forever changing.
(Is this big yellow, purple, white, and blue butterfly meant to be a
Monarch butterfly? The programmers will use it that way for this Monarch
programming.) The great wizard magically creates the big colorful
butterfly and then he shatters it into countless splinters!
30 min. Mickey sneaks around and grabs the
magic hat. (The magic hat is one of the few things in the film that
doesn’t mean anything for the programming. It merely has witchcraft
symbols.) Then a magic broom appears.
30.5 min. The broomstick comes alive. The
broomstick imagery will be used to help create the pancake people
(ribbon alters who will haul the internal computer messages). The
broomstick person in the film hauls buckets of water. The child is
having story after story layered in over a period of time, which are
being skillfully constructed toward a programming end.
Parts of the
child’s mind that see the movie Fantasia will be dissociated clean
slates. They will need to have some imagery given to them so that they
have something to build mentally upon. In Cisco’s section of the book,
in the Truth article it is discussed how the mind looks at sensory
inputs and tries to make sense of a pattern by comparing it to previous
patterns that it has identified.
Learning is a step-by-step building
process, and so is programming.
31. min. Mickey as the apprentice sorcerer
(in a sense the victim who the programmer is training) manipulates the
"THE CHILD (Mickey) CAN DO WHAT THE GREAT MAGICIAN
DID. YOU CAN TELL YOUR MIND WHAT TO DO. YOU GET POWER BY LEARNING TO BE
Mickey (and the victim) become mirror images of the Wizard
32 min. Then the sorcerer sits on his
throne, and while on the throne acts like the conductor. Here is a
subtle mental tie-in that Mickey is playing the role of programmer
(conductor) and is sitting on an Illuminati throne (like so many of the
Illuminati Grand Master programmers have actually done.)
is just one of several mind-control programmers who have gone by the
name of Mickey. Because Mickey Mouse is substituted for being the
programmer at different points in programming, this scene will tie in
well with other standard programming sessions.
32.5 min. Mickey in the film clearly is
shown leaving his physical body and astrally projecting himself. This is
such a vivid portrayal of occult astral projection, that it is
mind-boggling that many christians consider Walt Disney movies to be
christian. (See Vol. 2, p. 319, for a discussion of the scientific
methods to understand and induce astral projection.)
This again is
laying the mental foundation for the child to leave its body mentally
and either hover over its body in dissociation or to travel somewhere
via astral projection. Mickey Mouse then begins conducting lights. These
lights represent the alters that the victim will make for the conductor.
The lights (aka stars) are the conductor’s orchestra. Lightning (such as
flashes that come from electroshock) and stormy weather are being
controlled by Mickey.
Notice that the things Mickey is controlling are
fear-based. After the child has viewed the film many times and memorized
it, when the electro-shock is applied during this time of the film, the
child will control it like Mickey by ‘magically’ creating splits.
33.5 min. Mickey begins conducting waves.
Then, for those who understand the veiled scenes, Mickey begins going
through the different magic spheres conquering the different spirits.
This is Enochian Magic. 34 min. Mickey wakes up back in his body, and he
is in trouble with rising water i.e. a water trauma. Mickey is thrown
into the water.
The child victim will identify this with the drowning
tortures that are given to instill "no talk-no tell" messages. After
Mickey (or in child himself) has done something, and returns to his
body, then the "‘no-talk"’ message will kick in. Victims of mind-control
often get the feeling of drowning when they trigger a no-talk message.
34.5 min. More water continues to flow.
35 min. All of a sudden without any
continuity of action, Mickey gets an ax and kills the broom by splitting
it. The broom dies and then multiplies when it comes back to life. This
is such a clear picture of what the programmers want the child’s mind to
do. They will traumatize the child essentially unto death, and then they
want the tortured alter to multiply itself into many more duplicate
alters. Armies of brooms are formed from the broom.
This scene here is a
clear red flag that the Illuminati asked Walt Disney to produce this
film. This scene with the trauma death of the broom, with it splitting
in half, and then coming back to life in a multiplied form, is evidence
that this film was meant to be used for training children in
The assistant programmer will say,
"IT’S O.K. TO SPLINTER."
"YOU ARE TIRED, YOU CAN ESCAPE THAT BY RESTING AND LET A PART OF
YOURSELF COME OUT."
At this point, it is necessary to explain what is
going to be done when they begin to splinter the child’s mind.
splitting trauma, the programmer needs to be able to see what the child
has created, so he wants the child to look at what’s been made.
YOU LOOK AT WHAT YOU’VE CREATED?"
However, the part of the child that
looks back at the trauma will then see that the dissociated trauma was
real and that will make the child angry. The programmers want the child
to dissociate what he built, and when the child looks back at what he
has created he goes into a vortex of dissociation. The child is told if
he ever looks back at the memory he will go into the vortex.
35.5 min. Water is being thrown in by the
brooms, while Mickey throws water out.
36 min. All of a sudden a hypnotic vortex
sucks things in during the film.
36.5 min. The brooms all march in an army,
while Mickey reads his magic book. Mickey then uses his magic book as a
lifeboat when he gets whirled into a vortex. A vortex is often created
from that part of the mind that is holding the high energy that
accumulates in the mind just before the mind splits. It holds the
highest energy of the mind. One way a vortex is created is to place the
child on a traumatic Disney ride-like a rollar coaster.
electrical boxes or electrical shoes are outfitted onto the child so
that during the ride, at a particular timed moment when fear is
increasing, that fear has pain of the electrical shock added to it. A
cattle prod of course would be too dangerous to take up on some type of
ride like that with all the motion. Also bear in mind, a small child
doesn't take need the electrical power that an adult needs to take it
37 min. At the bottom of vortices in the
Illuminati programming, the programmers place Guardian demons. In
Fantasia, when Mickey gets to the bottom of the vortex, sure enough,
there is a Guardian there to meet him. The Guardian spirit parts the
water as if he were Moses with the Red Sea.
38. min. The Conductor and Mickey Mouse
shake hands. The conductor does something very significant. Mickey
congratulates the conductor and then the conductor (programmer) in turn
says, "Mickey, you’ve done a good job." (Yes, the core/core splits have
done a good job at this point, they have just created their inner
The MC tells us about the next song the occult Rite of Spring.
Spring rituals are creation rituals and so this music is ritually
connected to what the programmers are going to do in this segment. The
MC states that instead of the viewer seeing tribal dances (which are by
the way witchcraft dances), that instead Disney has decided to show us
scenes of what went on billions of years ago.
(This next part is also a
subtle push for Darwin’s theory of evolution. But because it is child’s
entertainment, people don’t have their guard up. The theory of evolution
is important, because it allows people including the victim to not take
moral responsibility for their actions, and it is also the basis of some
of the Hinduism and witchcraft teachings that will be given the deeper
alters. This is a backdoor approach to destroy godliness that is carried
out on children in general.)
39.5 min. The MC says, "Imagine a lonely
tormented little planet spinning in a sea of nothingness." This is
exactly what the programmer will say to the child as they work together
at building an internal world. The "sea of nothingness" is what the
reader will see described in our books as "Outer Space" or "the
Rubicon." Also that "sea of nothingness" is used much later to reinforce
the secrecy of the programmers.
Much later as the programmer and torture
has progressed the programmers will say to alters,
"LOOK DOWN ON THE
EMPTY SEA OF NOTHINGNESS. THERE IS NO DR. GREEN. THERE IS NO DADDY
40 minutes. A swirl of stars in a galaxy
appears. Swirls of comet-like lights flash by.
"MANY WORLDS THERE."
will set the base for the child to build galaxies and worlds within
"BE LIKE GOD, CREATE YOUR WORLD. BE YOUR OWN GOD AND CREATE
YOUR OWN WORLD" the child is told at this point.
42 minutes. The face of the planet emerges.
42.5 min. Lots of volcanoes erupt on the
screen, setting the foundation to build realistic internal volcanoes.
45 min. Oceans, and water and fire are
coming into being. The child victim needs to know how a world is created
in order to create their own internal world. Lava begins flowing as the
flute plays the background music. Lightening flashes. The violence of
the fierce weather portrayed will be enhanced by the child on drugs to a
thousand times its magnitude.
This is important because it will take a
great deal of mental energy and external torture to create the internal
worlds. Having such super-vivid pictures will help when the victim goes
to build their internal worlds. There will be special purpose fragments
that will be made into the elements of fire and water. That’s all these
special purpose fragments will know. Breaking through the layers in the
alter systems will trigger internal earthquakes.
This and a later
earthquake scene are used to build the foundation for the internal
violent weather. If an internal earthquake shakes a slave’s mind, it has
the same effect as if a real earthquake were going off. Everything
internally shakes and shifts. An alter system will also have fire
children, who start internal fires, and will give internal alters the
abreaction or sense that they are burning.
The mind gets very survival
minded when it thinks it is burning, and goes right back into the
programming that is linked with the victim’s compliance for survival
during programming. 46 minutes. The oceans continue to form.
47 min. A calm occurs in the action.
47.5 min. The screen gets dark except for an
amoeba, which becomes two amoebas. As the little amoebas multiply, the
asst. programmer encourages the child,
"IT’S O.K. TO MULTIPLY. GOD
WANTED YOU TO MULTIPLY"
Remember, the programmers are working with a
pre-schooler with clean slate alters. The programmers must show images
that the child can relate to. The concept of the broom being split in
half and then multiplying and now the concept of the amoebas splitting
are portrayed in a way that the child’s mind can grasp the concept.
"IF GOD CAN MAKE A FISH, YOU CAN
MAKE A FISH. YOU CAN DO ANYTHING, YOU CAN BE ANYTHING."
49 minutes. Dinosaurs appear. The
programmers will reframe the concept of dinosaurs into monsters and
demons. The sea-going dinosaurs will be refrained as guardian demons
which guard the internal rivers. These guardian demons tie in with
Armageddon end-time programming. They also guard the various worlds.
50 min. Dinosaur-birds swoop down and grab
prey. This imagery will be refrained to lay the basis for the
winged-monkey watchers of the Oz stories. The winged-monkey watchers are
the child alters who are assigned to watch and guard the system.
51.5 min. Fierce dinosaurs (later ref rained
as Dragons) protect the swamps. Swamps are built into the internal
worlds, so this is very helpful. Demons and alters like Dameon are set
up as guards.
52 minutes- More swamps appear. The swamp
scenes will form the base in the child’s mind for the internal river
Styx. (See more about this in this book’s article "Programming,
foundations, destruction of"). Some dinosaurs that have long necks that
look like snakes begin appearing. The asst. programmer will reframe
these to the child,
"LOOK, THE SEED OF SATAN."
"THAT IS A DEMON."
the child watches, they reframe the hugh dinosaurs as being demons.
Pictures of reptilian looking demons will be shown to the child too. At
that age, the child is not going to see the difference. (A note for
therapists: Some ""demons’" may actually be important parts to an alter
system, and are being used to protect unauthorized users from entering
important areas of the system.)
54 min.- Fierce Tyrannosaurus Rex chases
dinosaurs. This chase scene is especially frightening to a young child
on a LSD trip. Long-necked snake-like dinosaurs appear. They may be
refrained as a python snake. T Rex is also known as Leviathan, a demon
that inhabits the kundalini spinal column and causes pain in the victim,
he is written about on page 302 in our Vol. 2 book. In the film a long
fierce struggle between T Rex and other dinosaurs ensues.
55 min. The dinosaurs begin dying and soon
"THE LORD DOESN’T LIKE THEM."
This will later be refrained that
if parts integrate they are to die. If someone tries to get into the
system, the alters are to bury themselves deep like these dinosaurs do
on the film.
56 min. Dead bones appear
59 min. Mountains soar out of the ground
59.5 min. It gets stormy on the screen,
winds and floods appear.
60. min. Stillness comes as the sun rises.
61 min. The sun sets. (During the
programming, this may be refrained as the moon setting. It can be both
or either or. Remember, the programmer is working with the child’s
creativity.) Various scenes during the film show the moon in different
phases which is important for bringing in programming concepts like Mr.
61.3 min. The orchestra is now playing.
Music is an important part of mind-control programming. The affect of
music on the mind and body has been studied. Music can double the heart
beat, accelerate the respiratory rate, make that rate irregular, enhance
perception, lower the threshold for various sensory stimuli, change
blood pressure and circulation, and alter the muscles in the body. Dance
music and "march" music done by orchestras change muscle response. Music
is also a great way to cause dissociation.
62.5 min. The MC introduces the "‘Sound
Track’ who he says is an important person for Fantasia who can be seen
around the Disney studio. When Mr. Sound Track appears, he is simply a
vertical line. The MC says he is "an important screen personality." The
ground work is being laid for a person being anything, even a line. The
MC states that each sound creates a picture.
63 minutes. The MC encourages the
personified Sound Track "don’t be nervous." Then a sound is made like
an electrical shock and the line develops a splotch of color in it.
During the programming at this point an electrical shock would be
applied to the child.
63.5 minutes. The harp is ask to sound. The
harp begins playing a scale and the line becomes double 8’s and
snake-like spirals. The child will be taught to dissociate when seeing
such double 8’s.
64 min. The violin begins going up and down.
Each of these instruments is going up and down the scale, like
do-ray-me-fa-so-la-tee-do. The music is used to teach the alters to go
up and down the helix, which is figured in this part of the film. As the
music goes down, an alter is taught to go down in trance, and as it
climbs higher, the alter will trance higher. All these instruments
(violin, flute, bass, bassoon) are being used to teach alters how to
work in the system. The MC describes the flute as "very pretty".
64.3 min. A trumpet begins playing and the
colors, yellow, orange, etc. begin showing.
64.5 min. When the bassoon plays, the MC
says, "Go on. Drop the other shoe" - "Go to the shoe" which translates
"go to the ground" - the deepest trance level. The following is the
double-pyramid, with a helix up the middle that appears when the bassoon
(This configuration is very important to all these Illuminati
65 min. The drum plays and some other
percussion instruments play. These are taught to the child as the cult’s
"HEARTBEAT". They will hear this sound internally for many years to
come. Then some sounds that have a shattering effect (cymbals) like
broken mirrors are made in the film.
65.5 min. As the sounds take place a line is
made with a pyramid at the top. This is laying the groundwork for the
66 min. The MC laughs and talks about
Beethoven’s Pastoral Symphony (Beethoven’s 6th) which is next.
66.5 minutes. The screen comes alive with
magical Unicorns of different colors. Then Pan (a satan-like figure)
appears playing his pipes, and soon lots of little Pans (little demons)
are playing their pipes. The little Pans (demons) play and dance with
the unicorns. The orchestra plays again. (This author, Fritz, remembers
when I said that Pan was an evil demon, I was rebuked by a Christian
minister. He then said Pan a benevolent cheery creature". A number of
books which may be obtained from Satanic bookstores document that Pan is
indeed considered a powerful demon by occultists.)
67 min. Pegasus (the mythical greek winged
horse) flies in. As a Mother horse she takes care of little ones on the
screen. She is a protector in the programming.
"FANTASY IS FUN. FANTASY IS A GAME
YOU PLAY. MOTHER TEACHES YOU. SEE HOW MOTHER IS A TEACHER. SEE THE BLACK
AND WHITE HORSE. THEY ALWAYS FLY TOGETHER, BUT ARE SEPARATE. THEY ARE
FLYING OVER THE CLOUDS."
"OVER THE CLOUDS, INTO THE BLUE YONDER."
child is rewarded for what it has to do with the game of fantasy.
"THAT’S YOUR REWARD FOR DOING WHAT YOU ARE TO DO. YOU CAN LEARN TO FLY
OVER THE CLOUDS."
The child feels rewarded by the game of fantasy. The
fantasy scenes in Walt Disney’s Fantasia are like the Wizard of Oz
scenes in Oz, fantasy-land is more colorful and fun than real life.
Vivid colors will be splashed about during the fantasy-land scenes.
68.5 min. A castle appears as Pegasus flies
around. This and other castle scenes will help the child develop the
imagery for the spiritual castles that the child will build internally.
Then they swim in the water.
"SEE THE MIRROR IMAGES, WATER CAN BE
During the programming mirrors are put into the internal system.
A mirror can be a piece of glass, the surface of a pond, or an asphalt
runway. When the programming is complete, underneath the water and/or the
runway lurk demons.
70 min. Waterfalls emerge and issue forth.
The waterfalls are used by the programmers to erase all the slave’s
memory of what was done to them. The child will be told at the end of
watching Fantasia (and this will be said at other programming events
"JUST REMEMBER THE GOOD, JUST REMEMBER THE FANTASY".
is given so that the subconscious can rest in peace after the
The child is told,
"WASH YOURSELF CLEAN."
70.5 min. The little girls appear as girl
centaurs (half girl-half horse).
"SEE THE LITTLE GIRLS ARE HORSES."
71 minutes. Then a scene appears where one
girl centaur braids another girl centaur’s long hair. The Illuminati
teach their slaves to braid their memories. They braid their memories up
and then lock them in. All the Daddy memories will be locked up and
braided and then locked for good.
72 min. Male centaurs appear. They are near
water and make mirror images in the water.
72.5 min. A crown is placed on a female
centaur and 2 doves. During the Illuminati death, burial and
resurrection ceremonies lilies are used for crowns, and doves are used.
These are significant programming/ritual symbols. The female centaurs
look at the male centaurs. This will be refrained as a system can have
both male and female parts.
73 min. Starting with one female centaur,
the females act seductive to the males, who then respond. For bras the
females have bras of daisies. The Vol. 2 book explained how the daisy
programming is a life-or-death type program. Vivid colors are used for
each centaur. For instance, one may be purple and another one another
color, which sets the groundwork for alters to have different access
color codes. Alters do not usually see themselves as being in different
colors, although it does happen on occasion.
73.8 min. A marriage takes place between the
centaurs. The programmers catch these nuances of the film and use them.
The marriage here teaches the child to be acquainted with the
arm-and-arm marriage ceremonies. Remember, the programmers are dealing
with clean slates that must be taught from the ground up. In the next
few minutes, the cherub children will watch sexual body language, and
the child victim is also picking up on enticing sexual body motions.
74.2 min. The centaurs go swimming.
LIKE A LITTLE GIRL WITH A HORSE’S BODY."
75 min. Little cherubs are dancing and
flying around. When pictured the artists at times single out 3 cherubs
who blow flutes together. The female centaur appears, who is fair haired
(blond) and blue-eyed, which is what the Illuminati like. When she hears
the tone (of the flutes) she goes into a trance state and walks with her
This imagery is used to teach alters
that when they hear
certain tones, they are to go into a trance state and do certain
things. The little cherub turns into a heart, and when no one is
into the tree. In programming, this part is the Keeper of the Tree.
Notice how everything is veiled.
The assistant programmer will point the
cherub out to the child victim,
"LOOK AT WHAT HE DID."
76.5 min. A curtain then shrouds the scene.
The curtain appears to be tree-like. More bubbles appear, and more
water. All the mythical creatures on the screen begin to dance and be
merry and have a feast.
"SEE THE FEASTS, SEE THE BANQUETS,
THE FEASTS ARE O.K. THE BANQUETS ARE O.K."
"THE LEAVES ARE FALLING."
wine is drank at the feast.
"SEE THE BLOOD."
"SEE THE LITTLE DEVILS POP
The only human in this Disney scene is honored. This is done to
teach the alters that humans and animals can mix. That they can be
accepted for what they are, even if they think they are an animal or
something else they will be accepted at the cult’s feasts. These scenes
are all for internal programming.
By the way, one of the pretty female
centaurs makes a sexual pass at the fat human, who then chases her.
"MUST PLEASE THE MASTER."
80 min. A scary storm comes up, and Zeus,
and the Greek gods appear.
"BETTER FEAR IT. HE’S A GOD YOU’D BETTER
FEAR HIM. HE THROWS LIGHTNING."
This demon who throws lightening is
named Furfur. He also makes thunder and strong winds in the system (alter
system’s worlds). Readers can learn more about this demon, named Furfur,
in Cisco’s second part of Deeper Insights in the article on
"Programming, foundations, destruction of".
81 minutes. Lightening bolts are thrown from
81.5 min. All the little cherubs run for
cover in fear.
82 min. Pegasus the protector flies in to
protect everyone, especially a new born Pegasus. The wind is personified
as a two-headed blowing person. This two-headed Janus wind comes
storming through the heavens. The programmer will often place his own
voice "IN THE WIND." The Greek god (internal demon) throws a lightening
"SEE THE GODS".
The child is
learning what to make internally. Zeus then relaxes and goes to sleep.
84 min. More vivid colors form.
YOURSELF WITH ALL THE COLORS."
The film at this point is teaching the
child to stay in the framework of the programming for safety. To go
outside of the programming is terror. The child is learning to fear the
godlike demonic guardians.
84.5 min. The fantasy world is coming alive.
It is a happy fantasy world. A goddess in the sky makes a rainbow
emerge. This is the rainbow goddess of the programming.
85 min. All the happy unicorns and cherubs
fly ‘"over the rainbow." (Refer back to the Vol. 2 book p.94 to
understand the significance of going over the rainbow.) The unicorn is
derived from old British paganism where the lion represented sun
worship, and the unicorn represented moon worship. This is why the Royal
Arms of the British Royal Family have a unicorn on one side, and a lion on
the other. Sexually the unicorn represents androgeny.
programming, the horses, pegasi, unicorns and centaurs shown in the
Fantasia movie become the foundation upon which the Illuminati
programmers build the Night Mare alters who are beasts of burden who
carry an alter system’s memories. These are logical no-emotion alters
who are early splits and who are programmed after the child is verbal.
Cisco’s article on Dream Work for more understanding about the horse
alters, as well as chapter 7 on Structuring.
86 minutes. More rainbows and lots of
bubbles come into view. The film has done an excellent lob of showing
how the Furfur God of thunder protects the Rainbow. Once an alter has
gone over the rainbow, they can not come back because a demon protects
the Rainbow. The rainbow is also protected by alters who fear the gods.
After seeing Fantasia, the therapist can understand why the little child
protector alters have fear about these gods. The master (who represents Furfur) in the movie swallows the rainbow.
If an alter looks internally
for the rainbow, he or she will only find stars, because the protector
will come up and say,
"I swallowed the rainbow."
The rainbow is kept
well hidden internally. This scene is used to teach alters how to go
over the rainbow.
"BEFORE YOU GO OVER THE RAINBOW, YOU HAVE TO PUT ALL
YOUR MEMORIES IN THE BUBBLE. YOU CAN’T TAKE ANYTHING OVER THE RAINBOW
INTO FANTASY LAND."
86.5 minutes. Apollo, the sun god comes out.
87 min. A big mother spirit who fills the
whole sky is now shown by Disney. She hangs over the rainbow. When a
system is built this is indeed what they put in. All go to sleep in the
87.5 minutes. Arrows shoot the stars into
the heavens. This is more programming imagery. When you look for the
rainbow, you see stars.
88 min. The conductor finishes again.
88.5 min. The next setting is a Venetian
nobleman’s (a duke’s) palace. Curtains open. The use of curtains is
spoken about in our previous books.
89 min. Curtains open. An Ostrich begins
dancing, and gets others to ballet dance.
90 min. The Ostriches begin dancing in a
circle, this is laying the groundwork for what the cult family does. The
Assistant programmer may tell the child,
"SEE IT’S O.K. TO DANCE
TOGETHER. DANCING IS ACCEPTABLE."
The programmers will not directly tell
the child that this represents the cult family.
Fantasia portrays Satan as a
terrible powerful being.
91.5 min. The Ostriches are eating grapes.
They are playing, looking in the pool and they are seeing bubbles.
92 min. Hippos emerge out of the pool.
O.K. TO BE DIFFERENT. IT’S O.K. TO BE STRANGE. USE YOUR CREATIVITY."
hippos begin to dance and dance.
94 min. Elephants appear and are having fun
and blowing bubbles out of their trunks. The programmers may be having
fun blowing bubbles with the child. The programmers like to mix love and
hate, kindness and sadistic behavior. That way the victim has a hard
time separating love from hate. If you ask many slaves about "Daddy"
they will tell you that they had fun with Daddy.
They are right - they
had fun intermixed with sadistic torture. Bubbles continue to lift off.
One of the bubbles has a fish in it. This is imagery for the bubble
programming. The child victim is trained to dump their bad memories into
bubbles and let them float away. The therapist will notice that many
victims feel like they are floating. They have an unreal feeling. The
bubbles are floating their bad memories away.
98.5 minutes. A new setting and the hippos
are hypnotically sleeping. 3 sinister alligators that remind one of the
3 primary programmers appear. The 3 alligators have robes that hide
them, and shadow images of themselves lurking behind them. The
alligators are trying to get the hippos.
The 3 alligators are portrayed
like the programmer is, he is someone to fear, love, and respect all at
once. The hippo is running away and dancing. The alligator dances with
the hippo, but makes menacing attempts to eat him. A flying hippo lands
on an alligator. Elephants, hippos, alligators are shown. The elephants,
ostriches, hippos and alligators all dance in fantasyland.
100 min. The orchestra is dancing.
YOU’RE TOLD AND WE WILL HAVE FUN."
101 min. The MC announces the next part as
""the struggle between the profane and the sacred."’ The conductor
stands in a silhouette that suggests the same pose that the upcoming
102 min. A high dark mountain with a castle
looms in front of the viewer. A winged fiercesome Satan figure raises
his wings. His wings are sectioned like fingers with claws, and will
form the imagery of the demon Malebrinche, whose satanic claws hang over
the alters and terrorize them. In the Illustrated Guidebook, the reader
will find lots of these claws in the pictures lurking in the background.
A child victim will be taught to fear the hands of the programmer, Satan
and Malebrinche. The wings (hands with claws) open. And Satan is
portrayed as an awe-inspiring figure. (By the way" the word maleficia
means evil misfortune caused by witches. The witch in Disney’s Sleeping
Beauty has the demonic name of Maleficent.)
102.5 min. Satan begins raising the dead
skeletons. This provides a foundation to layer in the Valley of the Dry
bones coming alive with armies of skeletons.
104 min. The film also has some images at
this point that will help with the foundation for the Armageddon
programming. Satan calls everything to himself.
104.5 min. The hell pit is shown. This is
laying a foundation for the hell pit with all its demons. All kinds of
vivid colors are shown in hell, to make the scene more real than real
for the child victim. Satan smiles as demons burn in hell.
WHAT COLOR YOU ARE, IF YOU ARE NOT GOOD YOU’LL END UP THERE.’"
"THAT’S WHAT HAPPENS IF YOU’RE BAD.
YOUR THROWN INTO THE HELL PIT."
105.5 min. Three beautiful lady demons begin
to dance in a circle, all of a sudden these demons take on their
luciferian form, one becomes a goat.
106 min. The demons continue to dance with
powerful Satan watching over them. The hell pit and the demons are
portrayed in vivid scary graphic depictions. The hellish fire and the
ghoulish dancing of its occupants continues for what seems a long time.
"WHEN GOD FINDS OUT HOW BAD YOU ARE, LOOK AT WHAT HE’LL DO TO YOU."
107 min. Satan is portrayed by Disney in all
his evil dark majesty.
107.5 min. Bells begin to ring, and the
demons slink away, and the dead return to the earth to their graveyards.
108 min. Ghosts return to the graves. Soft
music begins to play. Ave Maria by Schubert, which was written for the
Catholic church, begins playing.
109 min. Satan folds himself into a
"DO YOU SEE LUCIFER ANYWHERE? NO. YOU ONLY SEE A MOUNTAIN."
110 min. Lights shine as if they are a
column of moving people who are walking with lights, and then some walls
110.5 min. An arched bridge appears with its
mirror image. The column of silhouetted people who continue walking have
mirror images in the river.
The asst. programmer will be telling the
system (which the front parts will hear)
"TIME FOR ALL THE GOOD CHILDREN
TO GO TO CHURCH. IT’S O.K. TO GO TO CHURCH. GO SERVE GOD."
113. min. An opening, a vertical sliver of
light comes from what appears to be doors opening up. There is a mirror
effect in the way the doors open, which will facilitate making mirror
image front worlds. A whole new world opens up, which will be the front
system’s world. Both the front alters and the deeper ones will be told
to forget the movie.
Later when a system is better programmed, the
programmers will pull up the front alters and have them walk through
these doors into the light. When they are hypnotically taken through
these doors into the light and away from the fear and darkness of the
Kingdom of Satan, they are hypnotically told to close those doors and
never look back. The Kingdom of Satan has been shown in detail and in
great length. The Kingdom of Satan has been shown as powerful and
Satan is shown as a mighty power that is to be feared. The
Kingdom of Light is only shown as a peace, as a refuge from evil. It is
not shown to be good. It is not shown to have power or intelligence. It
is simply a place to go to escape the fear of Satan’s power. This is all
the programmers really want the church to be. It will be a stabilizing
balance to let the mind recuperate from the hell of the programming, but
it is not intended to be seen as greater than Satan and his Kingdom.
115 min. The film ends with a peaceful gaze
at heaven. The child is being told in the last few minutes,
BELONGS TO YOU. IT’S A BEAUTIFUL WORLD. IT’S THE WORLD WE WANT YOU TO
LIVE IN. IT’S BEAUTIFUL."
After all the hell that is eventually dumped
on the child, and the scare that Satan gives them in this Fantasia film,
the child is only too happy to create a beautiful world to live in.
The effectiveness of Disney’s
Fantasia is that it is used to communicate to and build the unconscious
structures within the child’s mind. The unconscious mind is the seat of our
Then the conscious mind makes adaptations upon this
Now that the reader has covered
so much, the following quotes (with bold emphasis’s added) take on even
Joe Flower in Prince of the
"Walt Disney was obsessed with creation, driven to build
magical worlds not, as many artists are, out of paint and canvas, or words,
or even film, but physically, out of concrete, wires, smoke, electricity,
and highly programmed employees." (p. 23)
Julian Halevy in Nation decries
Disney taking this nation into a "drift to fantasy."
our whole culture heading up the dark river to the source--that heart of
darkness where Mr. Disney traffics in pastel trinketed evil for gold and
For those who understand programming
Aubrey Menen comments about
Disney’s success are profoundly appropriate,
"the strongest desire an artist
knows...to create a world of his own where everything is just as he imagines
John Ciardi was not so nice, he termed Walt Disney as "the shyster in
the backroom of illusion."
"While his filmed fairy tales may have appeared at first
glance to be light and dreamlike, upon closer examination they seemed more
nightmares of deconstructed reality in league with the era’s leading
You have now finished reading
a never-before-heard, unprecedented Warning about the Dark Reality of the
Disney’s Magic Kingdom, and how it fits in with Mind-Control.
when surveyed say they believe in God, most go to church, and many believe
they are born-again. Because of the Illuminati’s deception campaign over
several generations, the American public, and the world in general has been
led to believe that Disney was good, and that Walt Disney was a good man.
Because of his image, people suspended judgment about Disney and Disney
They entrusted their children to him. People had been manipulated
into a frame of mind, a predisposition that whatever comes out of Disney is
good. They entrusted their children to take in what Disney fed their
children’s little minds week after week. The public’s predisposition of
trust was used to introduce Illuminati beliefs and their political agenda,
and to carry out a vast program of trauma-based mind-control on hundreds of
thousands of tiny little children, whose minds and souls were stolen from
Because many of the child slaves, who are programmed with
Disney-themes, are programmed with roles in bringing in the Anti-Christ,
Walt Disney and his family have played a major role for the Anti-Christ. And
now you can see how accurate the Word of God is when it says, What is highly
esteemed among men, is an abomination to God.
First, there will be an
Overview of the types of sources used, and then will follow a partial
Bibliography on this Disney Section.
TYPES OF SOURCES
People who have worked for
Disney and who are getting pensions and medical insurance have talked about
Disney under the condition of anonymity.
This is because the Disney
hierarchy will not permit exposure without retaliation. Several non-Disney
people who helped with discovering facts for this section were threatened
that their children lives would be taken if they continued to investigate
What I (Fritz Springmeier) finally have put in this, is solely my
One type of source for this was books on the
Hollywood Film Industry and books on Disney Films. There were about 20
books of this category which were perused for a better understanding of
who the Disney brothers were and what Disney Co. was about. One of the
best in this type of source was The Art of Walt Disney from Mickey Mouse
to the Magic Kingdom by Christopher Finch (NY: Harry N. Abrams, Inc.,
Another type of source were the standard
biographical reference books" such as Who’s Who, Who’s Who in the West
(1951), World Biography, Who Was Who" Current Biography 1952, etc.
Another type of source was critics of
Disney’s movies such as several articles exposing the Lion King, Media
Spotlight’s article Fantasia, Rush Limbaugh’s comments and statements
concerning how Disney had betrayed its viewers’ trust, the Spotlight’s
Feb. 26, ‘96 p. 31 article "Disney Turns Back on Family Values."’
Another type of source was magazine and
newspaper articles about Disney such as the Oregonian’s art. on a Disney
director being a convicted child molester. NY Times, Newsweek and other
magazine and newspaper sources. An important series of extremely good
investigative reports which were written by Harry V. Martin for the Napa
Sentinel in 1989 were very important in learning of some of the
Illuminati/CIA/Contra/Drug Running activities in Napa Valley, CA that
Roy Disney is associated with.
Harry V. Martin went into all kinds of
records and did an excellent job of investigative reporting. The
magazine Monde 2000, no.12, had an article on non-lethal weapons that
the NWO is developing. This article was reprinted in Encounter
Chronicles Journal of Scientific Intelligence, and discussed how Disney
has been working with Sandia Labs and Los Alamos.
Another type of source were victims of
Illuminati mind-control, who have recovered memories of being programmed
at Disneyland and Disneyworld.
Another type of source has been to watch
Disney movies as an investigative tool to understand how Disney is
programming, how they are skillfully indoctrinating the American people
into witchcraft, etc. This author has also personally been to both
Disneyland, near Anaheim, CA and Disneyworld, near Orlando, FL.
Another source was the Walt Disney Co.’s
Annual Reports, and also the reference book Directory of Corporate
Affiliations (1986) published by the National Register Pub. Co.
Another type of source were books which
specialized in covering details about Disneyland such as Disneyland And
Beyond the Ultimate Family Guidebook (edited by Ray Riegert, and printed
by Ulysses Press of Berkeley, CA); and Walt Disney’s Disneyland (by
Martin A. Sklar and introduced by Walt Disney.) AAA had a 27 page
booklet "Disneyland Park and Southern California", which came out in
1996, which provides information on what is being offered at Disneyland
The book refers repeatedly to "Disney Magic". One has to
wonder how Christians and non-occultic persons can’t see how occult
AAA. Disneyland Park and Southern
California. 1996. the Walt Disney Co.’s Annual Reports. pub. by the Walt
Disney Co. annually.
Auletta, Ken. Three Blind Mice. NY: Random
Cluran, Richard M. To the End of Time.
Rockefeller Ctr, NY, NY: Simon and Schuster.
Commander M. The Controllers: A New
Hypothesis of Alien Abductions. (subtitle Alien Abductions, or
Government Secret Mind Control Black RandD Programs). 88 pages long. 1990.
Current Biography 1952
Directory of Corporate Affiliations (1986)
published by the National Register Pub. Co.
Eliot, Marc. Walt Disney Hollywood’s Dark
Prince. NY, NY: Harper Paperbacks, 1993.
Finch, Christopher. The Art of Walt Disney
from Mickey Mouse to the Magic Kingdom. NY: Harry N. Abrams, Inc., 1975.
Hagstrom, Robert G. Jr. The Warren Buffett
Way. NY: John Wiley and Sons.
Hulteng, John L. The Messenger’s Motives,
Ethical Problems of the News Media. Englewood Cliffs, NJ: Prentice-Hall,
Jackson, Kathy Merlock. Walt Disney, A
Bio-Bibliography. Westport, CN: Greenwood Press.
Landis, Bill. Anger, The Unauthorized
Biography of Kenneth Anger. NY: HarperCollins Pub., 1995.
Moldea, Dan E. Dark Victory, Ronald Reagon,
MCA and the Mob. NY, NY: Viking, 1986.
Mosley, Leonard. Disney’s World. Stein and
Day: NY, 1985.
Neelands, Barbara. About Ben Sharpsteen.
Second Impressions, No. 1 A Sharpsteen Museum Reprints Project,
Calistoga, CA: Sharpsteen Museum, July, 1990.
Riegert, Ray, ed. Disneyland And Beyond the
Ultimate Family Guidebook. Berkeley, CA: Ulysses Press of Berkeley, CA.
Schickel, Richard. The Disney Version. NY:
Simon and Schuster, 1968.
Siu, R.G.H. The Craft of Power. NY, NY:
Quill, William Morrow and Co.
Sklar, Martin A. (with intro by Walt Disney)
Walt Disney’s Disneyland. Walt Disney Prod., 1969.
Smoodin, Eric. Disney Discourse Producing
the Magic Kingdom. Routledge: NY, 1994.
Stein, Jeff, ed. The Basic Everyday
Encyclopedia. NY, NY: Random House, 1954.
Sterling, Claire. Thieves World -The Threat
of the New Global Network of Organized Crime. NY: Simon and Schuster,
Taylor, John. Storming the Magic Kingdom.
NY: Alfred A. Knopf, 1987.
Thomas, Bob. Walt Disney An American
Original. Hyperion (Disney): CA, 1994.
Wallechinsky, David and Irving Wallace and
Amy Wallace. The Book of Lists. 666 5th Ave., NY, NY: Bantam Books,
Wallechinsky, David and Irving Wallace. The
People’s Almanac. Garden City, NY: Doubleday and Co., 1975.
Who’s Who, Who’s Who in the West (1951), Who
Was Who World Biography
Carson, L. Pierce, Who’s Who in the Napa
Valley, Appellation, Oct/Nov. ‘95
George Magazine, ""Here Comes the Son’",
Dec. Vol. 1, No. 10.
House and Garden, "Sticks and Stones, Mickey
for Mayor?", Oct. 1, 1996, pp. 61 -68ff.
Martin, Harry V. Napa Sentinel. A series of
articles in 1989 were very important in learning of some of the
Illuminati/CIA/Contra/Drug Running activities in Napa Valley, CA that
Roy Disney is associated with. Harry V. Martin went into all kinds of
records and did an excellent job of investigative reporting.
Monde 2000, no.12, had an article on
non-lethal weapons that the NWO is developing. This article was
reprinted in Encounter Chronicles Journal of Scientific Intelligence,
and discussed how Disney has been working with Sandia Labs and Los
Media Spotlight’s article Fantasia, Mother
Jones, May-Ju’, 97, p. 61.
NAPA VALLEY REGISTER, the following articles
are samples of what was used:
"ABC Will Mount An Anti-Drug Campaign’"
Friday, Jan. 10, 1997, p.1D
"Children’s Books Get Red Carpet
Treatment In Hollywood Films" May 16, 1996, p. SC
"Disney and McDonalds’" May 24, 1996
"Disney Buys ABC", Saturday, Aug. 19,
"Disney Earnings Up 28 Percent In Third
Quarter", Friday, July 26, 1996, p. 8C
"Disneyland Expansion Given OK"
Wednesday, Oct. 9, 1996, p.D
‘"Disney Links to McDonald’s May Be
Back. Thursday, Apr. 11, 1996, 7A
"Disney World Makes Sure World, Remember
the Magic"" (by L. Pierce Carson), Sun., Oct. 20, ‘96
"Federal Employees Get Disney Tour"
Saturday, Dec. 9,1995, p. 5A
"It’s Lights-Out For Main Street" May
"An Overlooked, Different World Inside
Theme Park" Sunday, Sept. 29, 1996, p. SC
"Mickey Going On The Road", Friday,
7/26/96, p. 8C ‘"Past and Future In Disney Community’", Friday, Oct.
4, 1996, p. iD
"Planned Parenthood Benefit On
Sunday"--Events of Interest sect. on p. A2, Sept. 13, ‘96
"Pentagon Still Wastes Money", Mon.,
4/15/96, p. 4B
Newsweek "Power Failure" 12/23/96, p. 34-36;
‘"Sending an SOS at ABC", 5/12/97, p. 54-55
NY TIMES (the following are samples of what
was used: Articles during the "50’s and ‘60’s were looked at. "Disney
Offers Faux Memories of Atlantic City Boardwalk" by Joe Sharkey,
Tuesday, Dec. 10, 1996 "Baptists Censure Disney On Gay-Spouse Benefits"
Thurs. June 13, 1996, p. Ala "Disney to acquire 2 radio stations",
4/15/97, p. C4.
The PRESS DEMOCRAT (the following are
example of what was used:)
"Baptists, Disney Paths Diverge"
Saturday, June 29, 1996, p. D4
"Disney To Buy Stake In Web Company"
2/15/97, p. E6
"Heavy Disney" Sunday, Oct. 20, 1996
"The Ins and Outs of Allen" by Frederic
M. Biddle and Renee Graham, On Q" Sept. 29, 1996, p. 27
SAN FRANCISCO CHRONICLE (the following are
examples of what was used:)
"Disney, Miramax Bond", May 10, 1996
"Disney Signs Asian Animator" "Miramax Plans To Make ‘Thoughtful"
SAN FRANCISCO EXAMINER (the following are
examples of what was used:)
"Disney Institute Is A Short Course In
Creativity"" by Catherine Watson, Sunday, May 26, 1996, p. T9
"Mouse Matriculation Is A Great Experience"" by Catherine Watson,
Sunday, May 26, 1996, p. T9 "Tomorrowland Jumps Into The Future",
Sunday, July 14, 1996, p. T3 the Spotlight’s Feb. 26, ‘96 p. 31
article "Disney Turns Back on Family Values."
Time Magazine, "Job Hunting With Mike
[Ovitz]" 2/24/97, p. 50; ‘"Hilton Has Room For ITT’" 2/10/97
Wall St. Journal (many issues from several
decades.) SOME OF OTHER SOURCES (used and not used).
Rush Limbaugh’s comments concerning how Disney had
betrayed its viewers’ trust.
Interviews w/ Napa Valley residents.
disgruntled insiders to the NWO.
various types of Disney victims. [Disney has used mafia-type tactics,
i.e. death threats, to intimidate numerous people into selling their
property. Roy E. Disney has been reported involved in these land thefts.
Victims of this type of intimidation are in many states, but several
prominent regions are,
Napa Valley, CA
Virginia, and FL
Disney’s land-grabbing operations could be a book in itself.
has lots more research which I HAVE NO PLANS to reveal, which has been
left w/ key others, such as the connections of VaVin, near Leon,VA, who
produce Prince Michel de Virginia, whose chef and others connect to
Belgium. The background of several key people, like Robert Podesta.
Financial records, such as Fed. Judge Fern M. Smith (Burrows). ETC.